Unpopular Opinion: Keijo!!!!!!!!! – The Magnum Op-ass of Sports Stories

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I love Keijo.  Both the anime and the manga.  It is to date the best sports story I have ever followed and that will likely never change.  No doubt that sounds preposterous to most people, I mean it’s just a dumb ecchi show shoving ass and tits in your face constantly.  From what I’ve heard the anime bombed pretty hard and there is no doubt in my mind part of the anime’s failure lies in the perception of the show I detailed in the previous sentence.  There are of course other issues, most notably that it starts well into the story, skipping over the two exams, something many fans of the manga resent.  But I can’t help feeling like the main reason people who’ve never read the manga, which has to make up a larger audience base than fans of the manga, avoided Keijo because of how it was perceived; as dumb, trashy fanservice schlock that used a flimsy premise to get away with justifying itself.  That perception is so miserably wrong and the fact that it likely informs the mass opinion of the show is deeply frustrating because Keijo is so much more than it says on the tin.

Now in fairness it is also exactly what it says on the tin, there is a lot of fanservice, tits and especially ass is often shoved into the viewer’s face.  And all of this is justified by the premise, which contrary to popular belief is not in fact flimsy.  Keijo is, in my opinion, the most ingeniously conceived sport of all time, an argument I made in my last post on the subject and will make again here.  But before that point I want clarify a few things.  First off I will explicitly separate the manga and the anime in a few key areas but for the most part I’m going to be talking about them as one unified entity because I want to talk about Keijo in it’s entirety.  Secondly this is going to be long as shit because I have a lot of things I want to talk about.  And lastly this will get up to it’s tits in Keijo and since I will explain things in as much detail as I’m able, there will be spoilers everywhere.  Now that were clear on that let’s get going.

One thing I want to address right away is how things have changed since I wrote my prior review.  In that review I argued that the manga and the anime were of comparable quality largely based on the fact that, at the time, the manga’s ending was very abrupt.  Multiple sites listed chapter 86 as the final chapter of Keijo, and it remained that way for at least a week or two after the Keijo anime wrapped up, a chapter that cuts off right after Kaminashi won her match against Maya/Kaya, seriously the last panel was like her teammates throwing her into the air as a part of their victory celebrations it was jarringly abrupt.  Currently the  manga is now 147 chapters deep so that part of my earlier analysis is no longer valid.  The manga is now unquestionably better than the anime and if the show bombed as badly as I’m hearing then it will likely stay that way.  That said I will stand by my earlier stance that anime made some good edits to the manga, though it made some pretty bad ones too, and that the Maya/Kaya fight was far superior in the anime, which was huge because at the time that was THE final battle of series.

But I’m getting ahead of myself, let me lay out in simple terms why I think Keijo is the best sport ever conceived.  Ass and titties.  This may surprise you but I didn’t pick that phrase because I’m way into the fanservice, I am but that’s not the point.  I haven’t checked the data in years but I’m fairly confident in what I learned a couple Olympics ago, the most widely viewed women’s event was beach volleyball and it was first in viewership by an overwhelming margin.  This is not due to sex appeal alone but if everyone only watched for the athletic spectacle then the ratings should be less skewed in it’s favor.  Beach volleyball is fun to watch as a sport but it’s also a sport where we get to see women showing a lot of skin, and it has really good ratings.  Basically as the age old adage goes: sex sells.  This is important because one of the central conceits of Keijo is that the sport is so insanely profitable that talented athletes from all kinds of other sports come to Keijo specifically to make bank.  And evidence from reality supports that conceit via women’s beach volleyball.  This is indicative of one of Keijo’s greatest strengths as a story concept, the blending of grounded realism and insane shit you can only find in anime and manga.

One of the reasons I specifically avoid a lot of sports anime is because a ton of them are underdog stories and I’ve seen a million of those.  I don’t want to see some skilled but fledgling team fight against their own weaknesses as they work their way up to the big tournament.  Sports shows share much of the same tone and characterization as shounen stories and I’ll take a shounen show over a sports story any day where underdog narratives are concerned because I value spectacle.  A lot.  So when I see a sports show I want to see high level competition more so than underdog struggles, not that underdogs winning a big fight through hard work, toughness and willpower can’t be fun, but for sports specifically I’m much more interested in high level play.  To that end Keijo is the ultimate sports concept, a sport made of so much money that National and even Olympic level athletes from all kinds of sports will willingly abandon their sport of choice to get a shot at that Keijo money.  This means the baseline of everyone competing in Keijo is really, really high, which results in great spectacle.  Spectacle made all the better by the inventiveness of the ass and tits combat on display, and that was not a joke in the slightest, the combat is incredibly creative.

This setup has a few great boons.  As described above it is totally believable and helps to ground a series which is also chock-full of crazy shit like a character who can use Giga Drill Breaker from Gurren Lagann… with her tits.  Additionally it is a veritable goldmine of creative variety, a bottomless well from which characters of all stripes can be drawn.  In Keijo all the fighters are put into three basic classes, Infighter, Outfighter and Counter.  Infighters are heavy hitters, Outfighters are quick fighters, and Counters excel at using their opponents’ power against them.  However within those three classes there is a ton of variety and room for specialization.  Sayaka and Rokudo Rin for example are both Outfighters with excellent speed and they share the same Ass Gattling technique (a series of super quick attacks with dat ass).  However they have very different strengths.  Sayaka is judo champion who was slated to compete in the Olympics and is notably stronger than most Outfighters, in fact in the beginning she’s got more power than the Infighter Kaminashi.  Rokudo is a runner and she has incredible lung capacity and endurance.  Which is why in a straight Ass Gattling battle Rokudo would win because she can use it endlessly while Sayaka will quickly become tired and out of breath.  Which is why Sayaka switches her main move to the K-acceleration, a move which relies on bursts of intense speed and power, to overcome Rokudo.  Because that technique plays to her strengths as a fighter with a lot of power for her size.

This kind of variety and the resulting plethora of foils, characters who mirror or are diametrically opposed to the main characters, is present throughout the entirety of Keijo.  Kaminashi, our leading lady is an especially fascinating case study where these naturally varying body types and skill sets are concerned because she fits in multiple classes.  She isn’t especially large, Infighters are typically the largest athletes competing.  She isn’t especially strong, which is the kind of the point her class.  She is remarkably good at dodging or keeping her balance when she takes a hit.  Kaminashi would be a great Counter and in practice she wins her first two practice Keijo battles (both happen in the same round but the opponents are very different) by way of Counter-style moves.  If not for the fact she can use her flexibility and gymnastics moves to build up phenomenal force for her special attack, the Vacuum Ass Cannon, there would be no reason to treat her as an Infighter at all.  But her technique is so rare and powerful that it’s practically a sin for her not to fight as an Infighter especially since it has the promise of being a great way to get money.  Which is especially important to Kaminashi as she is dirt poor and has been her whole life.

I know I’ve mixed in some information on techniques which isn’t applicable until the story starts but what I’ve been trying to illustrate over the last few paragraphs is Keijo’s baseline state as a sport.  It’s a tits and ass battle sport fought on a wide variety of arenas, I forgot to mention that above, filled to the brim with incredibly talented athletes who come from all kinds of backgrounds and have all kinds of body types, strengths and skill sets upon which they can create their own Keijo-specific techniques.  And this sport is able to draw from such a varied and consistently talented pool of players because it has all the money for reasons which we easily understand and which mirror trends in reality.  It’s fucking genius and we haven’t even gotten to the actual narrative and characters who populate it.  As far as I’m concerned Keijo has already surpassed any other sport by virtue of how well constructed it is at the conceptual level alone and when competing against other sports stories the match is Keijo’s to win or lose.

Now I expect it to lose for a lot of people.  Because of lot of people don’t want fanservice getting in the way of their sports story (it doesn’t in Keijo but whatever I get the complaint), some people just shy away from fanservice in general, some people will prefer a show about a more realistic sport or a sport they play and some people won’t like the characters and narrative, or maybe they’ll just like another story more.  I do not expect everyone to love Keijo, but what I hope I’ve shown is what merits the sport alone has, divorced from any other elements which a person may or may not like, and that it should be recognized for the excellent craftsmanship on display.  In a genre where most shows and manga just draw from existing sports and can focus solely on characters and narrative, Keijo has created an original sport that not only works as premise for a story but which would work fabulously in the real world as well.  This is just the foundation block of the story but it’s such a great foundation and I’m sad so many people will overlook this because they saw ‘ass and tits fanservice romp’ and checked out.

Ironically enough I came into Keijo like all the people I’ve been decrying, I started with the anime and the attitude that it was going to be so shameless and trashy that I just had to get a look at it.  Then the first episode was great and I checked out the manga and fell head over heels in love with it.  Most fans of Keijo will tell you the anime was bad because it skips the first major arc, the exam arc, which includes a lot of character for the two main girls Kaminashi and Sayaka.  They aren’t wrong but most of the focus appears to be on Sayaka because she develops more explicitly over the course of that arc.  However, while it was stunted, I think the anime got the main thrust of her character story across, that she was a judo champion born to a judo family who felt no passion for judo whatsoever and left against her family’s and even the nation’s wishes, abandoning the sport by throwing her Olympic qualifier match.  There are some great details in the manga that don’t make it into the anime, like how the person she threw the match to got crushed in the Olympics, lost her confidence and how friends of hers try to sabotage Sayaka during the exam as revenge, but honestly Kaminashi was the one who got screwed.

Kaminashi’s closest equivalent from another big name show is Natsu from Fairy Tail.  She appears incredibly stupid and she says stupid or blunt things all the time, but it’s consistently shown that she can be and is incredibly perceptive about things which she actually gives a shit about.  This is shown to an extent in the anime but a lot of subtle changes make Kaminashi looker much stupider and more underdog-ish than she does in the manga.  For example during the Sayaka-Rokudo fight in the anime Kaminashi is confused as to why Rokudo is beating Sayaka in the battle of seemingly equal Ass Gattlings and Kawai, which as a side note is a great name for that character as it’s one letter apart from both kawaii meaning cute and kowai meaning scary and she’s both, explains the endurance thing I detailed above.  In the manga, Non who is consistently depicted as air-headed and kind of out place amid all these other athletes is confused by why Sayaka is losing and Kaminashi is the one who explains it.  I feel this is an especially bad change because one of the key facets of Kaminashi’s character is that she’s far more dangerous than most give her credit for.  This is especially true early on as she’s one of the least famous characters but even in recent manga chapters she proves that she has a good head on her shoulders and can compete with fighters ranked well above her.

But to get away from anime-manga comparisons the point is that I’m a huge fan of Kaminashi and I like the characters in Keijo.  I think the mangaka has made some weird decisions regarding some characters and given how many there are it’s easy for some to fade into the background but on the whole I like them and I really like some of them.  None of the characters outright suck or piss me off.  Which means the story only improves from the impressive foundation laid for it.  This is true of both the anime and the manga though obviously more so for the manga because it’s the better version now.  I want you to keep this in mind whenever I criticize either the anime or the manga because I will and it might look inconsistent.  I think both versions made some bad decisions but I am very fond of Keijo and none of complaints are about things which break or ruin the series, just things I don’t get or disagree with.

For the sake of getting it out of the way let’s do the manga vs anime comparison now.  The anime’s like an 8, it’s a good time and tells a full arc that functions as it’s own story.  I agree that the anime skipping the exams was disappointing but it was also practical.  Most arcs of Keijo last about 3 episodes and there occasional bits that fill time in-between arcs.  This means if the anime had covered both of the two exams plus the first few chapters and the gap between the exams they would end up with 8 or 9 episodes.  To fill 12 they would either have to bloat the episodes they had or end in the middle of the school training.  Both are bad options.   Keijo is pretty tightly paced, it crams in as much as it can from the manga in the time it’s given while still leaving time for the major battles to feel fleshed out and satisfying.  Slowing that pacing down could be done but it probably leave more episodes feeling boring or at least more boring stretches.  Ending in the middle of school would anti-climactic as fuck though so that’s not really a viable option either.  It’s an awkward position to be put in and I think the anime skipping ahead so that it could cover all of the school stuff and finish on the climactic East-West war battles was a good idea.  Or at least it would have been if the anime hadn’t bombed.

The anime also made a number of smart edits to the source material and some shit ones.  One of better ones was keeping Kaminashi in the UTM all time when was forced to wear it, whereas it came off frequently in the manga, I felt that it added a lot more character and made it seem like Kaminashi worked harder.  One of the worst edits was having the Kaminashi vs Fujisaki battle end with both fighters sliding around the circular ring super fast, that looked shit and it was probably the part of manga the anime adapted worst.  The most noticeable improvement the anime makes to the manga though is in the Maya/Kaya fight, the final battle of the East-West War.  In the manga not enough is done to distinguish Maya from her alter ego Kaya and Maya regains control of herself so quickly that it seemed like having split personalities is more of a cheap gimmick to draw out the fight than anything else.  The anime brings that fight to life.  Maya and Kaya have different voices and hair colors, their attacks have different lighting effects and very different sound effects and the anime really sells Kaya as this unrestrained brutal side of the quite and largely defensive Maya and because the Kaya part of the fight takes half an episode of anime it feels fleshed out compared to the thirty seconds it took to read in the manga.

Back when the Maya/Kaya fight was the conclusion I would’ve pegged both the anime and manga as 8s and called it a day.  Now that the manga has continued to other great fights it has reached 10/10 status, but I still remember the anime edition of the Maya/Kaya fight and I struggle not to include that version when I think about Keijo.  Because I have a lot to say about the story in both forms and like both, it’s difficult for me separate them when thinking about Keijo unless I’m specifically looking at what they did differently.  Now let’s look at the manga only problems.

I just said the manga was a 10/10 and that may baffle you.  That’s ok because you aren’t me and don’t necessarily know my thoughts but Keijo is the only sports story I spend a lot of time thinking about.  Even good stuff like Kuroko no Basket which I marathoned the shit out of are shows I don’t love to the point of constantly obsessing over them.  Keijo is a a show I constantly obsess over and I’d like to think that by now I don’t to need any “not just for the fanservice” jokes or lines because that’s clearly not the only thing going in this show nor is it even my primary interest in the show.  I mean if all wanted was fanservice I’d be writing about how High School DxD or HOTD were the best anime of all time and I totally should write about those two for fun, but that’s not why I’m here, not really.  With that in mind let the nitpicking commence.

One of the manga’s problems is it’s got a bunch of characters and concepts which just don’t go anywhere.  For example there’s Kaminashi’s childhood friend who wants to fuck her, the male Keijo engineers, the hints of a shitty love triangle between the childhood friend, Kaminashi and this male-tsundere engineer.  But that’s minor shit.  The decisions which really bother are regarding Ooshima and Naka.  Ooshima is the less important of the two so let’s start with her.  Ooshima is this big volleyball player and National level athlete and she becomes friends with Sayaka and Kaminashi during the 2nd exam and she’s featured pretty heavily during that arc and she shows up for a few minor scenes in the school arc.  She’s an Infighter who’s main advantage is her size and the power that comes with it and she losses all relevance in the manga after she loses during the class advancement battle to Vajrass girl (I don’t remember her name but her technique is Vajrass aka Ass of Vajra, basically taking hard ass to a literal extreme).  Why cut her there?  Vajrass girl is not that important, she may be one Setouchi’s, the school, top ten fighters but that just means she will fight in the East-West War.  She has a mannish character design and sort of rough, ascetic Buddhist slant to her character.  But outside of her technique and design she’s utterly unmemorable and barely relevant to the story.

Why not just have Ooshima take her place?  You could even have Ooshima learn the Vajrass during the training arc between the class advancement battles and the East-West War.  Ooshima was never really a major character even we saw her a lot but at least she has a personality, a clear backstory, a history with the leading ladies and I remember her goddamn name.  I mean Vajrass girl’s most memorable scene is the class advancement battle, which is better in the anime anyway cause she beats out the two Infighters before losing to Non the airhead with a soft ass and arguably the best Counter we know whereas in the manga she loses to Non right away then Non just sort of wins off-screen.  I just don’t see the point of having two irrelevant characters when you could just combine them into one minor character.  Yes the Vajrass has a Buddhist component that isn’t in character for Ooshima but just have her learn it from a monk during the training arc, I mean they go to Kyoto for training why not just include a grizzled old monk guy who teaches her how to toughen herself up and she creates the Vajrass.  I mean Aoba Kazane uses a pyramid shaped ass technique that comes with ridiculous dodging which she describes as Egyptian sorcery (she stole the technique by feeling up a mummy’s ass because she can copy the techniques of any butt she touches) and one girl in a recent chapter uses Ass Incense she got from the African side of the of family to create illusions and basically turn feral so it’s not like having a monk teach Ooshima about body hardening would be too weird or out of place for Keijo.

This problem is only exacerbated when it comes to Naka.  Naka is one of the most interesting characters in the Keijo manga.  Something I forgot to mention while describing how Keijo makes bank is that it’s a gambling sport, so legally speaking all the combatants have to be adults.  They don’t do much with this in the anime and it doesn’t even play that big a role in the manga with one glaring exception, Naka.  Naka is a mom and it’s unclear exactly how old she is though you’d expect low 20’s to low 30’s.  Naka is also a former delinquent bike gang leader who despite her kind and motherly demeanor can get mean, and scare and roast the shit out of anyone she doesn’t like.  In addition to being one of the most interesting characters by way of being older and having a complicated past and life Naka is notable because for a while she has the biggest titties in the show and they are her weapon of choice, whereas most Keijo players focus more heavily on their ass as their primary weapon.  She was also present in the first exam as minor character and was a major character during the second exam.  Why the fuck did they cut her from the manga?

It’s weird.  They just have her marry an engineer and cut her from the story entirely.  Poof, she’s gone.  What I have to wonder is why?  There’s plenty of room for her in the story.  One of Setouchi’s top 10 is so ill defined and unused I don’t remember her name or her technique, I just know that she losses immediately to the twins in the East-West War, why not just give her spot to Naka?  More importantly during the Funabashi arc, especially the final battle, wouldn’t it have made more sense Naka to end up in the final round fighting with Kaminashi against the Funabashi fighters ganging up on them?  Naka clearly has the attitude and toughness that would compel and allow her to throw down on a gang of girls who trick and team up on outsiders and the leader of the Funabashi group is Don Kosugi, who like Naka has huge tits and fights with them almost exclusively.  Wouldn’t it have made more sense to cut Kazane’s Egyptian sorcery bullshit and have Naka fight Don Kosugi, before losing a tit battle thus giving Naka a reason to either retire or train harder and get better, before Kaminashi finishes the fight?  She even would’ve been good to feature during the class advancement battles, because she could have been required to fight Kogatana, who uses boob iaijutsu (sword drawing techniques), and they could have had Naka’s boob volume overcome the boob-draw and get her into the top 10.  So what gives?

Honestly it’s not even like my nitpicks are about Keijo being badly written.  Some of that stuff is unimportant and goes nowhere but nothing I’ve spent the last couple paragraphs whining about breaks the story.  They just represent missed opportunities and I don’t understand why you’d miss those opportunities.  I have no idea if these decisions came from the author, an editor, someone on the business end of things or some combination thereof.  I also have no idea if it’s just because the story wasn’t carefully planned out and characters were discarded before anyone involved knew what to do with them.  It just bugs me because it seems like a waste, especially where Naka is concerned.   Another minor issue I have is that a few characters seem to fly in the face of the high level athlete thing I mentioned.  Non in particular is weird because she’s characterized as clumsy, which you’d think that would preclude her from competing even if no one can beat her soft ass counter.  I like Non and I still think it’s weird.

Anyway let’s cut back to one of Keijo’s strengths, creative combat.  Back towards the top I spent a while talking about the realistic elements of Keijo and those will still be relevant here but this is mostly about the crazy shit.  As a result of the varying backgrounds and skill sets everyone has their special techniques which make them standout and a lot of these techniques are either insane or are borderline superpowers.  That’s not to say there aren’t grounded techniques, Butt on Titan for example is a basic bum rush, pun intended, from a really fat character.  Most of the techniques though are either flat out ridiculous or are based on realistic ideas and then taken to unrealistic extremes.  Sayaka’s K-acceleration for example is based on actual physics, but I’ve yet to meet someone who goes from really fast to borderline teleportation fast just by giving themselves a wedgie.  I’m not complaining mind, I think Keijo strikes a great balance between having elements grounded in reality to make the show make enough sense while also including enough crazy shit to make it over-the-top and fun.  It helps that a number of special attacks are great references like Shoryucans, Giga Tit Breaker, Butt on Titan and Gate of Bootylon, which incidentally was better animated in the Keijo anime than the Gate of Babylon was in UBW.

Keijo is perfect aware of how silly it is and can allows itself to be silly in earnest and not take itself too seriously.  This is good because sometimes shows can’t even get that right.  But the fact Keijo does this while also incorporating realistic elements to excellent effect almost makes me wonder how people can even consider this just a dumb fanservice show.  I mean I know why, they judged the book by it’s cover or a plot synopsis and then looked down their noses at it without digging into the glorious genius that is Keijo.  And that’s not entirely their fault but it does frustrate me some as a big fucking fan to see how underappreciated this series is for shallow reasons.

Anyway back to the action.  The tits and ass action of Keijo is excellent.  There are tons of creative tactics, attacks, super-moves, and arenas to spice up any match.  The arenas range from simple discs to discs covered in mud or water to giant jungle gyms to fucking Edo castles and Spanish galleys.  There are a ton of different kinds of techniques with plenty of fighters choosing techniques which affect the mind.  The physical stuff covers everything you can think of.  I’m not kidding, Kawai has a style that uses precision strikes to key areas to drop her opponents borrowing pages from boxing and wrestling, I dare you to question Keijo’s creativity.  Tactics also play a large role not just in battle but also in developing techniques.  Kogatana just went through an arc where her boobs were suffering damage from overuse and Kaminashi straight up invents a technique for her based on sword-stealing, which I’ve seen in enough anime to wonder if it’s an actual thing in kendo/kenjutsu or if anime is yanking my chain on this one.

I could easily keep going into more and more detail but honestly unless someone wants to talk to me about Keijo, and if you do please a comment cause I will be on that shit, I think I’m done here.  Given that this is about the length of an average 5 page college essay I think I’ve communicated what Keijo has to offer, what aspects of it’s construction are good and why I think Keijo is legit the best sports story I’ve ever seen.  If you made it this far I’d love it if you say something in a comment, even a ‘I think you’re totally wrong because…’ because I would to debate or discuss specific scenes or trends in detail but I’m running out of steam for this particular post.  Thanks for reading, I hope yo liked it and I’ll see you in the next one.

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Unpopular Opinion: Shuumatsu no Izetta

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Shuumatsu no Izetta is for my money one of the top two shows of Fall 2016.  The other contender for top two being Keijo of course, because I haven’t seen Yuri on Ice and so long as the internet continues to suck its dick I don’t think I will since I’m a shallow, vindictive contrarian.  And because I just don’t care about anything yaoi regardless of how good it may be.  Most people do not and will not agree with my stance and I get that, for the most part Shuumatsu no Izetta isn’t good enough to be a top show of the season.  I don’t think any of the characters are spectacular.  The setting is interesting but it’s not explored in much depth.  The tactics employed in the fight scenes are pretty predictable, and the rate at which Germania pumps out new tech is ludicrous, a problem I had with the later parts of Code Geass.  And the narrative is pretty predictable as well.  However, much like the infamous Akame ga Kill, what makes Shuumatsu no Izetta so good to me is the ending, because that was incredible.  There will be spoilers ahead, you’ve been warned.

Right from the get-go I was pretty on board with the setting of the show.  The country of Eylstadt itself was unremarkable, however the way Shuumatsu no Izetta’s setting married the tech and initial overwhelming dominance of Germany in WWII with the Old World royalty, etiquette and diplomacy of WWI was pretty fascinating.  Even the names of the countries had some fun little historical references like how France was called the Republic of Thermidor in reference to France’s failed attempt to make a metric-esque 10 day week calendar during the French Revolution called the Thermidian Calendar.  Or how Italy was renamed Romulus, in reference to the legendary founder of Rome.  However the setting wasn’t really used for much beyond setting the basic rules of combat and the balance of power in the war.  The only episode that really did anything extra to make the setting interesting was the one that focused on Rickert, Berkman’s subordinate, which itself was a generally more interesting episode.  It took a break from the big action and political maneuvering to change pace to a slower episode about a dude doing some spy work.  In that episode Rickert comes to the realization that he’s fighting against some really good, compassionate people, and he even starts to fall for Bianca before she finds out who is he is and is forced to kill him.  It was a great episode for character development because despite how fast it went everything felt very genuine and very human, for lack of a better word.  It was a pleasant surprise and I think it demonstrates one of the biggest strengths of Shuumatsu no Izetta, which was that it was able to capture that apply that human feel to wide range of characters with all kinds of points of view.

I don’t think any of the characters had much in the way of a good or interesting character arc, but the characters were nonetheless fantastic because of how true to life they felt.  The arrogance of German commanders in WWI and WWII is well documented and it was there.  We had fighters who gave more than could ever be asked of them like Izetta, we had patriots who did things they hated for their country like Sieg, a lot people who were fighting for their side despite not really knowing much about what was going on, people set on vengeance like Sophie, and people who would throw patriotism out the window if it increased their chances of survival, like Berkman.  We had incompetent losers on both sides as well as highly capable soldiers and intelligence officers.  We had diplomats that could follow the principles of Realism, in the international political sense, to the T like how the Atalantan,i.e. American, ambassador advised the President to take out both Germania and Elystadt.  And we had diplomats that could look past the Izetta’s capabilities as a weapon and be concerned for the girl herself even when it wasn’t in their interests to do so.  Both sides even had dedicated propaganda departments.  There was not much in the way of character development but there was a startling level of attention to detail put into to making the conflict feel as true to life as it could be, and I think that attention to detail paid off in spades because I was hooked.  I didn’t care that most of the characters ended up being predictable, nobody felt at all inconsistent, let alone like inhuman chunks of cardboard as so many characters in other shows do.  It all felt human, true to life, and I think that attention to detail is the key.  None of individual characters were that good, but taken as a whole the characters and wide range of ideas they embodied was fantastic and it helped bring realism and a human feel to a crazy story about witches fucking up tech.

On that note, Shuumatsu no Izetta was refreshing break from bullshit like Gate where tech always win, and more importantly where Japan always wins thanks to the Patriotism Problem.  Izetta’s first fight demonstrated her power as she killed planes with ice spears, but it also showed that she had limits because she couldn’t finish off everyone.  And later in the show Germania develops various tactics and weapons specifically to shut her down, like how they baited her with the battleship up near what would be Norway in our world.  I think Germania developed too many new weapons too quickly but the fact that Izetta’s battles became more difficult as time went on was a good thing.  Even when the tech became a stretch, like with the clone of Sophie the White Witch, I feel that on the whole it generally served a good dramatic purpose and never really intruded on the experience too much, like how it did for me in Code Geass.  Now let’s talk about Izetta herself and the ending.

I think Izetta is a fairly boring character in terms of her general archetype and construction, not an unrealistic character just a bland one.  The biggest thing she had going for her was her sincerity and the lengths she would go to win for the princess.  As it turns out that was enough.  I didn’t really get interested in the show until episode 3 and that was all Izetta.  Granted part of what made that episode great was watching Izetta shoot planes out the sky with medieval lances and toss tanks around like toys, because that was awesome.  But more so than the actions themselves were how they inspired the soldiers and by extension me.  If the rest of the characters felt exceedingly human then Izetta was able to capture the rare feel of being both human and something out of legend.  Watching Izetta fuck up the Germanian army was cool, watching her actions inspire an entire army of strangers to start singing  as she’s proclaimed a national hero is something far more emotionally striking than cool.  This is the other big strength of Shuumatsu no Izetta, the big emotional moments, and Izetta gets basically all the credit on that front.

This is where the final episode is important.  The emotional impact of the final episode was earth shattering, it made me tear up and had all my hairs standing on end like how I get whenever I rewatch the Lord of the Rings and see Rohan charging into the Mordor army besieging Minas Tirith.  To use a horribly over-used and misused term, epic is the best way I have to describe that scene, and the ending of Shuumatsu no Izetta.  It’s not even the final episode really, it’s a cut from about 16:00 to about 21:00, the part where Izetta starts gathering an absurd amount of magic while Fine explains her suicidal scheme tears streaming down her face to the part when the magic explodes so violently it can be seen from what would be Germany and Switzerland despite happening off the Atlantic coast of what would be France and Fine starts just bawling on the balcony.  It’s just five minutes.  Granted those five minutes only have the impact they do because of everything that came before them, but those five minutes are what catapulted this show from good to potential-top-of-the-season good.  In that five minutes Izetta changes the course of her world’s history forever, her insane level of devotion ushers in not only the beginning of Germania’s defeat, but the passing of an age.  She rewrites what up to that point had been a rule of the world Madoka Magica-style and effectively ends the existence of the fantastic forever.  I describe this scene with words like earth shattering and epic not just because I hope they convey how strongly I feel about this scene, but because Izetta actions are on such a grandiose scale that anything less would be grossly underselling what’s going on here.

More so than in any other medium I feel that a good ending is something to be treasured in anime.  So many shows either don’t have an ending at all or have one hastily thrown together on the fly that sometimes it’s hard to even be disappointed when you don’t get a good ending.  And Shuumatsu no Izetta has the kind of ending that sets the fucking bar for anime endings, for me at least.  Seeing someone go so far for what they believe in and for the people they care about, without the friendship is power baggage of a shounen fight, has a sort of timeless purity to me, it’s something I can just stare at forever without it ever losing its luster, or something I can tear up just thinking about regardless of when and where I think about it.  Those five minutes and other scenes of a similar caliber strike me such a way that I feel no amount of words will ever get my feeling across right, which is bad because I’m supposed to be good with words.  The best analogy I can make is that my emotional core is a diamond and these scenes are the hammer blows that hit the diamond in just the right way as to make it shatter.  I’m completely floored by those five minutes, and I always will be.

Ultimately I think if you view it from a “objective” lens and try to judge all the construction of all the pieces of Shuumatsu no Izetta then it’s probably just good.  Fortunately objectivity is bullshit so I can say with complete certainty that the emotions this show inspires in me make it far better than good.  Most of Shuumatsu no Izetta’s fault are less about it being bad or fucking up so much just not being really good, for the most part it’s perfectly passable without taking into account the incredible ending.  But that ending is the game changer, it makes the passable journey worth every fucking second because the destination is just that good.  And it colors the entire experience.  I never really got into Fine or Izetta as characters because they are pretty basic, but the ending and how those two drive forward both in their actions and in how the scene is presented by being split between the two of them, makes me sort of love the both of them.  It’s not that I suddenly find them more attractive or interesting so as I sit back and nurse a quiet respect for the both of them.  Ok I think I’ve done gushing for one day, Shuumatsu no Izetta was great, go watch it, and I hope you enjoyed this post.

Unpopular Opinion – Triple Feature: Keijo vs Kuroko no Basket + Keijo: Anime vs Manga

keijo

VS

kuroko-no-basket

Keijo and Kuroko no Basket are my two favorite sports anime to date.  That’s not quite as impressive as it sounds because I rarely watch sports shows, but at the same time it says a lot about me and what I’m looking for in a sports anime.  Put bluntly the vast majority of sports shows don’t interest me at all.  I have enough high school shows on my plate without adding a bunch more to cover sports.  I also just don’t watch much in the way of sports period, I basically stick to football because it’s so ubiquitous in America that it’s almost harder to not watch football than it is to watch football.  Why then did I enjoy these two shows?  There will be spoilers ahead.

What makes Keijo and Kuroko no Basket interesting to me is how far they deviate from reality.  I’d much rather watch super-power basketball than regular basketball, let alone basketball featuring a bunch of teens learning their talents instead of watching pros.  A lot of sports anime focus on kids who are coming into their talents or otherwise develop talents over the course of the show, complete with valuable senpai who help the team or main characters grow along the way.  That bores me.  Don’t me wrong in a lot of other cases I think watching kids with potential can be more interesting than watching talented adults, take Naruto for instance, the most interesting point in the story was the Chunin Exam because that was when everybody was still growing and they were on fairly equal footing, as opposed to the Fourth Ninja War where everyone’s powers were mostly set in stone and fell into the categories of OP as fuck or useless.  But sports is an exception, I have enough trouble watching pro sports, high school sports bore me to tears.  In Kuroko no Basket most of the main players are basically playing at a pro or better level already despite their age.  They’re young enough to develop some new skills, but it takes a long time because most of the time none of the main characters actually need to get any better to win, they’re already crushing most of the competition.  The main team needs to grow a lot as a team to get to the final round of the main tournament, but individually there’s very little growth going on.  And that’s ok because these kids are talented already and they generally have their own “power,” which can range from simple physical abilities, like super high jumps to basically magic, like copying any move you see or never missing a shot so long as your shooting form is right.

This is actually cool, this is basketball that’s been enhanced by the addition of crazy abilities to make the strategies of each team more interesting.  For example the main team is largely centered around Kuroko’s ninja-like ability to hide his presence and surprise the opposing team, and they in turn have to deal with teams who are centered around crazy good players who make you trip over yourself and bypass you without challenge.  The introduction of crazy plays or shots, made possible only by the various “powers” in play, are especially good for the tension and drama.  Watching someone bust out a nigh game-breaking move to shift the tide of battle or watching the other team overcome the game-breaking move to win the game is a huge thrill and it definitely kept me on the edge of my seat as I marathoned all three seasons of Kuroko no Basket.  Basically what I’m trying to say is that Kuroko no Basket is really really good and you should watch it if you haven’t.  The only thing I wasn’t too big a fan of was “The Zone.”  That said I much prefer Keijo to even Kuroko no Basket.

Now I know what you’re all thinking, of course I like Keijo better, it’s full of girls in swimsuits, some of which rip, fighting with their tits and asses, what man couldn’t like Keijo?  And you know what you’re absolutely right, all hail swimsuit buttfights.  However that’s not all there is to my love of Keijo, Keijo is quite possibly the best sports anything ever conceived.  Setting aside the actual combat and the fanservice, I love the idea of how Keijo operates.  This isn’t made clear in the anime, but Keijo is such a ludicrously lucrative sport that professional and Olympic athletes regularly quit their sports to compete in Keijo, there’s just that much money involved.  This is pure genius because it gives a concrete reason for everyone competing in the sport to be crazy good, almost everyone involved has at least competed nationally in their prior sport so of course they’re fucking good.  This is a step up from Kuroko no Basket where the baseline of where everyone’s at is basically set by the author for narrative reasons, most high school basketball teams are nowhere near as good as the teams in Kuroko no Basket.  By comparison, if Keijo as it’s described was a real thing it would mostly play out the same way in our world because it’s a natural extension of the world, super talented people from all kinds of sports backgrounds go to Keijo specifically to compete because of the pay.  Another bonus is that Keijo is for adults only, this plays no role in the anime because everyone acts like high school kids anyway, but everyone in Keijo is done with high school and are competing because that’s their career of choice.  To me this is big even if the anime doesn’t really do anything with it, because college characters are generally more interesting  than their high school counterparts and it even makes sure the nudity is now legal because no one’s underage.

The other huge advantage Keijo has over Kuroko no Basket is flexibility.  In Kuroko no Basket, as in many sports shows, everybody is given their one power and that’s all they have to work with.  The powers can be applied multiple ways, like how all of Kuroko’s moves are passed on his lack of presence and crazy passing, or have varying strengths, like how there’s two guys who can visualize the court from a bird’s eye view but one has better range, but the players are still more limited.  This isn’t a bad thing per se, exploiting and circumventing a player’s a limits is big part of strategy in Kuroko no Basket and limits can be great for the dramatic tension.  That said I think Keijo’s more natural variation is more interesting.  In Keijo players generally fall into of three classes, Infighter, Outfighter and Counter, and these classes have a Rock-Paper-Scissors sort of relationship.  However there’s a huge amount variety within each class, which affects the Rock-Paper-Scissors balance.  For example Miyata is a small, fast girl and therefore an Outfighter, however she’s got a lot more power than most Outfighters because her background is in judo so she has more muscle.  Meanwhile Rin, another Outfighter, has higher speed, stamina and lung capacity because her background appears to be in long distance running.  In addition  to the variety there are also techniques that anyone with the right body type can learn to counter various classes, the Hip Bullet aka Butt Flash is an Infighter move that relies on a butt’s weight and mass to generate a fast but solid jab attack, and it allows Infighters to manage the quicker movements of Outfighters when used correctly.  Then there’s the techniques they get from their previous sport, like Kawai’s huge step-in, which she learned from her softball days, she uses to close the gap and launch deadly Infighter techniques.  All of this is to say that Keijo has a lot more variety in terms of skill sets and by extension potential strategies and I personally find that to be a big bonus.  And the best part, many major characters still have ridiculous powers like the cast of Kuroko no Basket in addition to their other, widely varied skills, so the fights lose none of their tension or insane flavor.

With all of that it’s time to face inevitable question, what’s better the Keijo anime or the Keijo manga?  Most people are already saying the manga’s better and while I think it’s hard to argue against them I’m not totally sold yet.  The way I see it, it depends on whether you think the ending or the beginning is more important.  The Keijo manga has a lot of important details early on which explore the game a  bit more and add a lot of character development, which is why most people argue that the manga is better.  On the other hand my biggest complaint with the manga is that the ending felt anti-climactic and abrupt, and the anime dedicates almost half of the final episode to an epilogue that sees everyone come together after the East-West War and our main duo signing up for their first professional match, which I thought was superb addition to the story, because something the manga neglects is that the characters are basically in Keijo bootcamp (which we could rename bootycamp or boobcamp in this case) for a year before going pro.  The way the manga ends is like Kuroko no Basket, the main tea has won the big tournament, and that’s it.  By comparison the anime gives us a tiny peek at the future, and some of the girls shown in that peek looked like they could awesome rivals later down the road and I for one was excited when the anime should us something on the horizon.  And as someone who very much values a good ending, I think the anime finale was especially good.  That said there is a an awful lot that we miss out on from the manga so it’s hard to say for sure which I like more.

Part of the problem is that despite all the goodness that’s only in the manga, the manga has some problems that aren’t really being discussed so far as I know.  The main issues is that the manga doesn’t seem to know where it wants to go.  That may be a problem from the artistic side or the business side butting in and causing problems, but either way the manga made a bunch of odd decisions and has a bunch of loose threads lying around.  The best examples are Naka and Ooshima but I want to get into them in more detail so a quick example are the Keijo engineers.  The anime mentions them once but they’re never shown, meaning Kotone has to look at clouds that vaguely resemble men embracing each other to get her yaoi fix (personally I thought was funnier than her looking at the actual engineers even if it was more a stretch).  In the manga though there’s a pair of male engineers we see a few times and it looks like one was setup to be a potential romantic interest (read male tsundere) for Kaminashi, keeping in mind that Kaminashi’s childhood friend wanted to fuck her big time, meaning we might have had a potential love triangle going (thank god that never happened), but it never goes anywhere.  This problem is minor when applied to the engineers and the childhood friend but it gets worse when you consider Ooshima and Naka.  The exam arc, especially the second round, spends a lot of time on Naka and Ooshima but more or less resigns them from relevance by the point the anime started at.  I feel that this was a huge mistake.

Keijo’s cast is pretty huge and given how relatively short it is, it hasn’t got time to flesh all that many people out.  So why cut some of the people you actually spent some time developing?  Instead of cutting Ooshima from relevance wouldn’t it make more sense for her to take Vajrass aka Ass of Vajra girl from the Elite Ten’s place?  They’re both big, muscular girls who have more or less the same skill set, and it’s not like Vajrass girl’s all that important or remarkable.  Vajrass girl is mostly a joke anyway the same as Ooshima was treated, why not put Ooshima on the Elite Ten roster and have her fight in the East-West War in place of Vajrass girl?  You could even give her the Vajrass ability because she basically had a weaker version of that already.  That minor change would be a big benefit to the characters, rather than flooding the story with a ton of girls why not keep the cast smaller and give us more time with them.  Ooshima was mostly goofy but at least she had a prior connection to the main duo and could share more strongly in their victories later in the series, and her character design was better than Vajrass girl’s anyway.  Seriously what is the downside to including her and cutting Vajrass girl?  The same goes for Naka but twice as hard.

Naka had the opportunity to be the single most interesting character in the manga and the show.  She was a full-on adult, a mom with a young kid, and a former bike gang leader, she was the only one of her age bracket (late 20s early 30s, it’s not exactly clear when) trying to compete at the same time as the main duo.  The closest girl was Kusaki who was 20 but she doesn’t act any different from a  dominant yuri high school girl. Think about that for a second.  How interesting would it be to follow the story of new but older player who has her family burdens to deal with, a son to impress in her matches and a violent enough past to seriously kick ass or dig in when the going got tough?  I mean for fuck’s sake one of the Elite Ten girls doesn’t even get to do anything in the East-West War and we never see her abilities, why not replace her with Naka?  Or the boob-iaijutsu girl?  Hell you could even keep boob-iaijutsu girl  and put her on a Suruga team and make her a tough opponent while keeping Naka on Seitouchi’s Elite Ten.  Hell make them fight, boob-iaijutsu girl vs Naka, i.e. the woman with the biggest boobs in the series, that fight practically writes itself and you have to know how many dudes would be totally on board watching that.  And like Ooshima, Naka has a longer history with the main duo and could share in their collective triumphs more deeply.  And again she was the most interesting character conceptually by a mile, but she was cut for reasons unknown.  Long story short, while the manga has a lot more character development and a ton of good moments in the exam arcs, it also made what I consider some pretty huge mistakes and included random tangents that never coalesced into anything substantial.

Whatever the manga’s faults though it does have some major advantages in terms of character.  Miyata’s story has a bit more depth, though I think the anime was able to get the gist of her story across.  The one who really got screwed was Kaminashi.  In the anime Kaminashi is a loud idiot with rare flashes of inspiration, like a shounen hero.  In the manga Kaminashi can be a loud idiot but on the whole she’s a lot more perceptive and intelligent than she lets on, often catching onto things that her roommates miss.  In the anime she’s the one missing the things and Kawai who explains in Kaminashi’s stead.  This was mistake to me because part of what makes Kaminashi so interesting is how creative and intelligent, even arrogant in some cases, she is with regards to Keijo.  Hell one of my favorite scenes in the manga is during the exam when uses she overcomes the hardest test, the butt figure eights, by using the lights so she can watch her shadow so she can make accurate figure eights faster than anyone else.  Also the anime doesn’t get across how poor she is, because her family is completely broke, it just lets us know she’s in this for the money as well as how she enjoys the sport.

Getting back to manga problems the ending needs more attention.  The biggest flaw to me about the ending of the manga is not just how abrupt it is, it’s how Houkouin was a better last boss than Maya/Kaya.  In the manga Kaya/Maya made less of an impression, maybe because the split-personality thing was Akashi’s thing in Kuroko no Basket, than Houkouin.  Houkouin was a more stylish and interesting enemy by far and her battle felt more climactic than Kaminashi vs Maya/Kaya.  The anime doesn’t suffer from this problem, Maya/Kaya is still less stylish, but now at least because the hair color changes when the personalities swap Kaya makes more impact than she used.  The sound though was what really did it.  Kaya’s style is very rough and aggressive in comparison to Maya’s defensive style, and having sound to help communicate how heavy and violent her attacks were was major boon to the final battle.  And again having an epilogue to ease the story into a nice finish that hinted at potential future work was so much better than cutting off right after Seitouchi celebrated after they won.  Minor details include some of the fight scenes and attack translations, the anime made some savvy edits to the manga to fit their shorter story like making Kaminashi wear the UTM all the time during her training period (the manga had her out of it frequently) but also screwed up some stuff, the final attack of the Kotone vs Kaminashi battle looked terrible in the anime and didn’t communicate what was actually happening visually at all.  Some of the attack translations where better in the manga, like Vajrass as opposed to Ass of Vajra, while the anime did some that were better as well like Gate of Bootylon (fun fact the “gate” animation in Keijo was better than the Gate of Babylon used in the new Unlimited Blade Works which is ironic as fuck) instead of Hip of Babylon or Butt on Titan instead of Ass Wall.

Ultimately my advice is this, watch Keijo and read the manga too, pick whichever one you like to start with, (for me it was manga then anime) and decide for yourself which is better.  Because personally I think there’s a strong case to be made for both the anime and the manga being the better version and which is your favorite will ultimately boil down to your individual tastes.  Also watch Kuroko no Basket, but do the Keijo stuff first because it’s better.  Yes I seriously mean that.  I think Keijo incorporates more elements of realism and is just more conceptually interesting on the whole than Kuroko no Basket, while still retaining the insane superpowers and crazy techniques Kuroko no Basket employs to great effect.  Also it’s full of hot girls who are frequently half-naked and occasionally full naked, and despite it’s clear fanservice nature, Keijo is surprisingly good at keeping hings sexy but mostly classy, none of the fanservice ever feels insulting or ever takes you out of the experience by feeling forced.   All in all a great time.  Thanks for reading, I hope you enjoyed it, and I’ll see you in the next one.

Understanding the Audience: Appeal and Expectations

There are approximately a billion different factors that coalesce into a person’s opinion on a particular anime they watched.  When they watched it, how they watched it, who they watched it with, what kind of emotions did they have at the time, what the animation was like, what the story was about, how good the characters were, what kind of ideas does the viewer like in general, etc.  However amongst these myriad factors there are two that are that widely applicable and really easy to understand, what your expectations of the show were vs what the show actually was and whether or not the show was designed to appeal to the kind of person you are, i.e. whether you were the target audience.  For example, I had very low expectations for Keijo, the tits and ass battle sport anime airing right now, and currently I think it’s the best show of the season because boy did it surpass my expectations. A prominent example of appeal would be the huge war over Re:Zero and whether it’s good or bad, which for the record I’ve start hating the show more as time goes on because it decidedly did not appeal to me.  Which is as good a place to start as any, there will be spoilers you’ve been warned.

Since writing my review of Re:Zero I’ve watched some great videos both pro and anti Re:Zero and have come to the conclusion that the main reason I found it boring was that I was not the kind of person the show was appealing to.  The best defense of Re: Zero I saw was about how it was a tale of self-betterment made specifically with otaku in mind and that some of it’s characters did a great job accurately portraying otaku habits or subverting otaku expectations.  That’s great and all but it doesn’t really reach me.  One of the main lesson Subaru has to learn, for example, is that he needs to treat Emilia as a person to get the relationship he wants instead of treating her like a waifu.  It’s not a bad message to send but, uh how do I put this, it means nothing to me.  Because I don’t really do waifus, as I’ve repeatedly stated in a bunch of posts, I need to see the characters as people first before I even really find them attractive at all.  I don’t want to pedastalize my ideal image of this hot girl, I want to get to know the real girl, then decide if I’m into her or not.  And the closest I’ve ever gotten to pedastalizing the girl I was into  before coming to terms with the idea that that wasn’t healthy or ok, was almost ten years ago, and even then I knew some of my hopes and expectations weren’t fucking ok.  So Subaru’s growth is meaningless to me, because I went past that point so long ago that the struggle to get there doesn’t resonate with me.  I don’t feel the impact of the emotional story that speaks to a lot of otaku in Re:Zero, instead all I’m left with is a character I hate for being inane, and having a terrible design.  Obviously it does appeal to a lot of people, hence the grand battle cry calling it a great show from huge chunks of the anime community.  And that’s fine, it’s nice that it speaks to so many people, but I’m not one of them so I’m not going to like this shit.

I think it’s important for everyone to recognize that because the main draw of the story was completely dependent on who the story was appealing to, there’s going to be a large camp of people who hate the show because it’s not for them, and for everyone on both sides to be ok with the opinions of the other side based on who the show appealed to.  Because the last thing we need is for people to argue over Re:Zero forever and ignore shows they might like better, like Keijo.  This doesn’t apply just to Re:Zero of course, most shows have a very targeted audience and because of that targeting, there’s going to be people left feeling bored because the show isn’t appealing to them.  But I think it’s kind of necessary to keep that fact in mind when talking about a show because to be frank watching two camps of people scream that a show is either great or that it sucks is super fucking boring, talk about why it’s good or it sucks and shed some insight into your personal tastes and experience.  Also it would just be nice if most of the internet and the real world would get on board with the idea of other people’s different opinions being ok.

Moving right along, in direct opposition to appeal, which is about aiming for a specific group and is then affected by a individual factors which can be difficult to describe, expectations are very personal but are also exceedingly easy to explain to a group of people.  For example, one of my all time favorite shows is Utawarerumono, with one of the main reasons being that is has thus far surpassed expectations.  The first time I watched the show I had low expectations so it was pretty understandable for the show to exceed them, and for me to think it was good.  The second time I went in with much higher expectations and was still just as blown as away as that glorious first viewing.  That’s what it means to be one of my favorite shows, to continually surpass my expectations and just being a fucking blast to watch every time I watch it.  It’s also what’s great about Keijo, I read the description and went in expecting the trashiest, low effort ecchi crap I’d ever seen and was rewarded with arguably the best ecchi-action scenes ever made and thus far a decent sports story.

That’s really all there is to this post.  Just be open-minded regarding other people’s opinions, especially if the show has a clearly targeted set of people it’s appealing to, and if you’re sharing your opinion in a public space it would be nice if you mentioned your expectations and how they’ve affected your viewing experience.  Because a good review of an anime is usually about more than just the anime, it’s also a story about the person making the review.  And you can make super interesting posts or videos, even if I totally disagree with your opinion, if you just explain where you’re coming from and how a show appealed to you or how your expectations factored in.  That’s the dream really, a world where we can all understand and accept other people’s opinions, regardless of our own, because the other people explained why they have that opinion.  That would make for more interesting content, which is really a win-win for everybody.  That about wraps this up, hope you enjoyed it.