I know what you’re “supposed” to do is wait until the end of a season to tell everyone what you’re favorite show was but fuck rules, or even guidelines, because I already have my winner. And I don’t say that lightly, this is a pretty fucking solid season of anime we’re talking about here and I fully expect that most people will totally disagree with me. Hell I’m inclined to disagree with me, considering I’m pitting Youjo Senki against KonoSuba season 2, which is the most consistently hilarious show I’ve seen in a long time. The following will be full of spoilers for a bunch of currently airing shows, you’ve been warned.
Like I said this is a solid season of anime. Masamune-kun no Revenge is a cut above you’re normal slice-of-life romcom. KonoSuba is fucking hilarious and even Gabriel Dropout has been pretty funny even if it’s been pretty inconsistent. Kuzu no Honaki is the most interesting romance drama I’ve seen since Kimi ni Todoke season 1. Little Witch Academia is a constant source of feel-good charm that I can hardly find anywhere and we’ve even got the low key but stylish as fuck ACCA. However I think the crown jewel of the season is undoubtedly Youjo Senki. Youjo Senki episode 8 is definitely the episode that heralded the sudden upsurge in my interest in my opinion of the show, but looking back the thing which made that episode stand out so much, a radical tone shift, was already present throughout the show albeit to far lesser degrees. What this means, in short, is that I think Youjo Senki is probably the most well rounded show of the entire season, and going by episode one you’d never fucking guess that would be the case. Let me break this down in more detail.
For those who haven’t seen Youjo Senki, it’s about an alternate world’s WWI with a few major differences, the most obvious being magic. The lead character is a 12 year old girl named Tanya, or at least that’s what they look like. In reality our main character is a 30-something (I assume) asshole of a man from our world who was reincarnated in this alternate world as a 12 year old girl as a trial from God or Being X as our main character calls him. Our 12 year old girl, who has incredible magic power, with the brain of his former 30 year old self signs up for war to get a comfortable life as an officer and thus defy God because this trial was meant to convert him into one of the faithful by putting him in dire circumstances. If you made through the last couple sentences without going “huh? or WTF?” then consider me impressed, this is a pretty fucking weird premise. However as I’ve explained before premise is cheap, execution is what really matters and for the most part Youjo Senki has been able to pull it’s unusual premise off well. And almost none of this present at all in episode 1, barring the interesting setting, episode one makes Youjo Senki look like an edgy action show that relies on shock value and explosions to sell itself. Now it is that in part, but there’s so many other elements woven in that the edginess is a side note and doesn’t distract me in the slightest.
The main reason is that Youjo Senki includes a wide variety of scenes and tones, so much so that many of the worst ones easily get lost amid the all the shit happening, a trend made possible in part by the fact that the good scenes far outnumber the bad. The biggest detractors from Youjo Senki are that it’s edgy, the art is definitely on the uglier side and episode 3 with the mad scientist was a goofy mess. But Youjo Senki gets past it all. Because it also delivers on major battles, solid strategic theories and discussion and even some fascinating changes to WWI. In direct opposition to a show like Kuzu no Honkai which consistently drives me insane by providing me with things I love and hate next one another with every episode, Youjo Senki is perfectly content to jump around and tell whatever kind of story it wants. Because for all edgy action of episode 1, the action almost disappears completely until episode 5 with only one major exception. On the whole though Youjo Senki is mostly fun, thanks to it being violent, funny and utterly insane. Remember Tanya not only has had the mind of thirty year old from modern era since birth, she’s had the mind of thirty year old without a scrap of empathy for other people.
Jumping over to Masamune-kun no Revenge for a minute, what makes it more fun than the average high school romcom is that the main couple are both deplorable. Masamune has devoted himself to being fit and becoming a hot guy just so he can date then dump Adagaki Aki. He basks in the attention he gets for being hot but his behavior is decidedly shallow and his goals, while somewhat satisfying, are spiteful. Adagaki on the other hand is horrible because she’s a bossy bitchy girl who humiliates any boy who comes her way. She makes this even worse when shes says something to Masamune about how it hurts to get rejected (he had just rejected another girl’s advances) despite the fact she goes out of her way to reject people in the most painful way possible and somehow doesn’t see the dissonance between her actions and her sentiments. Youjo Senki takes the deplorable main character thing and the goes to it’s extreme end point, someone who doesn’t give a fuck about anyone and will condemn people to miserable lives and later thousands of innocents to death for the sake of efficiently getting the next promotion.
Tanya’s shtick in both her current and previous lives is that she finds the easiest way to get a comfortable life by following and exploiting rules, first corporate rules and later military rules. And she does a great job of showing how fucked up ordinary humans can be if they just follow the rules without injecting their own moral and emotional judgement into a situation. What makes this interesting though is that Tanya is not punished for behaving this way. Sure we know she’s a psychotic piece of shit, and she hasn’t gotten the easy life she wants, but she has swiftly risen up the ranks and garnered the attention of her ultimate superiors. What’s more her ruthless approach works, her unit has been instrumental to several fronts already and her thesis on how to attack cities without holding back while still conforming to international law has already drastically altered tactics on both sides regarding cities, I’m sure the Republic (France) won’t attempt to use a city as a shield to delay the Empire (Germany) again. Again and again Tanya proves that her ruthless tactics and exploitation of the rules are effective especially because she has knowledge about world wars that no one else does. However amid all of this I have one problem with the label of “the Evil” for Tanya.
That may surprise you because Tanya is almost cartoonishly evil, she’s a ruthless murderer, has no empathy for other human beings and has no qualms condemning thousands of noncombatants to die. But while all those things make her a criminal and villain she’s not evil in the sense that she’s working with the “bad guys,” because that implies that one side in the conflict is the morally superior. There is no such side though and that brings to one of the biggest problems I have with other people talking about the show. The consensus I’ve seen thus far is that the Empire and Tanya are representative of the Nazis and therefore are evil. I disagree. Vehemently. Remember this is WWI, not WWII and the Empire’s behavior has not at all resembled that of the Nazis (hell they even have the same gear and spiked helmets of the Prussian troops in WWI), the closest they get is when bomb Arene thanks to Tanya’s thesis but even that was clearly an outlier and surprised people on both sides (and that wasn’t even a Nazi thing so much as paradigm shift all sides adhered to in WWII). In fact in this world, the Empire was invaded by the Republic and save for the invasion of Norden and the Entente Alliance, the Empire’s strategy is defensive. In fact it parallels the Late Roman Empire’s strategy during the Hunnic invasions and subsequent barbarian migrations, to set up weaker border forces which would delay enemy invaders who would then be crushed by an elite mobile force. The idea that the Empire is somehow the “bad guy” of the war is ridiculous, the only country which could consider them as such is the Entente Alliance because the Empire was the aggressor on that front.
In fact if anyone is evil it’s Being X who is actively fucking with people’s minds and free will to accelerate the war and put more pressure on Tanya. I think the main reasons people think of the Empire as evil is because, it’s Germany, Tanya is on their team and they’re winning. But even in episode 1 when Tanya kills an entire company of mages, she did that in response to the fact said company had just wiped out the people she’d been sent to save. Tanya personally handled things the way she did to get a promotion, but with the exception of Arene the Empire is having the same things done to it as it’s doing to others, it’s not the bad guy here because their is no bad guy here. And if you examine WWI history it’s the same story. Most of what caused the war was just momentum created by a complex web of alliances and all the major powers trying to maintain a power balance that was beginning to crumble. Almost none of the highest authorities on any side actually wanted WWI to become the enormous conflict it did, things just spiraled out of control. I hope that when Anson Sioux re-enters the conflict this dynamic will be shown better, that regardless of whether the individual is a good person like Sioux or a total bastard like Tanya, both sides are by large doing the same terrible shit to each other and the Empire is not representative of the Nazis and is not evil. That said so long as you understand that, I think it’s fine to call Tanya evil.
Because yes Tanya is awful but for the most part she’s awful in entertaining ways. One of my favorite scenes was at the end of episode 5, when after defeating the invading Dakian army (props for having them mirror the pathetic performance of Romania in WWI), Tanya talks like a five year old while informing Dakia that’s she’s going to blow up their weapon’s factory, a move that disguises her attack as a prank while still conforming to international war laws. It’s fucking hilarious and utterly effective, no one bothers to evacuate and everyone working at the factory perishes as she and her men blow it to shit. And the attack on Orse fjord was a blast to watch because of the rigid tactics and strict deadlines outline to pull off the ambitious amphibious assault. Watching people kick ass and take names is generally a fun time, the fact we’re focusing on a character who is so awful just adds a little spice to mix. She’s curb stomping everyone who gets in her way and it’s pretty cathartic because sometimes that’s what we all want to be able to do, just crush whatever annoys us and get onto enjoying an easy life. Sometimes we all want to be assholes so long as we get away with it.
But despite how blatant Youjo Senki can be, see Tanya for details, it can be surprisingly versatile. Youjo Senki rarely has long battles, instead most battles are payoffs to previously tense strategy briefings as Tanya has to navigate the desires of superiors as much as possible while still being mindful of the supply situation and benefits of any given strategy. Many of the strategies involved are complex military maneuvers and it can be a satisfying to see these complex plans come together. In addition the show includes people who even Tanya hates to work with, mainly the mad scientist Dr. Schugel, and how she behaves when she isn’t allowed to just beat the shit out of this person she doesn’t like. The show’s tone shifts frequently to match the wide variety of scenes and scenarios Tanya finds herself in. But the real clincher was episode 8 because it takes the most drastic tone shift of the series. In episode 8 it looks for a bit like one of her troops killed himself. I admit I was a little disappointed that that didn’t end up being the case because it seemed like a great tone shift especially with the change to a more haunting ED following a shot that looked like the gun switching to face the shooter. However this was still a great shift in that this was the first time Tanya’s soldiers balked at her orders and the sudden change in war doctrine brought on by her thesis, and they didn’t even know it was her thesis which caused Arene to burn.
Soldiers who had previously made defeating enemies a sort of informal sport among the group were suddenly horrified enough to confront Tanya about it, or at least were so distracted by the implications of what they were doing in Arene that they made mistakes they usually wouldn’t. This once again shows that the Empire is not evil, most of the soldiers are just people fighting for their homeland and in the process they have to do evil work. Tanya is the only one deserving of the title the Evil. And for the first time multiple soldiers under Tanya’s command really have to grapple with that. Ironically though Viktoriya, in the very next episode, uses the same kind of heartless rule-centric logic that Tanya thrives on to assure her comrades that all responsibility for the evils of Arene lie with Tanya. I find this comment especially interesting because it hints at the potential punishment for Tanya later down the road, that her own reliance on the rules and exploiting them may be used against her, and the dangers of that mindset which has thus far only been shown to be effective if entirely fucked up.
Another great contrast is last season’s Shuumatsu no Izetta because that show shares many similar elements but focuses on main characters who are selfless and idealistic, people who fight to change the status quo regardless of the hardships endured. That show also showed the dangers of that mindset, specifically that the political reality of a situation might lead a country to betray and kill it’s own hero and how a betrayed hero may come back with a vengeance. I know this isn’t that relevant but I think it’s a happy accident that both these shows came out in such close proximity and have been great, as they do provide an excellent contrast to each other. Let’s wrap this up.
Put simply Youjo Senki does a lot of tone shifts. Sure there are edgy scenes scattered throughout the current nine episodes but they are mashed in with a ton of goofy scenes, cool action scenes, lot’s of strategic talks about war and military theory, political intrigue, and even some scenes which are just really fucking funny. Maybe that doesn’t sound like you’re cup of tea, maybe it sounds too inconsistent or chaotic or whatever. I disagree. I think what Youjo Senki has managed to do with all of it’s myriad tone shifts is soften the rough edges of it’s worst parts while gaining the strengths of most of the other shows I named up above. It may not be KonoSuba funny but there are a few scenes that come close. Episode eight had more drama than Kuzu no Honkai. It’s got more action than any other currently airing show I’m aware of. It has world building and political intrigue on par with (and in my opinion surpassing) ACCA. Youjo Senki is for my money the best show of the season because it does a little bit of almost everything and in most cases it succeeds at whatever it’s doing. Sometimes it does edgy scenes of Tanya smiling like a lunatic while sending off uncooperative subordinates to die while making it look like an accident. And sometimes it communicates how traumatic war can be for soldiers, even the ones that are winning. The show has it’s problems but they are so small and brief and the show moves past them so quickly that they have hard time marring the overall experience.
Youjo Senki has, I think, made some of the key traits of many of the other good shows of the season into it’s strengths and mitigated it’s weaknesses through it’s willingness to change tone so frequently. It has the versatility to be a popcorn flick in one episode and startlingly powerful drama the next episode, all while being a very interesting take on WWI with regards to the changes in politics and tactics during the war. I love it, and after reading this, hopefully you do too. Thanks for reading, I hope you enjoyed it and I’ll see you in the next one.