Just about any community in life has it’s own lingo and as I’m sure you’re all aware anime is no exception. Waifus, Moe, Tsundere, etc. The list is long and yet here I am making one up – The Trigger Twist. If the picture above isn’t enough to clue you in I decided to bring out this term as a result of the sudden shift in Darling Franxx’s story, a shift that threw a lot of people but which in retrospect is not obvious per se but is perhaps expected. There will be scattered spoilers ahead.
The most obvious parallel which one can draw to the Trigger Twist is the infamous Gainax Ending, a term coined because of the number of WTF endings in Gainax shows. My personal favorite example of this term in action was the sudden end of Panty & Stocking with Garterbelt, where Stocking turns on her sister/partner apropos of nothing and chops her into tiny bits before walking off to be the presumed villain of a sequel which never came out. It was so sudden and out of left field that it still confuses the fuck out of me. I can easily see the same being true for Darling in the Franxx, the shift was jarring. However I think this deserves it’s own term because A. the confusion brought on by the jarring shift wore off while the aforementioned Gainax Ending is still baffling, and more importantly B. this is a traceable trend in the works of Hiroyuki Imaishi.
Perhaps the Trigger Twist isn’t a totally accurate term as it’s not as though Imaishi is the only director working for the studio. That being said he not only co-founded the studio but is far and away the name most commonly associated with the studio so I think the term fits well enough even if I’m describing a tendency of Imaishi’s not Trigger behavior on the whole. Barring Dead Leaves, which I know nothing about, and Panty and Stocking – which as detailed above is a classic example of the Gainax Ending – all of the major projects Imaishi has had a major hand in have the same twist, it turns out the main enemies are actually aliens which threaten humanity’s existence. This trend predates Trigger as Gurren Lagann is the first main example that comes to mind, but it has continued into Trigger and is present in more of the major productions than not.
Kill la Kill, Space Patrol Luluco and now Darling in Franxx stand beside Gurren Lagann as shows where the story takes a sudden shift and a new existence threatening enemy is revealed later on. Luluco is by far the hardest sell on this point as the existential threat appears basically at the end and most of the episodes are clear references to Imaisihi’s past works but it counts in my book. Kill la Kill and Darling in the Franxx are much more clear cut examples of the Trigger Twist in action, and of the two I think Darling in the Franxx is the one where the Trigger Twist was felt most strongly.
Kill la Kill was such an over-the-top, stupid action thrill ride (in my humble opinion the best of such that anime has to offer) that when the final enemy was revealed and the History channel Aliens meme went into full effect it really didn’t take you out of the experience. It was Kill la Kill, where clothes could talk, clothes made you superhuman, a 20 year old was in high school, Ragyou wore the most hideous clown outfit in human history, Mako could defy any sense of logic or physics (a good thing), and we still don’t know what all made it into Mako’s mom’s mystery croquettes. Adding aliens to the mix was perfectly in step with the wacky, violent world of Kill la Kill. It wasn’t necessarily predictable but it wasn’t jarring.
By contrast the Trigger Twist in Darling the Franxx was very jarring and seems to have at least somewhat split the community on the show as a whole. Speaking for myself, up until the Trigger Twist I had pegged Darling the Franxx as a cross between Evangelion, for obvious reasons you’ve no doubt heard before, and Shinsekai Yori with it’s strong focus on the gaps in knowledge between the adults and the kids, the use of brainwashing to control the children, the use of a control group (the main characters) and a strong sense that the rift between the adults and the kids would become the source of a great conflict. That potential conflict had it’s legs cut from under it with the Trigger Twist and the big reveal of VIRM.
Personally I thought the VIRM arc of the show was handled pretty well with the confusion when they first showed up during the fight with the klaxosaurs, the big space battle that followed and the separation of the cast where Zero Two and Hiro went off to kill the VIRM homeworld and the rest set about making the foundations for reviving human civilization. That being said I can see the negatives of this particular Trigger Twist, the shift was so sudden and so different from the direction the story seemed to be heading in that I can see why people were confused or perhaps thought of it more like a bait-and-switch than Kill la Kill or Gurren Lagann. As much as I like the show I think it’s about a 7-8 which is a shame because I thought it could definitely be a 9 or maybe even a 10 if handled well enough – before the Trigger Twist went into effect.
This is not to say that experience was wholly or even mostly negative but I do think the Trigger Twist definitely pushed Darling in the Fraxx into a different and for me less gripping trajectory. I still like the show, I like the klaxosaur designs, I like some of the details of moving cities and their society, I like the entire main team, Zero Two is totally a contender for best girl of the year, and I think the mechs with faces that could emote to match the female pilot was perhaps the greatest innovation in mech design in anime history. No I am not joking, I’m not a big mecha fan but I loved these mechs because they had so much more character than the competition.
That being said there is only one question remaining: Do you think the Trigger Twist is just some bullshit I made up and should remain that way or do you think it’s some bullshit I just made up that should perhaps be added to anime lingo? Comment below with your response.