Unpopular Opinion: My Top 50 Anime of Decade

On the one hand I’m kind of excited to do this because this was the first decade of anime where I was really into it.  I’ve watched plenty of older shows but I didn’t really dive head first into anime fandom until 2011 so this is the first time I get to make such a list.  On the other hand I’m pretty terrible at coming up scores and rankings so I’m going to totally half ass this by just going in alphabetical order because sorting them any other way is a huge pain in the ass outside of the top or bottom 3-5.  As for the rules of this list, I’m not including any sequels unless they’re sequels to shows who haven’t had a sequel/season since the last decade, and for any shows which started in this decade and had sequels and/or spin-offs those are included when discussing the show listed.  As far as what this means in a practical sense is that Gintama, which I’m hundred of episodes behind on anyway, and the Monogatari franchise will not be on this list despite the fact I’m a huge Monogatari fan.  Let’s get to it and there will be spoilers.

 

1 – Aggretsuko

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I’ve always found anime shorts to be very hit or miss and Aggretsuko hit me at just the right time.  I had recently moved and was several months into a job I utterly hated but needed to stick with for the paycheck when I stumbled upon Aggretsuko, sitting there conveniently on Netflix alongside the few normie shows I watch.  And goddamn was Aggretsuko satisfying.  It was like Dilbert (I’m a fan), Hello Kitty (not a fan), and Detroit Metal City (huge fan) all had a baby.  The episode 7 climax, which frankly should have been the end of season 1 because the short romance arc sucked, was the most cathartic moment in anime for that year.  Retsuko just going full ham on her boss after his own surprisingly impressive battle rap, was glorious and perfectly encapsulated how I was feeling towards my own management types at the time.  Season 2 actually went more on the romance side of things but gave it time to breathe and gain some depth, making it much more dramatic, interesting and emotional than the weak, short romance arc of season 1.  I personally still prefer season 1 episodes 1-7 but it was a good time overall and a must watch it if you’re feeling at all fed up with your job and/or management at the job.

 

2 – Arslan Senki

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I’ve already written about both seasons of Arslan Senki before but for a an overview it’s something pretty rare in anime, a good history/historical fantasy not set in Japan.  It’s got a very believable world full of different nations, ethnic groups, religions, social systems, internal and external political struggles with just a hint of fantasy elements.  It maintains a large cast of memorable characters with mostly striking designs and spends a good time developing some of them with significant character arcs.  It also has a fair amount of action to break up the long periods of travel and political intrigue (which means standing around and talking) and while the action is usually nothing special there a few fights that are genuinely impressive.  The political gambits of all the characters and factions make sense and are believably messy and Arslan in particular grows in interesting ways while still maintaining the generally soft-spoken and compassionate nature which rests at his core.  It’s an all around solid choice for anyone who enjoys historical anime and is sick to death of Nobunaga and the Shinsengumi.

 

3 – Back Street Girls: Goku Dolls

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Jesus Fucking Christ.  For anyone who hasn’t heard of or watched this one it’s about 3 yakuza guys who fuck up and are forced to undergo a sex change and plastic surgery before forming an idol group, the Goku Dolls, to make their boss money.  And it’s hilarious.  The animation is deliberately hideous with some truly disgusting facial expressions and unusual tricks, like overlaying the inner man face on the outwardly girly head, to add shock value and overdramatic tension to the scene.  What really makes it work though is that our hot blooded yakuza guys are just as, if not more emotional and dramatic than actual teenage girls.  This leads to some great running gags, like the anti-Goku Dolls club, the ridiculous American gangster who visits from time to time, or anytime the Goku Dolls are on TV or Radio.  Their boss is flippant and casually cruel but in a way that’s darkly funny rather than edgy.  This show always has me dying of laughter with it’s genderbent comedy and cruel and ridiculous antics.  Well worth your time if you can handle the ugliness of the show and fucked up humor.

 

4 – Bakuon

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I’m hardly much a cute girls do x fan most of the time but Bakuon was one of the few that really connected with me.  It’s about a bunch of cute girls into motorcycles and while I have no serious interesting in motorcycles, they capture the kind of people who make up any fandom with consummate skill.  There’s the idiot who get roped in and ends up loving it, the hardcore fan of the off brand/brand that the majority looks down on, the elitist snob, the rich kid who’s somewhat interested before diving in, and the die hard fan who’s fucking great at the hobby.  In Bakuon’s case it’s girl equivalent of the Stig and she’s great because she appears to be an unaging immortal figure who hardcore motorcyclists and mechanics all over Japan know about and revere.  It’s cute, it’s fun, it occasionally slides into fanservice but mostly stays in a comedic lane, involving such bizarre scenarios as a sentient bike that can communicate with the rider telepathically, the genius young racer who basically can’t drive outside of racing scenarios, and meeting Jesus and fighting for the existence of motorcycles against a theoretical timeline where humanity decides motorcycles are more dangerous than they are valuable.  It’s great fun without being as extreme as most of the comedies that I really love.

 

5 – Beelzebub

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I imagine that for most anime fans the action/comedy go to is Gintama.  And fair enough Gintama is great, but I got started with Beelzebub and it’s my go to for this genre.  It’s a battle comedy set in school full of cartoonishly delinquent punks with a main character ending up as the host of the devil’s second son, the baby Beelzebub.  It’s biggest weakness is that the gags in the earliest episodes are the most repetitive and the story takes a couple episodes of bullshitting around to get going but once it gets going it’s well worth the short wait.  The scenario’s and enemy characters are ridiculous, the cast is enormous and highly memorable with a ton of unique designs.  Most of the characters are hilariously dumb or otherwise so quirky as to constantly make fools out of themselves, while the straight man is constantly shit on.  Beelzebub is the show that really endeared me to the ultra aggressive attitude and specialized speech used by punks and yakuza characters.  I don’t know why but I really do love Japanese punk-speak and the attitude that goes with it.  Beelzebub is a great juxtaposition of the cool and the utterly ridiculous involving awesome battle scenes with people who can shatter concrete with a wooden sword and punch people so hard they get stuck in walls, and in perhaps my favorite scenario, a bunch of punks, most of know are total video game noobs, all trying to work together in a CoD knock off to find the location of a demon.  There is a special kind of joy that can only come from the stupid and the absurd and Beelzebub is one of the titans of stupid and absurd.  If that sounds at all up your alley you should watch it.

 

6 – Binbougami ga!

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I swear I’m not only talking about comedies on purpose, it’s not my fault most of my favorite comedies start with the same couple of letters.  Yet another especially stupid comedy this one is about a girl who is unfathomably lucky and constantly draining the luck of everyone around her – thus a goddess of misfortune is sent to take away her excess luck.  Hilarity ensues when our girl’s luck is in fact so strong she can compete with the goddess of misfortune on equal footing and does her damnedest to prevent her luck from being stolen.  Unlike with Beelzebub, Binbougami ga! actually has a surprisingly strong emotional side with character backstories and surprise scenarios that are more serious and severe than the tone of the show would usually suggest, with a strong underlying focus on family, fortune and isolation.  There are a ton of references to other anime and a strong pinch of perverse and potty humor, like the masochistic dog god who can transform based on how much pleasure he feels.  Whereas Beelzebub is almost pure absurdity, I think what makes Binbougami ga! special is the mix of absurd moments that make up most of the show and the serious emotional moments that are given all the more weight by straightforwardly the show handles them in comparison to its usual ridiculous self.  This is definitely one of my favorite comedies.

 

7 – Boku no Hero Academia

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And the normie in me finally bursts forth.  Not a relatively obscure comedy this time, no this is one of the big franchises that has dominated the decade.  One of the most beloved shounen anime, because no filler or any of the other problems that plagued the Big 3, this has been a smash hit all across the anime community.  It’s easy to get into, the characters have great or otherwise instantly memorable designs, this a show that took the well worn path and tropes of almost every major shounen series and then polished the fuck out of them.  For the most part I don’t think there are any unique ideas or character stories Boku no Hero Academia has in comparison to other shounen stories, but it has such a strong grasp of the fundamentals and executes them so well that it basically doesn’t matter.  There’s a large cast of lovable characters, some truly standout characters among them like Stain and All Might, great character stories about kids struggling with themselves and their idea of what it means to be a hero when confronted with the reality of what heroes often do, strong rivalries and some truly epic fight scenes.  Ironically season 1 of Boku no Hero Academia is probably the weakest with only 1 really hype battle scene and a lot of time spent establishing the characters and basics of the world.  Season 2 has one of the best tournament arcs in recent memory with excellent key battles in Deku vs Todoroki and Uraraka vs Bakugo.  And Stain is far and away the most interesting and intimidating villain in the show despite his relatively weak superpower.  His 3 episode battle arc with is some of the best Boku no Hero Academia has to offer.  And then we get to season 3 and *breathes deeply* the greatest shounen battle of the decade.  Make no mistake this is not an easy call to make between the Stain battle, Netero vs Merum and other HunterxHunter battles but for my money All Might vs All for One reigns supreme.  All Might is one of the greatest shounen characters ever made and one of only a handful of characters who really has the gravitas to capture the full appeal of the “legendary older figure” character that so many shounen shows feature.  Despite it’s relative brevity and total lack of complex tactics or powers the sheer passion, emotional impact and weight delivered in this fight are so overwhelming I’m literally tearing up as I write this particular bit.  I would be willing to bet no character ever created in any medium has ever done a better job epitomizing the idea of the traditional superhero – unbending spirit in the face of adversity, immense self sacrifice, victory against an overwhelming enemy, and a pillar in hearts of people everywhere.  This fight and All Might’s dialogue at the end is the pinnacle of what shounen has to offer.

 

8 – Date A Live

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There’s a special place in my heart for the rare harem show that isn’t the old To Love Ru style of harem nor the modern light novel, main gets all the girls with no effort harem.  And it so happens Date A Live is one of those harems.  I do not expect this to be on most people’s list especially since the genre’s main appeal leaves out quite a large portion of the anime fandom, but I love it and you’re looking at my list so deal with it.  Date A Live is genius in that all of it’s fanservice is a natural extension of story not a forced panty shot or accidental groping.  The whole point of the show is that our boy Shido has to woo the various Spirits so he can then seal their powers because if he doesn’t they will be targeted by a special branch of the military.  Let’s back up for a second.  In Date A Live there are Spirits, always girls, and wherever they come from when they come to and from Earth they cause what are called spacequakes, which function like balls of anti-matter that annihilate whatever they touch.  Their existence is not public knowledge and because of the spacequakes a specialized military unit is tasked with hunting down any Spirits that appear.  Spirits meanwhile have strong magical powers and are all but impossible to put down or even capture by conventional means.  Shido with his power to seal Spirit powers by kissing Spirits offers up a unique solution and the secret organization led by his adoptive sister wants to make use of him.  Because of this Date A Live has a lot more emphasis on romance and working through emotional and trust issues than it does with traditional misunderstandings and accidental pervert scenes or OP dudes winning girls over by being strong and usually nice.  Not to say that there isn’t the occasional swimsuit episode or ecchi scene but those are much rare than in most harems.  I prefer this approach and the Spirits look phenomenal both as humans and in their Regalia.  Best of all even after 3 seasons the story is nowhere near finished as malevolent human forces and certain untamed Spirits have added new dimensions to the story.  For all my dudes out there, if you wanted a harem show with something to get invested in besides anime tiddies this show is for you.

 

9 – Dororo

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Dororo was the undisputed king of the Winter 2019 season for me and it still was the show I looked forward to most each week as it continued airing into the Spring 2019 season.  A 50 year anniversary reboot of a classic Tezuka property, Dororo follows the story of Hyakkimaru, a young man of a noble lineage whose body was almost entirely sacrificed to demons in exchange to prosperity in his family’s region.  He’s on a quest to slay these demons and regain his bodyparts and is joined by the titular Dororo a young thief who helps him navigate the world and make a living while he hunts down the demons.  Dororo does not hold back on gore or violence with baby Hyakkikaru shown in full horrific detail, a baby with nothing but a skinless head and torso.  As for the drama, it writes itself especially once we meet Hyakkimaru’s little brother.  See with every demon he kills, Hyakkimaru gains back body parts, but also weakens the contract between his father and the demons, causing sudden calamities or otherwise weakening or eliminating usual blessings that have allowed his family’s region to prosper despite the harsh and chaotic time period.  The show poses you the following question, do you support Hyakkimaru, knowing that if he succeeds he will bring an entire region to ruin and hardship or do you support the family, who sacrificed their son and took his future away from him for the sake of the people?  Personally I sided with Hyakkimaru but I could easily see how some people who go against him because he is ruining the greater good.  Plot and drama aside, the action is intense, kinetic, brutal and well choreographed; some of the best action animation of the decade.  And a return to the older style of backgrounds  and characters with more a painted and hand-drawn look was a welcome breath of fresh in the face of the ever expanding use of CG to cut costs.  This is another great historical fantasy, genuinely one of the coolest shows I’ve ever watched, I highly recommend it.

 

10 – Fate Zero

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This is weird one for me to include because I’ve come to basically hate the Fate franchise even as it grows ever further in popularity, but it stays on the list because this is the only Fate show which really captures the conceptual appeal of Fate, before it gets ruined by visual novel harems, alternate roots and a million genderbent characters to make more waifus.  At this point most of Fate is much better as fap material than it is to capture the awesomeness of the Heroic Spirits, the Noble Phantasms and the Holy Grail War, i.e. the parts of Fate which are actually interesting when the hentai browsers are closed.  Fate Zero is one exception because it takes the good parts of Fate and the Nasuverse and cuts out Nasu’s character writing and replaces it with Urobuchi Gen writing.  It’s full of adults making adult decisions with a tons of strategy, secrecy, and dishonorable schemes in the face of the mostly honorably and proud Heroic Spirits themselves.  There’s plenty of dark bits and the whole conflict is ultimately a tragedy, a titanic struggle for a prize that was tainted and rendered useless but the journey to get their is the important part. It also features a much stronger ideological bent than any other Fate work, with the iconic Banquet of Kings scene, where Alexander the Great, Gilgamesh, King Arthur discuss their views on what king should be, being the prime example.  The Heroic Spirits are generally well done and present interesting pairs with their various Masters.  It has some pacing problems but it’s visually stunning without being overdone the way I thought the Unlimited Bladeworks tv anime was.  The effects from the magic and magical weapons are especially good.  If you’re interested in Fate but don’t know where to start, start with Fate Zero and never watch another one.   The lore is also least confusing in Fate Zero so that’s another plus.  All said I do think this show has dropped pretty sharply in my estimation from when I first discovered it, but it is the best of a now very popular franchise and it’s still strong enough to merit being on this list.

 

11 – Gakkogurashi

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This is Madoka Magica of “cute girls doing x” shows and far and away the most interesting thing to happen to that particular sub-genre in the entire decade.  It takes place during a zombie apocalypse that is so traumatizing to one of the main girls’ mind literally breaks down and she lives her daily life under the delusion that everything is fine.  Surprisingly though this is kind of saving grace for the other girls because it allows them to find non-stressful, non-serious tasks, rules and objectives to pad out what would otherwise be a bleak if not utterly hopeless future.  The show delivers on cuteness, shenangians and some of the scariest and most traumatic zombie scenes I have ever seen.  The teacher zombie in particular is fucking terrifying, made all the more so because of just how much she meant to some of the girls.  There does also seem to be something of a larger game afoot as one of the girls details but that doesn’t really get addressed in this season, this is mainly about surviving with their sanities mostly intact and making the most of their now restricted and dangerous lives.  All in all an excellent dark but not grimdark spin on the usual cute girls show, well worth your time.

 

12 – Gatchaman Crowds

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I talked about this in a different post but I cannot stress enough how, despite Boku no Hero Academia being a hype machine and a beloved show, I still believe Gatchaman Crowds and it’s sequel are the most interesting superhero anime in existence.  I did previously say best superhero anything but I have had to amend that because I read Worm and now stop whatever you’re doing and read that, then come back here.  Gatchaman Crowds takes a very different approach to superheroes making the central thrust of it’s character and story arc less about how to be a good hero and rather asking some pointed questions about what it even means to be hero and what kind of heroes would be best for society.  Likewise the villains of the show are less conventional supervillains and more reflections of humanity’s or perhaps societies’ own worst impulses.  It also features Hajime, who is just heaps of fun and a deceptively sharp and dedicated character for someone so openly air-headed, playful and bubbly.  I dig the Gatchaman transformations, they did put me off at first but they’ve grown on me a lot especially with how distinct each is.  The colors and character designs completely leap of the screen and visually it’s quite impressive.  Again though what really sets Gatchaman Crowds apart has more to do with it’s approach and questions posed regarding heroes, villains, society and human nature.  Most superhero properties don’t ask a lot of the viewer besides a suspension of disbelief, Gatchaman Crowds goes a lot further and expects the audience to keep up.  It’s advanced and heady without being overly difficult to follow or ever going up it’s own ass in an attempt to be clever.  Both seasons are very well put together with solid character arcs, tight stories and interesting themes.  A seriously good time, cannot recommend highly enough.

 

13 – Gi(a)rlish Number

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This is every anime cynic’s secret delight.  A fun show that mocks how some of the shittiest anime in existence get made while the fools behind all of the terrible decisions cackle away as they hatch their next cashgrab scheme.  There’s also plenty of  not so veiled criticisms of the anime industry itself, as well as the portrayal of the sad truths about how marketing often does not get along with or give a flying fuck about the art it’s using to generate revenue.  It’s mostly funny because of just how much of a terrible, entitled brat our main girl Chitose is, in comparison to the other characters and how the anime being made in the show is so obviously terrible and ultimately a failure.  There’s also a strong dramatic element to the show with certain character arcs peeling back the curtain to show the frustrations of the people trying to make a living in the anime industry and how difficult that can be both from all kinds of angles.  Chitose herself is not forgiven for being a lazy, entitled piece of shit (I mean that in a good way, she’s great fun to watch), and the show really leans into the drama later on.  I think it ultimately has the best of both worlds with large chunks of the show being funny, mocking and biting for anyone frustrated with various aspects of the anime industry, breaking up the serious dramatic arcs that really get you invested in the characters long term.  Gi(a)rlish Number is great fun, a must watch for any anime cynic.

 

14 – Golden Time

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There comes a time in every anime fan’s life when they want to see a good romance, and most of reviewers point to Toradora as a good place to start.  Fair enough, I liked Toradora quite a bit – then I saw Golden Time and it redefined what a good romance anime was for me.  Seriously, I kind of find Toradora insufferable now because Golden Time is that much better.  Our lad Banri here is a college student and though it’s not immediately apparent he’s actually suffering from amnesia after he got hit by a motorcycle upon graduating high school.  And this will be a factor later especially since it turns out the girl he was hella crushing on in high school is now senpai at his college (he’s a grade or two behind because of time spent in the hospital).  Our lady Koko meanwhile is so obnoxious in her displays of love that she would, and does, drive most men up the wall, and it’s really only by the grace of Banri being such an unflappable go with the flow kind of guy most of the time that he ends up being a good fit for her.  The fact that these characters are in college instead of high school is a saving grace for the show because they aren’t treated like children.  They can get drunk, they can go to sketchy clubs to make a quick buck or do stupid things, they can drive and they actually have reasons to be mostly living alone.  When parents do get involved they don’t treat the main cast like kids except as a means of insulting their lack of maturity or bad decision-making.  There’s a lot of freedom that comes with being a college student as opposed to a high school student and Golden Time makes the most of it.  Ironically what makes it such a good romance though are the strong emotional and dramatic thru lines of Banri’s character and his amnesia and what that means for his various relationships.  To this day I haven’t found a romance I liked more than Golden Time, I strongly recommend it to everyone, fans of the genre or no.

 

15 – High School of the Dead

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Two words, Matrix Boobs.  For that scene – which I will never in my life forget – alone, HOTD had to be on this list. It’s a goofy, fun zombie show where everything seems ridiculous and over the top to the audience but is played seriously from the perspective of the people in the world.  Also HOTD milked the shit out of hot anime girls with big anime tiddies  and uh… no man has a right to complain about that.  In all seriousness HOTD is very fun, it has kinetic, frantic action, the mass death that all zombie films are famous for and a solid cast of fun characters with various hang ups they have to work through during the zombie apocalypse.  I consider this show something of an anime  right of passage, make it through HOTD with a smile on your face and you’ll find a lot to enjoy in anime, if it’s too crude or perverted and the like for you this may not the medium you’re looking for.

 

16 – Hoozuki no Reitetsu

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I don’t expect this to be many people’s lists but this was a go to for me when it came time to just chill and have some laughs.  The story, not that there really is one follows the cold, ruthlessly efficient secretary of the king of Hell as he goes along dealing Hell’s various problems.  It’s generally funny but not laugh out loud funny, maybe more of snickering or snorting funny.  There’s a massive cast of characters with pretty excellent designs, good use of color and just random bizarre demon shit like the big fish flower things you see all over the place.  I have great deal of interest in folklore and mythology and while I don’t consider this show an at all serious take on Japanese folklore, having the folklore creatures as characters and Hell as a backdrop added a lot of flavor to a show that was mostly very relaxed.  For most anime fans the relaxing stuff are moe shows or something along the lines of Flying Witch, for me it’s Hoozuki no Reitetsu.  It’s fun but not too fun, there’s lot of characters and random shit to keep track but not an overwhelming amount of details and nothing’s ever confusing.  I adore the overall look of the show and some running gags or characters (Zashiki Warashi ftw), but I’m mostly here to relax and enjoy the random happenings of demons going about their day.

 

17 – Houseki no Kuni

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Certainly one of the more interesting anime of the decade with its use of, wait for it, good CG and unique setting I found Houseki no Kuni to be utterly fascinating.  The gems all have great designs, the world is mysterious and memorable, and the entire show really pops of the screen with it’s excellent color choices.  The fights are solid, with lots of emphasis on movement as opposed to heavy impact hits and the enemies are some of the strangest you’ll find in a given anime.  The story and it’s main character Phos though are what really makes Houseki no Kuni shine.  Phos is one of the most fragile of all of the Gems and unlike the other fragile Gems she doesn’t have a lick of combat ability.  Despite the fact she unarguably the weakest and most useless amongst all the Gems she still has a strong desire to help but can’t get any of her fellow Gems to really guide her.  However she has two great strengths as a character, she’s by far the most inquisitive of the Gems and her very weakness allows her to evolve the fastest.  The Gems are largely creatures of permanence, they can live seemingly forever with aging, they can’t actually die even if their entire body is shattered, and they have only one predator to worry about.  Because Phos is so very weak anytime she loses a part of herself she can replace it with almost any mineral or metal, whereas most of the Gems can only be connected with their old parts.  This does have a cost as every time Phos loses part of her original form she loses memories, but her core character doesn’t really change.  Even as she gets strong enough to fight alongside the other Gems she remain highly inquisitive, and is the driving force of any change in the story.  It’s a very unique show well a great main character and an entrancing setting, well worth you’re time even if you’re dubious about the CG.

 

18 – HunterxHunter (2011)

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One of the most highly praised shounen series, HunterxHunter is definitely a cut above most of its contemporaries.  Despite being among the longest running shows of the decade it has none of production issues we all remember from the Big 3 and is unique in it’s approach to it’s main characters, who rather than aiming to become the best there is are kind of exploring for it’s own sake with simple goals in mind.  Gon and Killua are usually treated more like side characters in any given conflict, they play a role, they’re present but they are rarely if ever the deciding factor in the conflict.  Even as they get substantially stronger over the course of the show they always have a long way to go with enemies who remain light years ahead of them in strength.  Nen is arguably the most in-depth and creative power system ever made and I absolutely love it with all of it’s individuality and nuances.  Beyond the qualities that make it unique HunterxHunter is much like Boku no Hero Academia in that it’s mastery of genre fundamentals is part of what makes it so good.  It too has hype tournament arcs, impressive battle scenes and one of the biggest individual battles of the decade in Isaac Netero vs Meruem.  HunterxHunter also hold nothing back, with sudden and brutal deaths, injuries and crushing failures shown as early as the first phase of the Hunter Exam, which was an impressively long introduction to the colorful, varied and highly detailed world of HunterxHunter.  If you haven’t watched it you should, don’t be intimidated by the episode count, this is absolutely worth your time.

 

19 – Katanagatari

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This ranks as one of my favorite shows of all time.  It’s historical fantasy anime set in a theoretical timeline of Japanese history where certain forces which supposedly could have existed in our own history are pushed into existence by a shadowy figure known as Shikizaki Kiki, who incidentally created the 12 magic swords our heroes need to gather.  The art style is literally my favorite in all of anime, with excellent character designs, color choices and a stylized world.  The various locations our characters visit are distinct and exciting, from isolated mountain temples, to frozen wastes, to lands destroyed by desertification.  There’s nothing quite like it anywhere else.  Unlike typical anime Katanagatari takes place over 12 45min episodes and features a lot of dialogue as the basic routine of each episode is that Togame, who was tasked with collecting Kiki’s swords, first tries to negotiate for them and when that inevitably fails the bodyguard she had to travel to a remote island to recruit, Yasuri Shichika, fights the owner for the sword.   Shichika is particularly fascinating character in that he’s grown up on an island with only his sister and father for company and been taught to think of himself as a weapon not a person.  This is because his family has the unique Kyotoryuu, a martial art that mimics swordsmanship allowing him to cut people and parry blades with his bare hands.  I think his sister is actually the most interesting character in the show as I detailed elsewhere, but for the sake of brevity I won’t discuss her.  For a show with such a focus on an inevitable between highly skilled foes and their uniquely unusual weapons the fight scenes are often quite brief.  They are awesomely well animated and highly impactful but if you came here for lots of action, you might be disappointed.  Katanagatari is very much a character study with a focus on how our main characters change over the course of their year long journey, how they view each other, what ideologies they encounter among their foes and what parts of themselves they can’t actually let go of.  The season finale is one of the best episodes of anime ever made.  Katanagatari probably isn’t for everyone but for those it’s for, you will not find anything else quite like it and you owe to yourself to give it a try.

 

20 – Kekkai Sensen

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Kekkai Sensen was some of the most fun I had with anime this decade.  It’s world is absolute chaos as humans, aliens, demons and every kind of creature you can think of are all crammed into a portion of New York.  In direct contrast to Katangatari, Kekkai Sensen is a show for whom dialogue means fairly little and instead survives on lots of bombastic action and just the sheer craziness of the setting.  The characters are generally goofier but there are some surprisingly emotional and dramatic stories interwoven into what is usually a dumb action show with an emphasis on fairly unique visuals.  Kekkai Sensen’s biggest downside is that the season 1 climax is not very good and when it was currently airing we had to wait long after the season for said climax.  Season 2 mostly swept that under the rug though and continued Kekkai Sensen as usual.  This is mostly wacky, goofy and fun but there are some truly legendary frames as the team behind Kekkai Sensen tried all kinds of visual tricks – personally the thermo-vision cut of Zapp’s boner when he hears about this chick he’s been hitting on being interested in him, as he wipes out a particularly dangerous monster takes the cake for me.  And if that doesn’t get your interest/attention maybe Kekkai Sensen isn’t for you.  You should try it though, it’s great fun.

 

21 – Kill la Kill

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Every couple of years or so there comes a show, which while not being quite the big tent pole show that dominates the decade, is nonetheless massively influential and often more beloved by hardcore anime fans than the tent pole shows.  The first of these I remember popping up in the 2010s was Kill la Kill.  I love Kill la Kill, I love it so much I think it’s better than Gurren fucking Lagann regardless of the fact the general consensus is the other way around.  Ryuuko is in the running for my favorite anime girl of all time, not that Satsuki isn’t impressive or Mako lovably adorable, but Ryuuko’s attitude, look, style and general approach to life is just about the greatest thing since sliced bread and her synergy with Senketsu makes it probably the best pairing in the entire show, the hilarity of the Mako and Gamagoori shipping be damned.  When Kill la Kill first aired there was a lot pushback because of the “fanservice” and inconsistent animation, but I believe those have been rightly argued down at this point.  Nudity as authenticity and vulnerability is a major theme throughout Kill la Kill – of course the girls will end up nearly naked as a result, and honestly if all you can focus after the first few transformations is the amount of skin showing maybe that’s a you problem not a show problem.  I like fanservice as much as the next guy but there’s so much going on visually in Kill la Kill, and so many half naked fight scenes that at some point you kinda stop caring about the fact the girls are half naked and focus on what’s actually happening.  Likewise the sudden and bizarre animation shifts are indeed stylistic choices to make the show pop off the screen and be all the more memorable.  Suddenly shifting styles to capture the unique voice of many different animators also happens to something of a penchant for the director, Hiroyuki Imaishi.  As for what makes Kill la Kill so damn good?  Well the action is some of the most gloriously over the top, kinetic and well animated you’ll find.  The characters are likewise insanely over the top in pursuit of their various ideals and everyone has some of the most memorable designs in anime history.  The music is absolutely amazing and you will find nothing else like it visually.  That is to say you can really see how much heart was put into this and it paid off.  Kill la Kill is one of the greatest anime of all time and if you’ve somehow missed it, go watch it – like right this second if possible.

 

22 – Kimetsu no Yaiba

Kimetsu no Yaiba

I’ll be honest I was really struggling about whether or not to put Kimetsu no Yaiba on this list.  Between Zenitsu and it’s relatively weak position compared to HunterxHunter and Boku no Hero Academia, I wasn’t sure it merited making the list.  Then I remembered two things, Nezuko and Episode 19.  Nezuko is probably the greatest little sister character to ever exist, with her adorable bamboo muzzle, cute little grunts and pats, the simplified eyes during some scenes to maker her extra cute, the fact she’s carried around in a box or basket most of the time, and her ability to change sizes and achieve peak meme status as smol Nezuko are all in her favor.   The fact that she can kick demon demon heads off and turn her blood into striking pinkish red fire is just a bonus.  To be slightly more serious for a second, it’s both the focus on and depth of the familial bond between Tanjiro and Nezuko that give this show wings beyond it’s generic premise and indeed what makes the climatic battle of episode 19 so powerful.  It’s all about the power of family, it takes of all Tanjiro’s skill, Nezuko’s Blood magic, their father’s technique, their mother’s subconscious urgings – all of it in concert to deliver a seemingly impossible and decisive blow against a demon who should be, and thankfully is, too strong for them to handle at this point.  Still episode 19’s fight was one the biggest anime moments of decade and that helped push Kimetsu no Yaiba onto the list.  I also generally like the stylization of the various techniques and breathing in contrast the show’s normal look, which itself is not bad all.  I do find the brisk pace of the show somewhat surprising given the genre and when he isn’t asleep Zenitsu is utterly insufferable – but on the whole it’s a good show.

 

23 – Kingdom

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Kingdom fans might surprised I put the anime on the list considering how much more beloved and detailed the manga is but I actually got my start with the anime before checking out the manga and I have to say, get past the CG and there’s really quite a lot to like here.  For most people in the know the Kingdom anime has been unfavorably compared to the currently airing Vinland Saga but I honestly think that not only is Kingdom better overall, it actually looks better much of the time.  I know that sounds ludicrous because the Kingdom anime is famous for the shitty CG but hear me out.  First off Kingdom does start switching to beautiful traditional animation during non-battle scenes fairly early on and the use of CG becomes very limited in the second season.  When it’s traditionally animated Kingdom looks miles better than Vinland Saga, with much stronger colors, linework on the characters and attention to overall detail.  And while the CG is godawful it’s usually all awful together.  One of the worst parts of Vinland Saga’s visual look is how it’s perfect willing to mash up hand-drawn backgrounds and characters with a bunch of CG models or CG longships which actually looks worse than a scene made up of nothing but bad CG.  This comparison will only get worse once we get away from the visuals, Kingdom absolutely curb-stomps Vinland Saga on the audio end, with huge swelling tracks that take full advantage of the sheer size of the battles going on or are used to maximum effect in conveying a characters dominating presence.  I also find Thorfinn’s screaming to be really fucking irritating while the same can’t be said for Shin’s constant yelling.  If there is one reason to try the Kingdom anime, manga fan or no, it’s for the sound.  The music is amazing, the voice acting is solid, and the battle-noises are quite good, with a great of attention to detail put into the types of sounds  made by characters using different types or strengths of hits.  The story is also great, set during Warring States period in China (3rd century BC, I think) with a war orphan who wants to be the become a mighty general paired with a young king who wants to go full Alexander the Great on China, complete with a huge cast of excellent side characters from every strata of society.  Kingdom is also the show which most successfully capture the “legendary older figure” characters I mention when discussing All Might.  The major generals of the previous generation come off as absolute legends, with utterly titanic presences be it during a simple conversation or on the battlefield.  The action in Kingdom is very satisfying but not especially well animated most of the time because of the heavy use of CG during battles, it’s much better in season 2 where they use traditional animation for many of the fights.  Kingdom also has a penchant for a kind of heroic military romanticism that seems very much like the Homeric traditions of ancient Greece.  This makes the actual fighting and troop numbers wildly inaccurate to but it also really heightens the tension and highlights the dramatic fight scenes between characters of particular import.  I consider it a must watch for anyone who has the same obsession with history, especially ancient history, that I do.

 

24 – KonoSuba

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Megumin, that is all.  Jokes aside this is by far the most entertaining isekai property of the decade.  It’s cast of almost total incompetents somehow stumbling their way to victory in fights against the most powerful enemies the world can throw at them while struggling to defeat a single giant frog is barrels of fun.  Megumin is my personal favorite because she could be totally competent but has such idiotic obsession with only using the strongest attack magic that she knowingly turns herself into a one and done artillery piece.  Darkness is probably the least interesting because her masochism overrides basically everything else about her but the way that everyone else misinterprets her kink on the battlefield is pretty fun.  The designs are often deliberately wonky in a way that is pretty charming if not traditionally good looking. The character chemistry among the main cast is pure gold and there are some truly amazing running gags that pop up across both seasons.  That KonoSuba manages to finagle a few genuinely impressive fight scenes in just makes it all the better.  It’s not the most ridiculous comedy on this list but it is one of the most consistently fun shows of the decade.  Well worth a watch.

 

25 – Kore wa Zombie Desu ka?

kore wa zombie

What happens when you combine a Necromancer so strong she can’t talk because she can kill with her voice, magical girls, vampire ninjas and your average Japanese high school boy?  You get a story about a guy who becomes a zombie that transforms into a chainsaw wielding magical girl.  Yes it is exactly as ridiculous as it sounds and yes you should absolutely give it a try.  It even has a magical girl who is cursed to look like a middle aged man except when she’s drunk and then assumes her original form.  Kore wa Zombie is about as absurd as anime comedies can get and while there are a few dramatic narrative thru lines it’s mostly a show about stupid fights against random, bizarre monsters, truly goofy uses of magic, hot chicks and the kind of violence based humor which only a zombie, or maybe a harem protagonist, can survive.  Thoroughly recommended.

 

26 – Koutesujou no Kabaenri

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In that 4 year gap between Attack on Titan seasons 1 & 2 the studio which made it was somewhat panned for creating an AoT clone in Koutetsujou no Kabaneri.  In yet another zombie apocalypse humanity is reduced to living in isolated walled settlements where the only viable mode of transportation is by train because the world doesn’t have aircraft yet and the Kabane, vampire-zombies with glowing, nigh-unbreakable hearts, would eat anyone on foot or horseback.  But whereas AoT came out hype and then had a serious slow down in the middle, the shorter and more tightly written Koutetsujou no Kabaneri had no such problems.  It came out hype, stayed pretty hype, and then latched onto to short narrative which ended the season.  Visually it remains among the prettiest shows of the decade with highly detail, heavily shaded artwork in the close ups and stills.  Even in it’s normal state it looks very solid.  The Kabane are perhaps the most threatening zombie I’ve come across as they are not only fast and aggressive but they are extremely difficult to put down, killing them requires specialized weaponry, and short range to melee combat – the place you don’t want to be when a single bite from a horde of zombies will turn you into one.  There are also special variants of Kabane who can use combat skills they had in life or who can morph together and become a giant corpse pile monster straight out of a Fromsoft game.  What really sets Koutetsujou no Kabaneri apart from AoT is that the greatest threat doen’ts come from external source like the Titans but the poor decision making of understandably cautious or paranoid people trapped in relatively small spaces, it’s story where most of the humans matter, as opposed to AoT where only the monsters and few human outliers matter.  Good action, good visuals, good zombies, good time.

 

27 – Log Horizon

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Whereas KonoSuba is the most entertaining isekai of the decade, I would propose that Log Horizon is the best isekai of the decade – and possibly ever.  It’s much slower and more toned down on the action front compared to most isekai shows but it more than makes for that with the most in-depth isekai world building in anime and a plot that revolves more about creating and managing a livable society in a world full of people who can’t die, while trying to unravel the mystery of how everyone got here in the first place and how they can get back.  There’s a lot focus game mechanics, character class interplay and eventually even flavor text and how these things manifest now that the game has changed and become reality for a large number of people.  There is a focus placed on depth in almost every facet of the setting and the major interactions between the most powerful players – now leaders in this world.  This leads to a show full of lots and lots of dialogue and build up, so it can seem very slow if you’re not paying attention to just how much is going on in any scene.  Concepts that will become pivotal can be introduced many episodes in advanced, allowing everyone paying serious attention to be on the lookout for what details to track.  Unlike most anime Log Horizon expects a lot from the viewer and you will get left behind just turn your brain off and drink it in.  I don’t want to overstate how smart this show is, nor do I want to be a pretentious little shit saying *fake poncy British accent voice* that this is an anime for smart people – but relatively speaking it is the thinking man’s isekai and there’s a lot to engage with if your willing to put in a little more effort and muddle through the headier parts of the show.  It’s definitely not for everyone, but I do think everyone should give it a try.

 

28 – Made in Abyss

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One of the few downsides to the absolute flood of isekai shows released this decade was the almost complete loss of bonafide fantasy worlds.  While some shows put in the effort to make the video game based worlds interesting a ton of shows defaulted to generic RPG concepts and monsters and called it a day.  And while doing so these game-based settings replaced more traditional fantasy settings.  Made in Abyss however was one of those rare shows which not only featured a true fantasy setting but one which was striking in just how unique it was.  There’s a colossal hole in a small island in the middle of the ocean and the hole is full of unique treasures and fantasy monsters found nowhere else in the world.  So the people who found it first set up a gold rush town where the entire society revolves around delving into the abyss, and returning with it’s unique treasures to study and sell to the outside world.  Our begins in an orphanage where we follow the child of a renowned explorer who has allegedly made it to the bottom of the abyss and she wants to follow in her mother’s footsteps to meet her in person despite the fact it’s something that is incredibly dangerous even to explorers far more experience than her.  Joining her on her suicidal journey is a robot boy who can fire lasers and extend his arms like grappling hooks who seems to have some connection to the girl’s mother.  The setting is amazing with all kinds of unusual terrain, monsters and eccentric characters.  And don’t let the cutesy designs fool you, Made in Abyss goes hard in the paint when it comes to terrible injuries, darker plot points I won’t spoil.  It’s an interesting show like nothing else I’ve ever seen and a must watch for any fantasy lover.

 

29 – Magi

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Magi is one of the other great fantasy shows of the decade.  But unlike Made in Abyss Magi has a much more involved narrative in a vast world that its two seasons have had more time to flesh out it detail.  One of Magi’s strengths is the sheer sense of adventure it conveys, with our cast visiting vast deserts, island kingdoms, port-cities, fantasy Rome, fantasy China, steppe tribes and so on.  There’s also all kinds of interesting fantasy kingdoms and races like the superhumanly strong Fanalis who have been mostly enslaved, the beast riding Amazons of Artemia and the blue haired half Norse and half Inuit giants of Imchak.  It’s easy to get lost in the sense of wanderlust that the characters have especially in the early parts of the show before the over-arching plot is introduced.  It also helps that the colors are especially vibrant, really adding a lot of life and vibrancy to the setting and it’s inhabitants.  The overarching plot sort of resembles FMA Brotherhoods and Magi follows of similar trajectory of assembling a gigantic cast to face the lurking enemy threat that looms over all of them, despite the large divisions between the major political powers and characters in the world.  Magi has an interesting magic system where all magic grouped into 8 broad types which have varying levels of resonance with each and differing magicians.  This is a fast and loose rule set that results in many mages with different specializations but leaves lots of room for overlap and creativity for more advanced spellcasters to work with.  Then we get to Djinn and the Djinn Equips and that alone was enough to get me on board.  The Djinn may all be blue giants but they look and behave pretty differently and their Equips allow humans to assume an approximate form of their Djinn, resulting in outfits and weapons which are often totally impractical but also classic high fantasy.  The main characters Aladdin, Alibaba and Morgiana are all quite solid though Alibaba is undoubtedly the weakest on the character front just as Aladdin is the most interesting.  There’s plenty of action, political intrigue and wide and well developed world to explore.  It’s even a good entry point for non-anime fans or anime casuals in my own experience – give it a try if you haven’t already.

 

30 – Mairimashita! Iruma-kun

iruma

This is one of the most wholesome anime of the decade and I fucking love it.  It’s cute, it’s lighthearted, it’s fun and it warms my bitter cynical heart.  There’s honestly not that much else to say.  It’s Rosario + Vampire meets Hayate no Gotoku with a big focus on kindness and friendship.  It’s not serious, not heavy, it honestly feels a bit like a kid’s show and it’s wholesome approach is a such a breath of fresh compared to the endless edgy light novel bullshit or my usual more violent and/or though provoking shows of choice.  It’s a much needed break from the rest of anime and it brings a warm smile to my face.  Also Clara is adorable.  Watch it, it’s a great pick me up.

 

31 – Medaka Box

Medaka's_Speed

Medaka Box is written by NisioisN of Bakemonogatari fame and is the work of his that delves in one of his narrative penchants, the nature of geniuses, more so than any other work of his I have seen/read.  The anime regrettably lacks the fan favorite arc, Minus, ending just before that arc begins but nonetheless a very solid anime.  It has personal favorite design style with regards to to anime faces, using a wide array of artistic tricks from multiple styles of iris, heavy lines to frame eyes and strong use of color, vibrancy shifts and changes in shading to create what I consider the best anime faces of all time, which results in some truly excellent character designs.  The cast is memorable, full of characters who are at once living memes and are also either struggling with or utterly consumed by the differences in talent between people.  The show has almost more focus on quirks than Boku no Hero Academia, and features some truly bizarre students who need help with a wide variety of problems.  There’s also a strong action element to the show though that doesn’t really rear it’s head until late into season 1.  This is again one of the shows that’s honestly pretty stupid but is willing to run with it’s stupid ideas full steam ahead and I have severe soft spot for that kind of approach.  I seriously hope it gets another season to deliver the Minus arc and even if this doesn’t sound up your alley I encourage you to try it.  Partly because it’s a show that does much better in the moment than in dry reviews but also because I’m curious as to what most other people think of the character designs.

 

32 – Mob Psycho 100

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Easily one of the most interestingly animated shows of the decade Mob Psycho 100 did very well among the anime community for both its visuals and its message.  The story revolves around a kid with ungodly strong psychic powers, and this matters not so much because Mob then goes to exorcise ghosts or fight other psychics but because in direct contrast to his crazy powers Mob has basically no physical or social ability and is setting out to improve on those fronts.  He does this by joining the Body Improvement Club and working for Reigen, who have top tier bodies and charisma respectively.  Most of Mobs opponents meanwhile are people who have convinced themselves that their psychic powers makes them better than everyone else and can’t understand why Mob isn’t using his powers for personal gains but seeking to improve everything but his powers.  There’s some great psychic action which no doubt drives much of the show’s fandom and popularity, but I also like to think it’s positive attitude and focus on self improvement resonates with a lot of people.  If you haven’t seen it already you absolutely have to give it a try.

 

33 – Monster Musume

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And the harem genre strikes again.  Much like Date A Live, Monster Musume marks itself out among its genre contemporaries for having a bit more of an emotional side and an approach to fanservice that comes not from accidental slips or a sudden burst of wind but the nature of the various monstergirl species and their own individual desire for our protagonist.  I honestly can’t remember his name because almost every character introduced so far, which is quite a few at this point, calls him by a different nickname – I’ll probably just call him Darling for ease of reference.  Monster Musume’s main difference in comparison to Date A Live is the amount of fanservice.  The monstergirls either by dint of their species or by their own thirst for the d, give us a lot more fanservice than the Spirits of Date A Live – which is mildly ironic considering the Spirits are basically human once you get past the magic, and the monstergirls have similar trust issues/worries about discrimination in the wider world.  The cast is highly memorable and mostly great fun, and while there isn’t really much of a story per se, the moment to moment experience is very enjoyable.  Even some of my non-anime fan friends were into Monster Musume so to my fellow weebs of culture, let us celebrate the anime that gave us a new and confusing boner, or ladyboner, for monstergirls.  Amen.

 

34 – My Little Witch Academia

my little witch

This was basically cute anime girls Harry Potter, if Harry could barely use magic, Ron spoke to spirits, Snape cackled at the thought of making poisons and Hermione merged with Draco Malfoy to become an upper class blond bitch (at first anyway).  Having thoroughly enjoyed both My Little Witch Academia movies, I had high hopes coming into the tv anime and it did not disappoint.  It was so much fun to watch, with sequences like Akko firing herself out of a cannon to catch the world’s fastest flying broom so she could win the broom race, Sucy’s dreamland and of course the Gurren Lagann bit.  But for every moment of comedic gold or irresistible cuteness, My Little Academia also delivered on a satisfying moments of drama and character development, revealing truths that added whole dimensions to pre-existing characters and their relationships.  Akko and Diane’s character arcs were particularly good, especially when they really get to know each other and then join forces for the finale – which was also awesome.  This is a show that’s super easy to get into and a must watch for any fan of the movies or Harry Potter.  Y’all should watch it.

 

35 – Nobunagun

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As much I am sick to death of hearing about Oda Nobunaga, I have to say Nobunagun was one of my surprise favorites.  Utterly stupid, featuring fights between the descendants of heroes and alien Kaiju was so much fun.  I was a big fan of the stylized weapons or abilities of the various characters and especially a fan of the sudden color shifts during the action.  The normal look of the show is pretty bland and generic but during the battles the color scheme radically changes, not only making everything really pop off the screen, but giving it a unique look and feel.  There’s honestly not much else to say about Nobunagun, either you’re like me and fell in love with the show’s brazen idiocy by the end of episode one or you didn’t and you probably think I’m crazy to put it on this list.

 

36 – Non Non Byori

non non byori

Welcome to the pinnacle of anime memes.  Other than JoJo shows I can’t think of any other shows off hand that have such a meme following.  Nothing happens in Non Non Byori – serious, literally nothing happens.  It’s about cute girls living in such a remote country town that there’s only one teacher and she teaches all 5 students at the same time despite the fact they’re all in different grades.  Highlights include going to the beach, building an igloo, walking to the candy store and going to feed the rabbits – that’s how much nothing is going on here.  That being said the interactions between the girls are cute and hilarious, with the undisputed queen of Non Non Byori being the one, the only – Ren-chon.  Renge, to use her actual name, appears to be a genuine genius in many regards but is hiding her power level by thinking so outside the box that the others can’t even understand her galaxy-brained ideas.  They have no choice but to simply roll with it as asking the mysterious deadpan loli for her reasoning brings forth answers which only madmen and eldritch horrors could possibly comprehend.  To be a bit more serious for a second, this show’s appeal hangs almost solely on Ren-chon, not that the other girls are bad but she’s what will really invest you in Non Non Byori.  Either you will recoil from this loli in confusion or bow down to her majesty and be drawn into the show by her magnetic presence.  It all depends on you.

 

37 – One Punch Man

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This is one the shows that will be on probably everyone’s top 50 of the decade list.  It’s well animated (well, it was in season 1), the characters a good, it’s funny and it does an excellent job at making it’s central joke – that Saitama kills every awesome unbeatable bad guy in just one punch – except when he doesn’t to make the fight cooler.  I think the visuals are what really made One Punch Man so beloved, because if the whole thing looked like season 2 it probably wouldn’t be on this list.  That said because the visuals got so many eyes on One Punch Man and, in my case at least endeared me to the characters I was able to solider in Season 2 because the characters and their interactions were as good as ever despite the massive visual downgrade.  Watch it if you haven’t, but seriously who hasn’t seen this by now?

 

38 – Panty & Stocking with Garterbelt

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Of all the many anime comedies I’ve seen Panty & Stocking is basically guaranteed to be the raunchiest.  It looks like a western cartoon from the Dexter’s Laboratory era aka my childhood but this one is not for kids.  This is all about sex, sweets, shit and sisterly infighting.  Which is hilarious because the two are supposed to be angels but they’ve literally been kicked out of heaven for their bad attitudes and have to do a bunch of good deeds and earn enough goodwill from the divine to get back in.  They do this grudgingly and with mild interest preferring to bone as many people or eat as many sugary delights as possible along the way.  Almost all of the ghosts they have to slay inhabit things like shit, vomit, sperm and buggers.  The art style changes all the time to suddenly look more gorgeous and realistic or hideous and blobby from scene to scene.  And while there is an over-arching story it not only does the show has perhaps the most controversial Gainax ending of all time but it will do whatever the fuck it wants with at all times.  Some diversions include, a half episode Transformers war between the two angel sisters, a minutes long scene where the camera never leaves the room or ever changes the angle of the shot and Saving Private Ryan scenes played from the perspective of sperm.  There also some great fight scenes and the overall feel of the show is incredibly dynamic with all kinds of overkill in every conceivable way, with lot’s of movement and attitude that takes advantage of the simplified art style.  This is definitely worth your time and one of the only shows that I think has a decent dub, I still prefer it subbed but if you have no other option the dub is one the better ones you’ll find.

 

39 – Psycho-Pass

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This may be perhaps the only show in this list which is wholly serious.  It has no comedic elements whatsoever and is instead a tight, tense and gripping police procedural set in a near-future Japan which has been completely transformed by a mysterious advanced network called the Sibyl System and the implementation of the Psycho Pass; a score which not only quantifies your mental state but also is used to match any given individual with jobs they will fit into best and so on.  There’s also a great deal of hologram tech which is mostly useful in how it gets used to disguise murders or to interact in some kind of VR social media.  The setting is very fleshed out especially regarding all the implementations of the new technology and the flaws, boons and workarounds therein.  This show is very interesting because one of the central themes is the merit of the Psycho Pass.  From the show’s presentation and some of it’s larger reveals it appears to be presenting a dystopian future.  There are all kinds of problems with system, and it generates behaviors which probably wouldn’t appear in a society without the Psycho Pass because they are specific methods of coping or failing to cope with the use of Psycho Passes.  That said, all other details point to the Sibyl System and Psycho Pass bringing about massive improvements to overall society – lowering crime, increasing productivity and so on.  It’s difficult for us as viewers to agree with because we are accustomed to having way more freedom and the idea of a machine, even one that may do a better job than we will most of the time, being used to guide/dictate our lives is untenable.  Whatever your answer to the questions posed there’s no doubt it’s one of the true titans of the decade in terms of craftsmanship (not season 2 though it was made by different people and fucks everything up), and I’ve yet to come across a similar anime.  Definitely give this one a try.

 

40 – Quan Zhi Gao Shou

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I really struggled between putting this or Mo Dao Zhu Shi on the list, as the latter is visually more impressive and involves more of a historical fantasy story and setting, but it also has some pacing issues and a focus gay romance that I have literally no interest in cause I don’t swing that way.  Quan Zhi Gao Shou, or The King’s Avatar is a more modest production about video games and pro-gaming that is ended up really being really good.  It settles on the basically undisputed best pro-player of a very popular RPG getting fired due to the team’s faltering performance and concerns about his age, he’s 26 which is old by pro-gaming standards.  And because they hammer this part in immediately it’s very easy to invested as to how our main guy with stick it to the man.  The character side of the story is pretty great but what Quan Zhi Gao Shou really delivers on is something of every gamer’s power fantasy and really capturing the kind of passion that the deeply hardcore fans of certain games have for their game of choice.  Our main guy has been playing this game for a decade and rather than lash out when he’s suddenly dropped from his pro team he immediately starts up a new account, experimenting with a playstyle he and his best friend had started on conceptually many years ago.  There’s lot of flashy action and solid understanding of RPG mechanics along with a focus player action speed versus depth of knowledge.  Quan Zhi Gao Shou is very easy to get into, with a tone that is mostly, light brisk and fun with occasional currents of a more serious struggle going on.  It’s a great watch for anyone who has picked up any RPG before – and while the show has modest production values the 3 OVA sequels are fucking jaw droppingly well animated, a good reward for those who make through the first season.  There was also a recentish movie release prequel, so this franchise does seem to have some legs and we will hopefully get a second season soon.

 

41 – Re:Creators

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Re:Creators is unfortunately a show with some problems and an ending that is so meta it’s a bit up its own ass but generally I really loved watching it.  It played around some very interesting story concepts both in a meta sense to resolve the main conflict and for use as character building.  The differences between how characters from more simplistic settings developed in contrast to characters from darker or more nuanced settings was really cool, and the interplay between characters from totally different mediums and settings using their various power against each other was awesome, resulting in scenes like watching a giant magical girl heart slam a flying heroine into the ground with explosive force – where else will you even see something like that?  I know that a lot of people hated the main guy but honestly I think he did his job exceptionally well and filled more of a Shinji from Evangelion role than that of a typical hero and thus had many similar flaws and criticism that Shinji himself suffered from.  I think what really sold it for me though were the parts that delved in the various artists and writers and the creative process.  I thought the show’s commentary on that front was fucking spot on and resulted in some of may favorite low key interactions and bits of dialogue, with the crowning achievement being the battle of wits between Blitz and his creator – who basically proves to him that he hasn’t developed at all and is frankly immature in his thinking when compared to the other fictional characters who have invaded our world by predicting his every line and move.  That said there is a bit in the middle where show slows down massively while building up to the final battle and I could easily see that being a problem for some.  I personally was fine Altair’s design and abilities but I did find her motivations to be pretty pathetic and her nigh-invincibility sometimes utterly ruined the awesome powers of the characters.  All told I think it’s still a good show with interesting ideas and an excellent commentary on creatives and the creative process but it’s on the lower end of this list.

 

42 – ReLIFE

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This is actually one of the best romances of all time, at least in anime.  It’s about a guy who seems to have no real prospects because he quit his first job as a means of protest against his boss and co-workers, who in fact drive his mentor to suicide with their bullying.  Because of this he obviously didn’t get any kind of recommendation and is struggling to find a serious career since he has no reliable references and every interviewer will of course ask why he left his old job, or call his old boss and presumably be told that our lead is a shit worker.  While he struggles he is given an offer by a mysterious government agency to take a drug that reverts him back 10 years (I think) and redo his senior year of high school as a means of rehabilitation, with the promise of a job afterword.  With little else going for him he takes offer.  Part of what makes ReLIFE great is that our lead is not fumbling his way through school like so many high school romances, he’s done this before and while there are many jokes at his expense because of his adult outlook and him having to readjust and relearn old material, that same adult outlook lets him cut through usual high school bullshit and misunderstandings with ease, allowing him to quickly make some friends and even guide these young people when some of them are having trouble.  His main focus is the super emotionless girl in his class who we will later learn went through the same program he did but didn’t change at all during her year and is now doing a second year unbeknownst to our male lead.  But it’s because the secret ReLifer is so inept at personal interactions that our male lead spends extra time helping her, and thus the groundwork for a serious relationship is laid.  ReLIFE has some decent comedy, solid drama and – once all the various secrets are revealed – one of the best anime romance stories of all time.  You really owe it to yourself to give it a try though I think older viewers may like more since it’s much easier to connect with a male lead closer to our age.

 

43 Shokugeki no Souma

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I think what really sells Shokugeki no Souma, in addition to the fact they went all in on the foodgasms, was the attitude.  Souma and many of his various rivals have the same highly arrogant, confrontational and fiery attitudes of characters from battle manga.  Like if these kids had huge muscles instead of major culinary skills they would fit right into something like Baki.  And I love the attitude, it really is the heart of the show because it’s that same attitude which leads to the intensity and stakes of challenges.  The various characters make massive bets with all their pride and skill on the line and it’s only be dint of the overall attitude that this makes any sense at and is indeed fully sold.  The fact that show does a really good job making the actual cooking matches and recipe research engaging is to it’s credit but it’s kind of just a bonus – it’s the attitude and characters which really keep me invested, especially since the story gets increasingly off the rails as it goes on and the production values start to take noticeable hits in later seasons.  And speaking of the characters, this show really does nail the kind of giant memorable and interesting casts which are a staple of the shounen genre, and even some of characters who only appear in a few scenes are among the most memorable side characters I can think of, Hojo and the witch girl in particular.  There’s also a huge focus on talent vs hard work and perhaps even more importantly, confidence.  Megumi is one of the best characters because she is a talented cook who is so lacking in confidence that it almost sees her expelled and it’s not until she meets the brazenly competitive and outright arrogant Souma that she really finds the inner strength to make something more of herself.  Her big moments in the season 2 tournaments were probably my favorite parts of the show.  That’s really all there is to say, if you want some food porn, with a side fiery attitude and a full course of interesting cast members, Shokugeki no Souma is the dish for you.

 

44 Shuumatsu no Izzetta

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This is one of the shows on this list that most people will probably be scratching their heads at as it didn’t have great critical reception nor was it especially popular when looking at the decade as a whole.  But I have a deep affection for fantasy and history and this was yet another solid historical fantasy not set in Japan.  This was a fantastical WWII story, though the politics of the world is much more reflective of WWI where royal families exist as serious political factors in much greater numbers.  Overall I don’t think the story or writing is especially good, though the episode where Nazi (not actually a nazi this is just for ease of reference) infiltrator into fantasy Switzerland (which is where the main characters are from) discovers that he really likes the kind people of fantasy Switzerland and concludes his side might be the bad guys in this scenario since fantasy Germany is invading fantasy Switzerland was great.  That being said I do love the overall focus on patriotism, heroic myths, the clever use of propaganda and the magic vs WWII tech battles.  The politics were also good, with all of fantasy Germany’s enemies celebrating the rise of Izetta as a weapon against fantasy Germany while also becoming very concerned about what Izetta and magic represent.  Fantasy Germany has some very capable men who put the titular Izetta in danger multiple times and while I wasn’t much of a fan of how her final opponent came to be, I do like the thrust of her enemy’s story and how she interacts with Izetta, as a pair of witches who have similar power levels and played similar heroic roles for fantasy Switzerland but had a world of difference in their treatment.  What really gets me though are 3 things.  The music, the depth and intimacy of the friendship between Izetta and Princess Fine, and last but certainly not least Izetta’s solution to end the conflict and the truly humbling levels of self sacrifice required to enact this solution.  The climax is something that’s going to be etched in my mind forever, between the swelling music, the way it cuts between the actual fight scenes which in and of themselves aren’t that impressive to the momentous political events which Izetta’s immense self sacrifice is going to pave the way for, with multiple tensions builds which are put on hold by flashbacks or exposition before resuming with exponential intensity before we get to the big earth shattering moment where the entire nature of the world is re-written and the age of magic passes forever.  It’s something out of an epic or a saga, and it’s the kind of story beat which cuts right though to the core of my being.  For whatever reason it’s the scenes like these, the big swelling moments of legendary feats be they Izetta’s climax or something like the Ride of the Rohirrim, these are the scenes that connect with me deepest, which make my tears flow most fiercely.  Many of the shows I enjoy have a lot more of “the journey is more important than the destination” vibe but every now and then there comes a show where, though the journey is perhaps not as striking or memorable or as well written as many other shows on this list, the destination is so phenomenal that it eclipses all other factors.  Shuumatsu no Izetta is one such show.

 

45 Soredemo Sekai wa Utsukushii

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This is another of the best anime romances in my book, though this is much more of a traditional shoujo story than Golden Time.  It takes place in a very simplified fantasy world where all the countries are named after random climatic and topographic features like Rain, Sun, Sea, etc.  More important than the milquetoast fantasy world though are our main characters, Livy and Nike.  Livy is a genius young king – who looks like he’s only a kid but is supposed to be a pre-teen I think – whose reign is nonetheless stained by his own internal demons and the heartlessness which he steeped himself in to take power.  Nike meanwhile comes from a poor as shit country at the ass end of the world, the Rain Country, where royalty doesn’t really behave all that differently to average citizenry.  In fact when Livy demands a Rain princess for his bride – because he wants power over the weather to combat the sun for which is own country is named – Nike is sent because she lost the 4-way rock-paper-scissors match between the princesses.  What really makes these too such a great pair is that while Livy is a man above the people in many regards, both in his own attitude and in his understanding of greater political movements or complex problems, Nike is definitely a woman of the people.  She struggles with expectations of royalty and formality but thrives on interpersonal relations, rapidly making connections with anyone be they royalty or peasant.  Nike also has weather altering magic which is why Livy wanted a Rain princess to begin with, and she uses her powers mostly to teach Livy about the importance of his emotional development and doing the right thing for the right reason – in contrast to his old approach of doing the right thing for the wrong reason or vice versa.  Both Nike and Livy are great characters in their own right, which is why this show manages to break into this list despite the shoujo label.  Most of the time I find shoujo stories to be pretty insufferable because the characters are fucking boring so I have no reason to be invested in the drama and the romance.  That’s not the case here, this show could probably be about anything and so long as Livy and Nike were in it I’d have a good time.  Definitely worth a watch, especially for anyone starving for good romances.

 

46 – Steins;Gate

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Steins:Gate is, in my opinion, the greatest time travel story ever made (if we discount all that Zero garbage).  As someone who generally finds time travel annoying as it’s almost always used for narrative convenience, I fell in love with Steins;Gate right away despite my reticence about the subject matter.  Part of this was due to the unusual presentation of the early episodes but it’s mainly because of the characters, with Okarin in particular getting me super invested early on.  The actual tech involved in the time travel is basically a random stroke of bullshit but the mechanics of time travel are simple but interesting and used very well in the story.  The fact that the time travel was very important to the story and used for serious character development rather narrative convenience was a huge breath of fresh air for me and really helped keep me working through the slower parts of the story, where we get to know the characters, who we absolutely need to love for the drama of the later parts of the show to really hit home.  Luckily the characters are fantastic and do a great job of drawing you in.  If you haven’t seen this already you should absolutely give it a try.

 

47 – Suisei no Gargantia

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I’ve never been a big fan of Mecha shows but Suisei no Gargantia won me over right away with it’s pretty unique premise and totally unique environments.  For those who haven’t seen it, it’s a about a young soldier, Ledo, who has been cast adrift by a wormhole travel error after a major engagement against alien forces and arrives at, of all places, Earth.  The humans of Earth are significantly more primitive and live on giant clusters of ships, and while they technically have mechs, their mechs are more like forklifts in a humanoid shape than a proper Gundam.  Ledo meanwhile comes from an advanced space-faring branch of humanity, who believe Earth is either a myth or long since frozen over, and has the only mech worth considering for 90% of the show.  Rather than this being a giant battle of mechs, the show is really about Ledo learning how to adjust to a life without combat, where there isn’t much if any war and conflict avoidance is the first priority.  I personally love this kind of character, the soldier who is either so consumed by war or started fighting so young that it’s all they really know and so struggle to adjust to peace.  The mass of interconnected ships, especially with the locks, cranes and rust make for some of the coolest and most striking environs of the decade and while the characters and story beats are generally quite simple, they are nonetheless compelling and make for an easy digestible story so you can focus on all the detail poured into the environments, society and culture which are the backbone of the show.  It’s very memorable and a solid show if not one of the true greats of the decade, definitely still worth a watch.

 

48 – Utawarerumono: Itsuwari no Kamen

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This show was certainly one most surprising treats of the decade for me, seeing as the original Utawarerumono came out in like 2008 and remains one my favorite shows of all time.  Sadly the sequel, Itsuwari no Kamen is noticeably weaker than the original – with a bunch of jokes that feel more like meta appeals to fans than in-universe culture and a much slower story.  To it’s credit Itsuwari no Kamen does cram in a ton of story compared to most anime without ever feeling rushed, and it has room to dedicate entire episodes to let us bond with the various individual members of the large cast, but since the original Utawarerumono was for my money the most content-dense 24 episode show of all time Itsuwari no Kamen definitely takes a hit in this regard.  Another bizarre change is the toning down of realism and the sudden changes in power levels that requires. While all the people with fake masks having knock-off versions of Hakuoro’s powers makes sense, why can a swordsman like Yakutowaruto level a city block with his technique?  He’s not from the same race as Karura, who were the only group were aware of having the super strength.  And hilariously it means when Yakutowaruto has to fight Kuro, who by the end of the original is basically the weakest of the main characters, and gets his ass handed to him, Kuro has to be way more badass in Itsuwari no Kamen than he was in the original, by doing things like shrugging off an explosion.  There are other minor details like this but overall the show is very good.  It has a large and mostly lovable cast, multiple wars from the various beastmen cultures, expands the world building laid out in the original and great visuals to boot.  It’s not on the original’s level but it is still a very good show, far better than most anime you’d find in any given season.  Give it a try it’s well worth your time.

 

49 – Youjo Senki

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On the one hand this is an anime with a serious visual problem, it looks quite terrible and even the movie sequel sets the bar about as low as I’ve ever seen for anime movies.  That being said I don’t give a shit because this definitely one of my favorite shows of the decade.  The WWI but with magic and emerging WWII tech makes for a great setting and there are all kinds of nods to historical events such as the Romanian invasion in utterly failing.  But as much as I love the setting, I think it’s the prevailing attitude of the show which really makes it a winner.  Tanya is just the right blend of ruthless sociopath, corporate asshole and incidental heroine to make her an incredibly fun character who makes all kinds of seemingly crazy choices based on her prior life’s knowledge of the events of WWI & WWII.  It also gives her a ton of room to maneuver in the story, she can work with  logistics and organization, develop new tactics, and still have time to get in dogfights with planes and bombard poor infantrymen stuck in the trenches.  The show is also just a great deal of fun, allowing you to revel in Tanya’s evil qualities when she succeeds with ease but to also appreciate their genuine heroism and patriotism of her men when the going gets tough.  Moreover while the in-universe events are taken seriously by the characters, the show does not take itself overly seriously at all, adding to the fun.  The anime is quite ugly but everything else makes up for it so well I’d be mad not to recommend you give it a try, this show is way too fun to pass up.

 

50 – Zombieland Saga

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Of all the shows to come out this decade, Zombieland Saga would be my number 1 surprise hit.  Zombie idols was possibly the best thing to ever comes out of the idol show genre despite other strong contenders like Gokudolls coming out at roughly the same time.  But where Gokudolls was basically just funny, with very limited character development, Zombieland Saga puts a lot more focus on the characters.  How talented were they in life?  Can they square their new existence as zombies or will they wallow around in a funk forever?  Will the Legendary Tae-chan ever regain her ability to speak and function like a human being?  The show tackles all of these difficult questions and more in a story about a bunch of girls with terrible luck getting a second chance at well, existing and maybe pursuing happiness.  Also they do a whole bunch of random marketing shit like mud runs, fast food commercials and mini-concerts sponsored by new products.  Personally I found all the characters to be really interesting or otherwise enjoyable, and some of them had seriously powerful story beats like Lily getting to sing a love song for the father she left behind, Junko’s and Ai’s differing philosophies as idols from different decades and how they clash before eventually supporting each other, Saki getting to help out her best friend’s daughter and – though the presentation was a bit heavy handed – Sakura’s total transformation when she regains her memories.  The concerts are also a treat, because despite the frankly terrible visuals, the songs cover a wide variety of genres and are full of random yet awesome incidents.  We have death metal idols with neck-breaking headbanging, improv rap battle, the sudden techno remix made possible by lightning strike and other hilarious events.  The show is a ton of fun with occasional segments for heavier, more dramatic story bits which only add to the overall story and presentation.  Well worth your time, go watch it.

Character Cache: Yasuri Nanami

 

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Given that Katanagatari is the only show I’ve seen four times since I picked up anime in mid 2011, I don’t think it would be an exaggeration to say Katanagatari is the anime which has fascinated me most.  And within Katanagatari, Yasuri Nanami is the character who fascinates me most.  There will be spoilers, so if you’ve not seen Katanagatari yet I highly recommend you do so.

Before it even comes to character traits what I love about Nanami is her character concept – namely that she’s a character who is so strong her power is killing her.  Actually it’s so strong it’s been crippling her since birth and she’s now reaching the point where it will kill her at age 21 (I think), but that’s too in depth to sound slick and cool.  This is concept is not unique but it is sort of a more typical “stronger spells/jutsus/techniques/etc. have greater consequences when used” just taken to an extreme.  What really sets Nanami apart though is that she can’t turn her power off and she did not do anything to obtain it – she’s just born with an awesome power which was always too much for her body to handle.

I’m a huge fan of the general stronger move has stronger consequences concept and I hate it when shows just sort of sidestep it *oh shit we can’t have Sasuke go blind from overusing his power, quick get him new eyes so his powers no longer have consequences that sounds cool right?*  The fact that Nanami has had this power from birth and suffered the consequences from birth makes it a cut above though, especially as it helps play an important role in the kind of person she is and the decisions she ultimately makes during the course of the show.  For context her power is that she can copy any move she sees, with the caveat she needs to see it twice for the copy to be perfect.  If her claims are to be believed she can see through the all the moves any martial art might have just based on the stance her opponent takes, which is why she doesn’t ever use stances when fighting – in sharp contrast to her brother Shichika who puts a lot of emphasis on his stance throughout the course of the show.  Also this power allowed her to absorb the superhuman strength of one the mythical clans present in the show, the Itezora clan, still not sure how that works but whatever.

But I’m getting ahead of myself.  Katanagatari is set in alternate timeline of Japanese history where a certain soothsayer creates 12 magic swords during the Sengoku Jidai – the war where Oda Nobunaga becomes famous – to distort history.  He does this because he can see the future and knows about Japan’s downfall under the Tokugawa Shogunate and thus manipulates history to attempt a different outcome.  Because of this history meddling Katanagatari is full of abnormal abilities and clans which are described as something which could have potentially taken place in our history – though obviously they didn’t.  The 12 magic swords are only known to high level government officials and their agents, the sword masters who wield them and the Maniwa Ninjas.  What no one realizes until very late in the show is that Shikizaki Kiki – the soothsayer who made the swords – actually made a 13th sword, the sword which isn’t a sword, Kyotou Yasuri.  This manifests as the special martial art which mimics swordsmanship native only to the Yasuri family, Kyotouryuu – the flow of the empty sword.

Despite being the eldest child Nanami isn’t taught Kyotouryuu by her father, who appoints Shichika as the head of the clan – but she watches Shichika learn so she learns it anyway and is ultimately far better at it than Shichika due to her eyes.  The Yasuri family and the 7 siblings (there are only two siblings but Shichi and Nana both mean 7 and they are the 7th generation of the clan) are all a peculiar bunch but it’s most heavily pronounced among Shichika and Nanami.  The two live on an island with only their father for company for 19 years and live another year alone after he passes.  In addition both are raised to think of themselves as swords instead of people, which is why Shichika initially has no compunction killing female or weak opponents.  But Shichika is ultimately recruited on a mission to retrieve the 12 magic swords and that journey humanizes him – Nanami on the other hand only really sees Shichika and the woman who recruits him, Togame, as humans.  Her relationship with Shichika largely maternal as most of what she does is in his bests interests and she thanks Togame for taking him away because she thought it be a waste to see him rust away unused on the island.

Regarding everyone else Nanami is a psychopath.  In fairness this in part her father’s influence since he taught her to be a weapon instead of a human.  However as the show progresses Nanami gets borderline genocidal as she wipes out the entire populations of three key locations in the story.  Perhaps genocidal is too harsh as it’s not as though race has any bearing in her decision making, she describes the rest of humanity as weeds and thinks of her mass murder sprees as nothing more than weeding.  She also has a very dark and twisted sense of humor and seems to believe she should’ve either never been born or been killed long ago – and when she enters the story as Shichika’s opponent for the 7th magic sword in episode 7 – she does so because she wants Shichika to kill her.

In retrospect I have to wonder just how genuine her behavior is.  She makes it quite clear the reasons she confronts Shichika is that she wants to die and for whatever reason suicide isn’t an option, though she also wants him to learn the weakness of the new special technique he invents in episode 1.  She also makes it clear that she would’ve have been fine with their father killing her the previous year, something Shichika stops by killing their father.  However as Shichika has progressed on his journey, and more specifically his last two opponents, he has learned to show mercy where he can and given his natural instinct to care for Nanami as seen in episode 1 it wouldn’t be all that unthinkable for Nanami to believe she would need to resort to extreme measures to get him to kill her.  He in fact proves that to be true as he doesn’t agree to fight her to the death until she threatens Togame.  That being said their odd upbringing, her knowledge of the fact that her father allegedly killed her mother, and by extension her belief that inter-familial killings were part and parcel of the Yasuri clan and her generally weird state of mind make her thoughts difficult to track even if her endgame is clear as day.

Another fascinating thing about Nanami is that she proves herself to be the most dangerous being in the entire show, to the point where Shichika can’t beat her in a fair fight.  Though Nanami herself has few cryptic lines to suggest her strength in earlier episodes it’s not until episode 4 that Nanami bursts off the page and jumps to the top of Katanagatari’s power level charts.  Personally I find the scene where she fights Maniwa Chocho to be what seals the deal, she ends their pre-fight banter with this evil little smile that sends chills down my spine every fucking time I see it.  Though the fact she takes on three Maniwa ninjas and kills them in quick succession help.  She also wipes out two “Special Disaster Zones” which are areas so dangerous the Shogunate won’t touch them, with remarkable speed as she has strict time limit while fighting.  And the sole survivor of the Nanamicide, Shichika’s opponent in episode 6 remembers her in this split second artsy flashback shot where she looks like some hellish spirit, it’s fucking rad.  And like I said she is the only opponent Shichika seriously loses to, as he and Togame have to use a special trick to temporarily blind her so Shichika can steal the 7th sword from her.

One of the more interesting parts of Nanami’s mindset is her relationship with geniuses and talent.  Geniuses and talent, as well as how geniuses interact with normal people are themes which consistently appear in NisioisiN’s – Katanagatari’s and the more famous Bakemonogatari’s author, works.  In Bakemonogatari for instance there are entire arcs dedicated to the weirdness surrounding Hanekawa due to her genius state of being.  And in Medaka Box arguing about the nature of talent, luck and geniuses is central to several major arcs and all the important characters’ development.  In Nanami’s case specifically she envies everyone else’s ability to work hard and achieve something because she can take up anything with ease and as such can never get that feeling of accomplishment.  And I have to say that while nothing will ever come as easily to me as it does to Nanami and I don’t think I’m a an actual genius, I agree with her sentiments – I’d rather feel accomplished after hard work that just get everything without breaking a sweat, no matter convenient or helpful that might seem during moments of frustration.

Another of the many bizarre facets of Nanami’s character are some her dying words.  She mentions how relying on the 7th magic sword, which forcibly healed whomever it was stabbed into was absurd and weakened her despite ostensibly removing her time limit while fighting.  Part of her justification was that a sword shouldn’t use a sword though I feel like relying on it did in fact weaken her as Shichika is able to kill her in fair fight once the sword is removed – something he previously couldn’t do even before she got the sword.  She also said that by gaining powers with her eyes she was ultimately weakening her powers, a dubious claim considering the range of powers she gets but one that might not be entirely false as she was able to handily defeat Shichika with non-lethal techniques, something she wasn’t shown to be able to do previously – though in this specific case it’s hard to say what other options she had as she had no intentions of killing Shichika even if she wasn’t just going to let him win.

Nanami is a difficult character to parse.  One second she is the caring maternal figure, the next a mass murdering maniac – though I suppose she can be both at once given that she taught Shichika to stop chewing on his fingernails by ripping them out.  Until she obtains the 7th sword her thoughts appear entirely lucid even if they are abnormal or outright fucked up.  Even with her “it’s good, or maybe it’s bad?” lines after she grabs the 7th sword it’s hard to tell if she’s genuinely losing her mind or if that’s the result of her naturally warped sense of humor.  Likewise when she really goes overboard and seems to showcase a total lack of regard for humanity, is that genuine or was it an act to convince her brother to kill her?  Probably both given her upbringing, though she shows no outward sadistic tendencies or overblown personality traits prior to episode 7.  The only thing which I believe one can rightly attribute to Nanami is an acceptance of and familiarity with death.  Nanami wants to die.  Nanami also kills more people than anyone else in Katangatari.  Therefore Nanami and death go hand in hand.

The difficulty and darkness associated with Nanami as a character, as well as her overwhelming power and its consequences, are what draw me to her – though her fantastic character design certainly helps.  I’ve yet to find another character even remotely like her and trying to plumb the depths hidden behind her all-seeing purple eyes is an endeavor I find endlessly intriguing.  That, among many other reasons, is why Katanagatari is one of my favorite anime of all time, and if you made it through this entire post without having seen it, I once again highly recommend that you do.  Hope you enjoyed this post.

Unpopular Opinion: Medaka Box

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Ok so in my last post I argued that Nanbaka was just a crappy version of Medaka Box.  So now I figured I may as well talk about Medaka Box and what I think makes it way, way better than it’s current 7.2 MAL score.  But before I get to that I’ll do a nice spoiler free summary about the show because it came out in 2012 and was therefore doomed to be overshadowed by the likes of SAO and AoT, which is a shame really since this show wipes the floor with both of those shows.  Here’s the spoiler free version.

Medaka Box takes place in a high school, I know big surprise right?  It follows the story of Medaka, the student council president, who could’ve guessed?  As well as her childhood friend Hitoyoshi Zenkichi, who at least looks like a delinquent punk so yay we filled the delinquent archetype too.  As they work solve the various issues of their students via the a suggestion box, which quickly is given the nickname of the Medaka Box, hence the show’s title.  As you might expect from such a bland and generic concept of a show, Medaka is mostly a slice of life comedy show with sports, seishun and stupid shenanigans.  However, what I’ve yet to mention is that Hakoniwa Gakuen, the school setting of the show, is utterly fucking nuts and it’s students are likewise a bunch of quirky oddballs.  That may not sound like the kind of saving throw a generic high school bullshit show needs but trust me it’s more than enough.

Tweaking the setting like Medaka Box does turns the entire nature of the show and it’s style of comedy on it’s head.  Medaka Box is neither a generic battle high school anime, like the Asterisk War nor a boring student council comedy like Seitokai Yakuindomo. Yes Medaka Box has a lot of club-based conflicts but almost every conflict in the show is less about solving the problems of an individual or a club but instead about examining and improving the psychology and human nature of the people involved.  Which isn’t such a surprise when one considers that the author of Medaka Box is none other than NisioisiN of Bakemonogatari fame.  However Medaka is far more accessible than the Monogatari franchise in that it has a lot less of NisioisiN’s obtuse word play and is generally more straightforward than the Monogatari franchise.  That said the examination of geniuses, a common theme in NisioisiN’s work is central to the story of Medaka Box, as Medaka herself is quite possibly the most perfect genius NisioisiN has ever created.  Medaka is about as close to a literal goddess as a human being can come, she’s stunningly beautiful, inhumanly intelligent, a master of anything she tries her hand to and totally unconcerned by most, if not all, social norms.

Actually to interrupt my own chain of thought for a minute, I just realized that Shokugeki no Souma is a great parallel to Medaka Box when it comes to the setting and characters.  Medaka Box doesn’t have Shokugeki no Souma’s fiery shounen attitude but it does have a crazy, huge campus full of students ranging from total normies to unmatched geniuses and both shows place a lot of emphasis on the differences between people with and without inborn talent as well as the different levels of talent.  Hell both male leads even fall under the same basic characterization, they have no special talent whatsoever but by dint of experience and hard fucking work they prove themselves worthy to stand along side with and go toe to toe with geniuses.  So if you liked Shokugeki no Souma you might like Medaka Box as well, though it’s not the place to come for cooking battles because that’s not Medaka Box’s entire deal.

Personally I love the kinds of examinations into the nature of humans and the various levels of talent or genius and how said talents affect people that Medaka Box provides.  Of the NisioisiN stories that were made into anime I like Medaka Box’s commentary on people and talent the best, and that’s coming from someone whose seen almost every story of his put to animation.  And speaking of animation, Jesus Christ Medaka Box looks phenomenal, both in the stills and in motion.  Medaka Box’s character designs are not particularly complicated, with a few exceptions, making it easier for the animators to make them flow well in motion.  The character’s also have high stylized designs with mostly realistic bodies and most of the design attention being given to the eyes and hair, the hair of course being most likely to be unrealistic.

It’s the eye work however that I find most fascinating.  Medaka Box schools um, EVERYONE, as far as I can tell when it comes to animating expressions where the eyes are concerned.  There’s generally a lot of extra line work around the eyes and they change in appearance and texture to enhance a characters expression.  The most common visual tricks in the anime industry with regards to eyes is to either make them blank to indicate surprise or airheadedness, fill them in with red when a character’s angry to make them seem intimidating or to make them look flat and lifeless, usually to show mind control or depression.  Medaka Box has lot more tricks in the bag and it doesn’t even use the common ones.  Perhaps the most noticeable trend is the change in eye shape, when Medaka Box’s characters are having a good time a lot them will have sort of moe eyes, large rounded eyes with irises that seem to have a lot shine to them.  But when it’s time to get serious, not even mad necessarily but whenever a character is taking a serious earnest approach to something the eyes will inevitably become more angular and smaller but they’ll still be large enough that it doesn’t actually look like the character is narrowing their eyes in response to the situation.  It’s a nice subtle trick that works like gangbusters in combination with the extra shading and line work shown around the angular eyes to really emphasize their expressions.

Additionally characters eyes do tend to lose their shine when they get more serious, but rather than looking flat and dead the way the normal animation trick works Medaka Box’s character just look more serious because the eye still keeps a lot of color and their expressions convey a lot of character, whereas dead eye characters tend to be totally expressionless.  Medaka Box also uses what I’m now coining as Rinnegan-lite, where they make certain characters’ eyes, mostly the villains, have a couple extra circles in the irises to make them look more shark-like and menacing.  Some of the rarer tricks used by Medaka Box include character’s whose eyes change color and characters whose eyes are lack pupils entirely and instead just have a big colorful iris.  Undoubtedly the best part about all this though is that all of the design elements and tricks feed into each other beautifully.  When a villain has the Rinnegan-lite irises, in angular eyes surrounded by heavy shading and framed by the thick eyelash-outline thing (for a point of reference on what I’m talking about check Tanya’s eyes in Youjo Senki, it’s a similar style but Medaka Box does it better) and pointy hair common to just about everyone, he looks like a fucking badass before he’s even done anything.  All in all it’s a style of character design I’ve never seen in any other anime and it’s quite possibly my favorite design style, it looks fucking awesome is what I’m saying.

And as mentioned in that Nanbaka post, Medaka manages an excellent transition from lighthearted comedy show to intense battle show, the pacing stays tight, characters stay in character and we get real, meaningful character growth, some intense battles between a bunch of geniuses with a wide variety of intelligent techniques and crazy powers.  I will say though that I don’t think Medaka Box is particularly funny, even during the comedy focused arc, it draws some laughs here and there but where the comedy arc succeeds is that it really endeared me to the characters.  I liked the whole student council and the recurring side characters long before they hulked up and did some badass action scenes,  they might not be a hilarious bunch of goofballs but they are very likable and fun goofballs.  And they only get better as they get serious, because unlike Nanbaka I’m invested in these people, I want to see them grow or stand their ground in the face of impossible odds, I’m backing them 100%.

So as far as the spoiler free section is concerned, the art is super fucking good, the characters are good and the execution of the story far surpasses the surface of what the plot summary and setting would imply at first glance.  It’s a great time and you should watch it.  Now it’s spoiler time.

As anyone whose watched the show knows season 2 ends on major cliffhanger, where following the collapse of the Flask Plan, Kumgawa aka the most popular character in the manga has wrecked like 12 people whom had already been established as badasses and is clearly set to challenge Medaka once again like he did in middle school.  The final episode then adapts what I believe was a short Kumagawa spin-off manga where we meet Ashin’in, a super important character in the long term, and we get to see Kumagawa’s power All Fiction in action.   Now let’s not beat around the bush here, I want to see Medaka Box Minus, you, fans of Medaka Box want to see Medaka Box Minus, everyone wants to see Medaka Box Minus (they just don’t know it yet).  I think it’s safe to say that the Minus arc is by far the most hype arc of the manga, not surprising since the most popular character in the manga is the central villain of the arc.  Like, I know there’s no such thing as a sure bet but as far as sequels go that seems like as close as you can get.  Everyone who cares about Medaka Box will be on that shit in a heartbeat, and in an industry where all kinds of new shows get split cours and sequels, why don’t they try Medaka Box Minus?  I fully admit I know nothing about how much the prior seasons of Medaka Box made in terms of profit, but I guarantee it has a better shot of success than something like the second cours of Nanbaka, which most people I’ve talked to or heard from haven’t even seen.

For those of you who’ve not seen Medaka Box but went into spoiler territory anyway let me guide you through a tale of fucking awesome shit.   Three ideas which do not appear in say the Monogatari franchise, whose main focus as far geniuses are concerned rests solely on Hanekawa, are how different levels of genius interact, the desire to artificially create geniuses (which has happened in the real world, it’s called eugenics) and the opposite end of the spectrum, people so broken and dysfunctional that they are doomed to be outcasts.

In Medaka Box there are 4 kinds of people, well there’s more like 6 but only 4 matter for the purposes of this post.  These types are Normals, which is self-explanatory.  Specials, who are people with a lot of talent but are still fairly normal, they can be quirky and weird but not cripplingly so.  Then there are Abnormals, who have inhuman levels of talent and usually some kind of accompanying super power but have proportionally stronger quirks to the point most of them don’t attend school because they wouldn’t function well there.  Both Specials and Abnormals sort of align with austistic savants, Specials have the generally more limited talents of savants but have lesser degrees of social problems, while Abnormals have a much broader range of talents, and literal superpowers, than most savants but equal or greater degrees of social problems.  The last group is the Minuses, those born with crippling degrees of bad luck and ineptitude, generally resulting horribly warped personalities, twisted minds and bizarre powers of their own.

The Flask Plan is an experiment run by the principal of Hakoniwa Gakuen wherein the principal, working with a group of Abnormals called the 13 Party attempts to create artificial geniuses, however this plan could end up costing thousands of lives so Medaka sets out to stop it.  Medaka is a fascinating case study where the Flask Plan is concerned because if you remove her morals and personality she objectively judges that it could be used to perfect her, and the only reason she has a personality which would oppose the Plan in the first place is because when they were toddlers Hitoyoshi convinced her that someone with her overwhelming talents existed for the sake of making other people happy.  Yes btw, at 2 Medaka was struggling with literal existentialism, that’s the level of genius she is.  She’s so far above, and by extension removed from, normal society she wondered why the fuck she was even around at age 2.

Anyway, long story short, Medaka and friends stop the Flask Plan in a series of cool battles and as they are on their way back to the normal part of the school the defeated villains turned quasi-friends in tow they run into Kumagawa, after he defeated a mix of 12 Abnormals and Specials fighting each other.  Kumagawa was previously established as this twisted bastard who did a lot of emotional damage to Medaka and Zenkichi in middle school and as the only person Medaka was never able to reform into a better person.  The Minus arc is essentially a second battle arc where Medaka and Co. fight Kumagawa and his fellow Minuses for control of the school via a brutal series of contests based on archaic rules.  It has tons of cool set pieces, great battles, interesting new characters and some of coolest powers in the entire series.  And it introduces Ashin’in, who I think is arguably the coolest character in the Medaka Box universe.  It’s HYPE is what I’m saying.

What I’ve been trying to say in last almost 2500 words is that I love Medaka Box.  It has great battles, cool powers, interesting themes, a good narrative, endearing characters and amazing art.  And I want a third season.  And I really want more people to watch it and enjoy it so that it’s more likely to get that third season.  It’s a show I feel is worth fighting for, so God fucking dammit that’s what I’m doing.  Hope you enjoyed the rambling gushing review of Medaka Box, do check it out I highly recommend it, and I’ll see you in the next one.

Unpopular Opinion: Nanbaka

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Nanbaka is a rather remarkable show, in that everything about it is utterly insane.  I’d be hard-pressed to find another show with so many different hair colors, dual hair colors, hair styles, character nationalities and odd abilities.  Unfortunately Nanbaka doesn’t do much of note with all it’s wacky assets.  There will be spoilers ahead, you’ve been warned.

What I think kills Nanbaka to me more than anything is that it parallels an anime I vastly prefer, Medaka Box, and does a poor job in comparison.  Both shows feature stories that are initially comedy focused before switching to battle-heavy arcs.  Both shows have casts full of people with downright bizarre weapons, abilities, appearances or personality traits.  And both shift, seemingly at random, from lighthearted shows to shows with rather dark and heavy plots, with the differences between people and the difficulties of communication featured as prominent themes.  Nanbaka even has multiple characters who have dual colored hair which changes color in the same spot that Zenkichi’s, Medaka Box’s male lead, does.  Hell even though the setting has been changed from a high school to a prison both of them are so full of various forms of oddballs, and ironically enough equally violent enforcers, and the relationship between the various prisoners and guards relaxed enough that the only real functional difference is that no one can leave the prison and everyone in Medaka Box has to go home after school.  I mean you could argue this is a more adult setting and therefore could play home to more adult characters and stories but considering how twisted, goofy or straight up inept these convicts are at basic social functions it might as well be Medaka Box’s Sandbox Academy with more locks, bars and sparkles.  None of these things doom Nanbaka to failure in my eyes, though that is so closely resembles Medaka Box without being anywhere as good doesn’t help it’s chances.  It’s hard to summarize exactly what’s wrong in simple, concise words or phrases, most of what the show tries to do just fails to coalesce into anything really entertaining or hard-hitting for one reason or another.  That said if I had to point to a consistent issue than pacing would be the main offender.

Part of the problem is that Nanbaka is try to tell two stories at once, the goofy gag anime and the darker, more serious battle anime.  Inherently this isn’t a problem but it seems like the creators don’t know how to pace events for this combination very well.  Nanbaka introduces it’s first darker elements at the end of episode 1 in a soliloquy where Jyugo describes his black shackles and the scene ends with this fucking awesome shot of Jyugo where the artsyle totally changes and the colors undergo a dramatic shift, to make the whole thing look darker, more jagged and more badass.  So far so good.  The darkness doesn’t return until about halfway through season 1, where in the midst of stupid new year’s contest-cum-battle tournament, Jyugo is confronted by someone who knows about the black shackles’ creator and Jyugo goes berserk while fighting him.  This is also fine though I think it’s weird for to it show up in the middle of the show, because it seems more like a climactic fight.  This isn’t helped by the fact the next two episodes are slow as hell, with one being dedicated to getting Jyugo to realize he’s never had any desires before and now he does, and he needs to make efforts and be emotionally invested in his desires and… what?  What the fuck?

That episode in particular is painfully boring and it seems like a classic case of heavy handed moralizing.  That could work in theory but I don’t need a morality lesson thanks, and I’m not invested enough in anyone in this show to care about major, if entirely too basic, character moments for them.  Moreover why pop out the biggest battle of the season in the middle?  Wouldn’t it make more sense to do that near the end, after we maybe had a few more episodes to try and get invested in the main characters’ stories?  That way the moralizing and exposition part could be more of an epilogue not a boring as fuck break in the story where nothing happens before the next dark bit.  Of course that makes sense because that’s what Medaka Box did.  In Medaka Box the sudden turn to a darker, violent story line doesn’t begin until episode 8 or 9 and the major battle and the resulting character moments happen before the final episode, which returns to a low key comedy episode which fills the space during Medaka’s recovery time and concludes the first season’s narrative.  And it’s not until the beginning of the second season that we return to the serious stuff.

And just to show that I’m not only hammering Nanbaka for not following Medaka Box, the way the story continues is a fucking snoozefest.  After the two slow episodes following the fight, Jyugo meets a new antagonist, convinces himself he needs to leave to protect his prison buddies and tries to escape, only to get caught.  Then the next seasons opens with about 4 episodes of slower episodes focused mainly on lackluster comedy and some character development for a couple of random prison guards and characters because fuck it, why not?  Then the rest of the series is just a long series of battles between pre-established characters (mostly side characters), two noteworthy enemies, a couple generic prison guards and a bunch of killer doll-robots.  It’s boring.  They dedicated almost an entire episode to every character busting out their specific power, they wait like 6 episodes before Jyugo, the strongest one, starts to fight and to top it all off the whole is interwoven with random bits of backstory and character development, most of which is actually pretty interesting except for one minor problem- who the fuck cares about these guys?  I couldn’t even get invested in the main characters, I gave no fucks about the side characters and while I admire the range of personality quirks, backstories and superpowers/special techniques showcased in the second season on the whole, it took way too fucking long.  Every episode just dragged on and on while they dumped exposition on a character’s personality or power or skill and I kept waiting for them to a, hurry up and have Jyugo fight and b, fight the enemy boss Goku Enki.  The former took too many episodes to happen and the latter didn’t happen at all, instead the season ends on a cliffhanger of him about to fight one of the other top prison guards.

It’s a little depressing really, because if I cared about these characters at all this show would have been a lot better.  The pacing issues wouldn’t have disappeared completely but at least the battle section wouldn’t have felt so bloated and boring.  The battle arc suffers from other problems as well though, perhaps most notably that Jyugo has actually fought and at least repelled Enki before and just forgot about it because he had no passions before and therefore didn’t bother to remember anyone.  Wait, if that was actually the case why the fuck does he remember Musashi, the fire guy who knew about the black shackles from the main battle of season one?  Why does he seem to have forgotten everyone besides Musashi, even though nothing about their first meeting implies that Jyugo saw Musashi as anyone important or interesting?  Enki’s sudden prison break and rebellion is centered around taking Jyugo and other “monsters” down, so did they have an epic battle that Jyugo conveniently forgot for the sake of a plot twist or was Enki really weak before and was inspired to get strong by Jyugo?  Nothing shown or said about Enki ever implies that he’s ever been weak and he looked more or less the same when fought Jyugo before so what gives?  Does he magically not age or was the fight pretty recent?  It can’t have been that long ago cause Jyugo’s pretty young, so why doesn’t he remember it? AHHHHHHHHHH!!!!!!!!!!!!!!!

So yeah.  In addition to awful pacing there are some cringeworthy plot developments and plot holes and that sucks.  It sucks because the broad concept of the battle arc was cool and a lot of the abilities/techniques were cool and it all would have been so much better if I cared about any of these characters, especially the main villain.  He’s introduced as this badass but it doesn’t have any weight because the only person we see him fight is his little brother, who’s an annoying nobody with the worst dual hair combo in the series, I’m not kidding his hair is green and orange, it looks shit.  This is fairly minor complaint but would it have killed the creators to make him look like a badass by taking down a character worth a shit?  In Medaka Box for example, the main villain of the second season meets Medaka before the two are even explicitly enemies and demonstrates his power right away.  He’s strong enough that Medaka, previously a nigh-invincible character seeks emergency training from her brother, whose special skill is the ability to manage and “level up” people exceptionally well.  Then the conflict is given added weight when it becomes clear that the secret inhumane plan the villain supports could cost thousands of lives, making the battle a high stakes one.  The conflict just keeps getting bigger and better as every enemy introduced is an important one, a serious threat to the good guys trying to shut the plan down.  Not to mention these villains employ a mix of pure battle talent and excellent tactics that mean even the weakest of them is extremely dangerous.  Now that’s a fucking battle arc worth watching.

Long story short Nanbaka is a wacky, but ultimately boring show.  It has lots of interesting ideas and it certainly has the visual flair needed to give the story some much needed character, but none of it ever really comes together.  The awful pacing, heavy handed moralizing and the weakness of the cast comes in and robs almost every noteworthy scene of there power.  It needs something more, maybe that was efficiency in the story, better overall direction or less throw away episodes and more time devoted to getting us invested in the characters.  Nanbaka just tries to do too much at once and the result is a goofy but altogether lackluster show.  If by chance you like the plethora of crazy powers/techniques and the idea of the main cast being a collection of oddball characters, like me, then I’d highly recommend you check out Medaka Box.  And in the off chance someone from Japan reads this, which happens sometimes, please I beg you, tell someone, anyone, everyone to forget about making a Nanbaka season 3 and make Medaka Box Minus instead.  It’s got the manga’s most popular character in it and would totally do well, please, please make it.  I need it.  Anyway, I’m done here.  Thanks for reading and I’ll see you in the next one.

Anime Trick-or-Treat 2016: A Bag Full of Yanderes

Since this year’s Anime Trick-or-Treat was another colossal failure I’m reworking it into an in-depth analysis of the one subject that was actually requested, namely Gasai Yuno, and her archetype, the yandere.

Since the actual request was just about Gasai Yuno, let’s start with her.  Yuno is easily the most iconic yandere and could easily be credited with popularizing the archetype.  Additionally she completely carries Mirai Nikki, which does have a lot of fans, however misguided they may be (read prior post for context if you like).  That said she’s not exactly what I’d call a good character.  Gasai is more or less defined by three traits, the core components of the yandere, obsessive love, extremely violent tendencies, and of course a firm binding of crazy to wrap up the whole package.  Of the three traits her insanity is probably the most believable and well thought out, Mirai Nikki does show that Yuno’s mom was kind of insane and abused Yuno by locking her in a cage and whatnot.  This is a cut above the truly awful crazies who are insane because plot, like the villain from the Alfheim arc of SAO, but it’s not that good either.  As discussed in an old post on crazy characters the best crazies typically have their entire lives colored by their insanity, they don’t just have an inciting incident like Yuno.  Now you could make the case that since Mirai Nikki takes place in a second world, the Yuno we see there has lived an entire life of insanity already and thus makes sense, but that still doesn’t really explain how she became so insane in the first world beyond the inciting incident.

The abuse also does make Yuno’s violent tendencies more believable as abuse victims sometimes become abusers later in life.  However it doesn’t explain how extreme her violence is nor why she’s good at it.  It’s one thing for the a kid who gets beat his whole life to beat others when he becomes an adult but it’s a lot less believable for that person to become a full blown serial killer, especially one that’s insanely good with knives, axes and guns.  But even setting aside the potential issues of Yuno’s violence there is one glaring hole in her character, her love for Yuki.  It’s clearly shown that the Yuno’s of both worlds fall for Yuki but it’s not ever explained why.  Now I get that love isn’t necessarily logical but come one what’s Yuki got?  He doesn’t appear particularly good looking, he has no social skills, and he’s done nothing for Yuno that might make her fall for him.  So what gives?  Why is he so damn important to her?  Because plot apparently.  Ultimately though I think Gasai Yuno symbolizes the inherent problem with yanderes, they are such comically overboard characters at the conceptual level that playing it straight is shooting yourself in the foot.  It would take a lot of work to make a believable person who was also a full blown yandere and frankly most yandere creators don’t put in that effort because their shows are kinda shit.  Off the top of my head I’d say the only genuine yanderes are the main girl from School Days, which is infamous for being a dumpster fire, Gasai Yuno from Mirai Nikki, which as previously discussed is pleb tier anime and the orange haired girl from Shuffle!, which was a pretty subpar harem show that I’m honestly wondering how many people currently watching anime even really know about since it came out in 2005.  Most people also include one or more of the girls from Higurashi but there’s so much else going on in Higurashi that I think labeling them yanderes is grossly oversimplifying their characters and is wrong.  Lucy from Elfen Lied is also often called a yandere but I don’t think that quite fits either.

In my opinion the best use of yanderes are as gags, and given the prevalence of the gag I think most Japanese creatives agree with me.  Off the top of my head, Medaka has a yandere gag in Medaka Box Abnormal, both Tsukihi and Senjougahara have a couple yandere moments throughout the Bakemonogatari franchise, Ayase from OreImou has a few yandere scenes, Rin from Kanojo ga Flag wa Oraretara has several yandere moments, the black haired girl from Baka to Test has a bunch of yandere scenes, Chocolat and Yuragi both have yandere scenes in NouCome and the real star of this post, Anna Nishikinomiya of Shimoneta, has a few yandere scenes too.  There’s probably more if I thought about it but I think I’ve made my point, yanderes as gags outnumber actual yanderes, because yanderes are so conceptually goofy that they make way better punchlines than characters.  This brings us to my favorite yandere of all Anna Nishikinomiya of Shimoneta.

Anna is a great yandere because A, she’s not a yandere 24/7, B, because the world of Shimoneta is inherently ridiculous and full of ridiculous characters so a yandere fits right in, and C, the narrative has done a better job explaining why she exhibits yandere behaviors than most if not all other shows.  For those unaware, Shimoneta takes place in a future Japan where porn and all things sexual have been banned and censored by the government.  Anna is the daughter of two major proponents of this censorship and as such is a ridiculously sheltered and pure girl even by woefully sexually unaware standards of the people around her.  During the story she is kissed by the main guy during a sting operation where he saves her from some stalkers and she falls head over heels for him, therefore explaining her deep love for him.  It’s also established early on that Anna is insanely physically competent, both due to plot and due to the fact she’s a cream of the crop elite who works her ass off to fulfill her parent’s expectations.  So she has good foundations for being good at violence.  The final and most important touch though is how sheltered she is, she has no concept of the difference between love and lust, between what are acceptable ways to show affection and what’s not ok, so she engages in both extremely violent and extremely sexual acts and believes herself justified in doing so because she’s acting out of love, which she only has a vague idea of but believes is a pure and righteous thing.  She also has no idea how to calm her body’s now awakened sexual urges and only seems to succeed in doing so when she’s performing her most perverse and extreme activities

To make a long story short, the reason the yandere succeeds as an archetype is because it’s incredibly stupid and out there.  Everyone likes to talk about the great animes, the ones that everyone knows about and which left a long-lasting impression on the fandom and even the medium, but most of the time anime isn’t that, it’s stupid and weird.  I say this as a compliment, stupid and weird can be a ton of fun and most of the time I want fun, not the next big classic which reshapes the medium.  Stupid and weird are also core elements of camp, which is something most people absolutely love despite the negative connotations surrounding the word.  The yandere archetype plays into the crowd’s love of camp, a character taken to such extremes and whose behavior is so overblown you almost can’t help but laugh at it.  Because of this it’s vital that the yandere in question not be taken too seriously because serious and camp tend to butt heads.  This is where Gasai Yuno both succeeds and fails, the character herself is ridiculous enough to be kind of awesome, even of you hate Mirai Nikki like me I still think Yuno herself has some appeal as a gimmick or a concept, but at the same time because Mirai Nikki plays her role straight and serious it weakens her character and the show itself.  Ultimately Yuno is the face of yandere and I doubt anything will change that, and in fairness she does embody the extreme nature of the archetype quite well and by extension showcases the archetype’s appeal rather nicely.  But in the context of being played seriously, shes not a good character, and she’s used poorly because again Mirai Nikki is pleb tier anime.

Over the top violence and love taken to creepy, crazy extremes is fun and funny, which is why the yandere should be a gag, because it works so well that way.  Alternatively it makes sense for a yandere to be played fairly straight in a world and story that are already so ridiculous that nothing is to be taken too seriously.  Yanderes, despite their dark reputation, are actually really fun and they are good making us laugh in the “well this is sort of fucked up but it’s still funny” sense.  And if nothing else Yuno performs the crazy violence and twisted love we come to yandere for, it’s just too bad she’s in a show that doesn’t use her properly.  So if you like the yandere, or maybe just want to see what all the fuss is about, go watch Shimoneta instead and let Anna show you how it’s done, because to me she should be crowned as the real Yandere Queen.  Thanks for reading I hoped you enjoyed it, and if you have other characters you think make for good, or bad, yanderes do feel free to share in a comment.  I’ll see you in the next one.