Unpopular Opinion: Keijo!!!!!!!!! – The Magnum Op-ass of Sports Stories

keijo 2

I love Keijo.  Both the anime and the manga.  It is to date the best sports story I have ever followed and that will likely never change.  No doubt that sounds preposterous to most people, I mean it’s just a dumb ecchi show shoving ass and tits in your face constantly.  From what I’ve heard the anime bombed pretty hard and there is no doubt in my mind part of the anime’s failure lies in the perception of the show I detailed in the previous sentence.  There are of course other issues, most notably that it starts well into the story, skipping over the two exams, something many fans of the manga resent.  But I can’t help feeling like the main reason people who’ve never read the manga, which has to make up a larger audience base than fans of the manga, avoided Keijo because of how it was perceived; as dumb, trashy fanservice schlock that used a flimsy premise to get away with justifying itself.  That perception is so miserably wrong and the fact that it likely informs the mass opinion of the show is deeply frustrating because Keijo is so much more than it says on the tin.

Now in fairness it is also exactly what it says on the tin, there is a lot of fanservice, tits and especially ass is often shoved into the viewer’s face.  And all of this is justified by the premise, which contrary to popular belief is not in fact flimsy.  Keijo is, in my opinion, the most ingeniously conceived sport of all time, an argument I made in my last post on the subject and will make again here.  But before that point I want clarify a few things.  First off I will explicitly separate the manga and the anime in a few key areas but for the most part I’m going to be talking about them as one unified entity because I want to talk about Keijo in it’s entirety.  Secondly this is going to be long as shit because I have a lot of things I want to talk about.  And lastly this will get up to it’s tits in Keijo and since I will explain things in as much detail as I’m able, there will be spoilers everywhere.  Now that were clear on that let’s get going.

One thing I want to address right away is how things have changed since I wrote my prior review.  In that review I argued that the manga and the anime were of comparable quality largely based on the fact that, at the time, the manga’s ending was very abrupt.  Multiple sites listed chapter 86 as the final chapter of Keijo, and it remained that way for at least a week or two after the Keijo anime wrapped up, a chapter that cuts off right after Kaminashi won her match against Maya/Kaya, seriously the last panel was like her teammates throwing her into the air as a part of their victory celebrations it was jarringly abrupt.  Currently the  manga is now 147 chapters deep so that part of my earlier analysis is no longer valid.  The manga is now unquestionably better than the anime and if the show bombed as badly as I’m hearing then it will likely stay that way.  That said I will stand by my earlier stance that anime made some good edits to the manga, though it made some pretty bad ones too, and that the Maya/Kaya fight was far superior in the anime, which was huge because at the time that was THE final battle of series.

But I’m getting ahead of myself, let me lay out in simple terms why I think Keijo is the best sport ever conceived.  Ass and titties.  This may surprise you but I didn’t pick that phrase because I’m way into the fanservice, I am but that’s not the point.  I haven’t checked the data in years but I’m fairly confident in what I learned a couple Olympics ago, the most widely viewed women’s event was beach volleyball and it was first in viewership by an overwhelming margin.  This is not due to sex appeal alone but if everyone only watched for the athletic spectacle then the ratings should be less skewed in it’s favor.  Beach volleyball is fun to watch as a sport but it’s also a sport where we get to see women showing a lot of skin, and it has really good ratings.  Basically as the age old adage goes: sex sells.  This is important because one of the central conceits of Keijo is that the sport is so insanely profitable that talented athletes from all kinds of other sports come to Keijo specifically to make bank.  And evidence from reality supports that conceit via women’s beach volleyball.  This is indicative of one of Keijo’s greatest strengths as a story concept, the blending of grounded realism and insane shit you can only find in anime and manga.

One of the reasons I specifically avoid a lot of sports anime is because a ton of them are underdog stories and I’ve seen a million of those.  I don’t want to see some skilled but fledgling team fight against their own weaknesses as they work their way up to the big tournament.  Sports shows share much of the same tone and characterization as shounen stories and I’ll take a shounen show over a sports story any day where underdog narratives are concerned because I value spectacle.  A lot.  So when I see a sports show I want to see high level competition more so than underdog struggles, not that underdogs winning a big fight through hard work, toughness and willpower can’t be fun, but for sports specifically I’m much more interested in high level play.  To that end Keijo is the ultimate sports concept, a sport made of so much money that National and even Olympic level athletes from all kinds of sports will willingly abandon their sport of choice to get a shot at that Keijo money.  This means the baseline of everyone competing in Keijo is really, really high, which results in great spectacle.  Spectacle made all the better by the inventiveness of the ass and tits combat on display, and that was not a joke in the slightest, the combat is incredibly creative.

This setup has a few great boons.  As described above it is totally believable and helps to ground a series which is also chock-full of crazy shit like a character who can use Giga Drill Breaker from Gurren Lagann… with her tits.  Additionally it is a veritable goldmine of creative variety, a bottomless well from which characters of all stripes can be drawn.  In Keijo all the fighters are put into three basic classes, Infighter, Outfighter and Counter.  Infighters are heavy hitters, Outfighters are quick fighters, and Counters excel at using their opponents’ power against them.  However within those three classes there is a ton of variety and room for specialization.  Sayaka and Rokudo Rin for example are both Outfighters with excellent speed and they share the same Ass Gattling technique (a series of super quick attacks with dat ass).  However they have very different strengths.  Sayaka is judo champion who was slated to compete in the Olympics and is notably stronger than most Outfighters, in fact in the beginning she’s got more power than the Infighter Kaminashi.  Rokudo is a runner and she has incredible lung capacity and endurance.  Which is why in a straight Ass Gattling battle Rokudo would win because she can use it endlessly while Sayaka will quickly become tired and out of breath.  Which is why Sayaka switches her main move to the K-acceleration, a move which relies on bursts of intense speed and power, to overcome Rokudo.  Because that technique plays to her strengths as a fighter with a lot of power for her size.

This kind of variety and the resulting plethora of foils, characters who mirror or are diametrically opposed to the main characters, is present throughout the entirety of Keijo.  Kaminashi, our leading lady is an especially fascinating case study where these naturally varying body types and skill sets are concerned because she fits in multiple classes.  She isn’t especially large, Infighters are typically the largest athletes competing.  She isn’t especially strong, which is the kind of the point her class.  She is remarkably good at dodging or keeping her balance when she takes a hit.  Kaminashi would be a great Counter and in practice she wins her first two practice Keijo battles (both happen in the same round but the opponents are very different) by way of Counter-style moves.  If not for the fact she can use her flexibility and gymnastics moves to build up phenomenal force for her special attack, the Vacuum Ass Cannon, there would be no reason to treat her as an Infighter at all.  But her technique is so rare and powerful that it’s practically a sin for her not to fight as an Infighter especially since it has the promise of being a great way to get money.  Which is especially important to Kaminashi as she is dirt poor and has been her whole life.

I know I’ve mixed in some information on techniques which isn’t applicable until the story starts but what I’ve been trying to illustrate over the last few paragraphs is Keijo’s baseline state as a sport.  It’s a tits and ass battle sport fought on a wide variety of arenas, I forgot to mention that above, filled to the brim with incredibly talented athletes who come from all kinds of backgrounds and have all kinds of body types, strengths and skill sets upon which they can create their own Keijo-specific techniques.  And this sport is able to draw from such a varied and consistently talented pool of players because it has all the money for reasons which we easily understand and which mirror trends in reality.  It’s fucking genius and we haven’t even gotten to the actual narrative and characters who populate it.  As far as I’m concerned Keijo has already surpassed any other sport by virtue of how well constructed it is at the conceptual level alone and when competing against other sports stories the match is Keijo’s to win or lose.

Now I expect it to lose for a lot of people.  Because of lot of people don’t want fanservice getting in the way of their sports story (it doesn’t in Keijo but whatever I get the complaint), some people just shy away from fanservice in general, some people will prefer a show about a more realistic sport or a sport they play and some people won’t like the characters and narrative, or maybe they’ll just like another story more.  I do not expect everyone to love Keijo, but what I hope I’ve shown is what merits the sport alone has, divorced from any other elements which a person may or may not like, and that it should be recognized for the excellent craftsmanship on display.  In a genre where most shows and manga just draw from existing sports and can focus solely on characters and narrative, Keijo has created an original sport that not only works as premise for a story but which would work fabulously in the real world as well.  This is just the foundation block of the story but it’s such a great foundation and I’m sad so many people will overlook this because they saw ‘ass and tits fanservice romp’ and checked out.

Ironically enough I came into Keijo like all the people I’ve been decrying, I started with the anime and the attitude that it was going to be so shameless and trashy that I just had to get a look at it.  Then the first episode was great and I checked out the manga and fell head over heels in love with it.  Most fans of Keijo will tell you the anime was bad because it skips the first major arc, the exam arc, which includes a lot of character for the two main girls Kaminashi and Sayaka.  They aren’t wrong but most of the focus appears to be on Sayaka because she develops more explicitly over the course of that arc.  However, while it was stunted, I think the anime got the main thrust of her character story across, that she was a judo champion born to a judo family who felt no passion for judo whatsoever and left against her family’s and even the nation’s wishes, abandoning the sport by throwing her Olympic qualifier match.  There are some great details in the manga that don’t make it into the anime, like how the person she threw the match to got crushed in the Olympics, lost her confidence and how friends of hers try to sabotage Sayaka during the exam as revenge, but honestly Kaminashi was the one who got screwed.

Kaminashi’s closest equivalent from another big name show is Natsu from Fairy Tail.  She appears incredibly stupid and she says stupid or blunt things all the time, but it’s consistently shown that she can be and is incredibly perceptive about things which she actually gives a shit about.  This is shown to an extent in the anime but a lot of subtle changes make Kaminashi looker much stupider and more underdog-ish than she does in the manga.  For example during the Sayaka-Rokudo fight in the anime Kaminashi is confused as to why Rokudo is beating Sayaka in the battle of seemingly equal Ass Gattlings and Kawai, which as a side note is a great name for that character as it’s one letter apart from both kawaii meaning cute and kowai meaning scary and she’s both, explains the endurance thing I detailed above.  In the manga, Non who is consistently depicted as air-headed and kind of out place amid all these other athletes is confused by why Sayaka is losing and Kaminashi is the one who explains it.  I feel this is an especially bad change because one of the key facets of Kaminashi’s character is that she’s far more dangerous than most give her credit for.  This is especially true early on as she’s one of the least famous characters but even in recent manga chapters she proves that she has a good head on her shoulders and can compete with fighters ranked well above her.

But to get away from anime-manga comparisons the point is that I’m a huge fan of Kaminashi and I like the characters in Keijo.  I think the mangaka has made some weird decisions regarding some characters and given how many there are it’s easy for some to fade into the background but on the whole I like them and I really like some of them.  None of the characters outright suck or piss me off.  Which means the story only improves from the impressive foundation laid for it.  This is true of both the anime and the manga though obviously more so for the manga because it’s the better version now.  I want you to keep this in mind whenever I criticize either the anime or the manga because I will and it might look inconsistent.  I think both versions made some bad decisions but I am very fond of Keijo and none of complaints are about things which break or ruin the series, just things I don’t get or disagree with.

For the sake of getting it out of the way let’s do the manga vs anime comparison now.  The anime’s like an 8, it’s a good time and tells a full arc that functions as it’s own story.  I agree that the anime skipping the exams was disappointing but it was also practical.  Most arcs of Keijo last about 3 episodes and there occasional bits that fill time in-between arcs.  This means if the anime had covered both of the two exams plus the first few chapters and the gap between the exams they would end up with 8 or 9 episodes.  To fill 12 they would either have to bloat the episodes they had or end in the middle of the school training.  Both are bad options.   Keijo is pretty tightly paced, it crams in as much as it can from the manga in the time it’s given while still leaving time for the major battles to feel fleshed out and satisfying.  Slowing that pacing down could be done but it probably leave more episodes feeling boring or at least more boring stretches.  Ending in the middle of school would anti-climactic as fuck though so that’s not really a viable option either.  It’s an awkward position to be put in and I think the anime skipping ahead so that it could cover all of the school stuff and finish on the climactic East-West war battles was a good idea.  Or at least it would have been if the anime hadn’t bombed.

The anime also made a number of smart edits to the source material and some shit ones.  One of better ones was keeping Kaminashi in the UTM all time when was forced to wear it, whereas it came off frequently in the manga, I felt that it added a lot more character and made it seem like Kaminashi worked harder.  One of the worst edits was having the Kaminashi vs Fujisaki battle end with both fighters sliding around the circular ring super fast, that looked shit and it was probably the part of manga the anime adapted worst.  The most noticeable improvement the anime makes to the manga though is in the Maya/Kaya fight, the final battle of the East-West War.  In the manga not enough is done to distinguish Maya from her alter ego Kaya and Maya regains control of herself so quickly that it seemed like having split personalities is more of a cheap gimmick to draw out the fight than anything else.  The anime brings that fight to life.  Maya and Kaya have different voices and hair colors, their attacks have different lighting effects and very different sound effects and the anime really sells Kaya as this unrestrained brutal side of the quite and largely defensive Maya and because the Kaya part of the fight takes half an episode of anime it feels fleshed out compared to the thirty seconds it took to read in the manga.

Back when the Maya/Kaya fight was the conclusion I would’ve pegged both the anime and manga as 8s and called it a day.  Now that the manga has continued to other great fights it has reached 10/10 status, but I still remember the anime edition of the Maya/Kaya fight and I struggle not to include that version when I think about Keijo.  Because I have a lot to say about the story in both forms and like both, it’s difficult for me separate them when thinking about Keijo unless I’m specifically looking at what they did differently.  Now let’s look at the manga only problems.

I just said the manga was a 10/10 and that may baffle you.  That’s ok because you aren’t me and don’t necessarily know my thoughts but Keijo is the only sports story I spend a lot of time thinking about.  Even good stuff like Kuroko no Basket which I marathoned the shit out of are shows I don’t love to the point of constantly obsessing over them.  Keijo is a a show I constantly obsess over and I’d like to think that by now I don’t to need any “not just for the fanservice” jokes or lines because that’s clearly not the only thing going in this show nor is it even my primary interest in the show.  I mean if all wanted was fanservice I’d be writing about how High School DxD or HOTD were the best anime of all time and I totally should write about those two for fun, but that’s not why I’m here, not really.  With that in mind let the nitpicking commence.

One of the manga’s problems is it’s got a bunch of characters and concepts which just don’t go anywhere.  For example there’s Kaminashi’s childhood friend who wants to fuck her, the male Keijo engineers, the hints of a shitty love triangle between the childhood friend, Kaminashi and this male-tsundere engineer.  But that’s minor shit.  The decisions which really bother are regarding Ooshima and Naka.  Ooshima is the less important of the two so let’s start with her.  Ooshima is this big volleyball player and National level athlete and she becomes friends with Sayaka and Kaminashi during the 2nd exam and she’s featured pretty heavily during that arc and she shows up for a few minor scenes in the school arc.  She’s an Infighter who’s main advantage is her size and the power that comes with it and she losses all relevance in the manga after she loses during the class advancement battle to Vajrass girl (I don’t remember her name but her technique is Vajrass aka Ass of Vajra, basically taking hard ass to a literal extreme).  Why cut her there?  Vajrass girl is not that important, she may be one Setouchi’s, the school, top ten fighters but that just means she will fight in the East-West War.  She has a mannish character design and sort of rough, ascetic Buddhist slant to her character.  But outside of her technique and design she’s utterly unmemorable and barely relevant to the story.

Why not just have Ooshima take her place?  You could even have Ooshima learn the Vajrass during the training arc between the class advancement battles and the East-West War.  Ooshima was never really a major character even we saw her a lot but at least she has a personality, a clear backstory, a history with the leading ladies and I remember her goddamn name.  I mean Vajrass girl’s most memorable scene is the class advancement battle, which is better in the anime anyway cause she beats out the two Infighters before losing to Non the airhead with a soft ass and arguably the best Counter we know whereas in the manga she loses to Non right away then Non just sort of wins off-screen.  I just don’t see the point of having two irrelevant characters when you could just combine them into one minor character.  Yes the Vajrass has a Buddhist component that isn’t in character for Ooshima but just have her learn it from a monk during the training arc, I mean they go to Kyoto for training why not just include a grizzled old monk guy who teaches her how to toughen herself up and she creates the Vajrass.  I mean Aoba Kazane uses a pyramid shaped ass technique that comes with ridiculous dodging which she describes as Egyptian sorcery (she stole the technique by feeling up a mummy’s ass because she can copy the techniques of any butt she touches) and one girl in a recent chapter uses Ass Incense she got from the African side of the of family to create illusions and basically turn feral so it’s not like having a monk teach Ooshima about body hardening would be too weird or out of place for Keijo.

This problem is only exacerbated when it comes to Naka.  Naka is one of the most interesting characters in the Keijo manga.  Something I forgot to mention while describing how Keijo makes bank is that it’s a gambling sport, so legally speaking all the combatants have to be adults.  They don’t do much with this in the anime and it doesn’t even play that big a role in the manga with one glaring exception, Naka.  Naka is a mom and it’s unclear exactly how old she is though you’d expect low 20’s to low 30’s.  Naka is also a former delinquent bike gang leader who despite her kind and motherly demeanor can get mean, and scare and roast the shit out of anyone she doesn’t like.  In addition to being one of the most interesting characters by way of being older and having a complicated past and life Naka is notable because for a while she has the biggest titties in the show and they are her weapon of choice, whereas most Keijo players focus more heavily on their ass as their primary weapon.  She was also present in the first exam as minor character and was a major character during the second exam.  Why the fuck did they cut her from the manga?

It’s weird.  They just have her marry an engineer and cut her from the story entirely.  Poof, she’s gone.  What I have to wonder is why?  There’s plenty of room for her in the story.  One of Setouchi’s top 10 is so ill defined and unused I don’t remember her name or her technique, I just know that she losses immediately to the twins in the East-West War, why not just give her spot to Naka?  More importantly during the Funabashi arc, especially the final battle, wouldn’t it have made more sense Naka to end up in the final round fighting with Kaminashi against the Funabashi fighters ganging up on them?  Naka clearly has the attitude and toughness that would compel and allow her to throw down on a gang of girls who trick and team up on outsiders and the leader of the Funabashi group is Don Kosugi, who like Naka has huge tits and fights with them almost exclusively.  Wouldn’t it have made more sense to cut Kazane’s Egyptian sorcery bullshit and have Naka fight Don Kosugi, before losing a tit battle thus giving Naka a reason to either retire or train harder and get better, before Kaminashi finishes the fight?  She even would’ve been good to feature during the class advancement battles, because she could have been required to fight Kogatana, who uses boob iaijutsu (sword drawing techniques), and they could have had Naka’s boob volume overcome the boob-draw and get her into the top 10.  So what gives?

Honestly it’s not even like my nitpicks are about Keijo being badly written.  Some of that stuff is unimportant and goes nowhere but nothing I’ve spent the last couple paragraphs whining about breaks the story.  They just represent missed opportunities and I don’t understand why you’d miss those opportunities.  I have no idea if these decisions came from the author, an editor, someone on the business end of things or some combination thereof.  I also have no idea if it’s just because the story wasn’t carefully planned out and characters were discarded before anyone involved knew what to do with them.  It just bugs me because it seems like a waste, especially where Naka is concerned.   Another minor issue I have is that a few characters seem to fly in the face of the high level athlete thing I mentioned.  Non in particular is weird because she’s characterized as clumsy, which you’d think that would preclude her from competing even if no one can beat her soft ass counter.  I like Non and I still think it’s weird.

Anyway let’s cut back to one of Keijo’s strengths, creative combat.  Back towards the top I spent a while talking about the realistic elements of Keijo and those will still be relevant here but this is mostly about the crazy shit.  As a result of the varying backgrounds and skill sets everyone has their special techniques which make them standout and a lot of these techniques are either insane or are borderline superpowers.  That’s not to say there aren’t grounded techniques, Butt on Titan for example is a basic bum rush, pun intended, from a really fat character.  Most of the techniques though are either flat out ridiculous or are based on realistic ideas and then taken to unrealistic extremes.  Sayaka’s K-acceleration for example is based on actual physics, but I’ve yet to meet someone who goes from really fast to borderline teleportation fast just by giving themselves a wedgie.  I’m not complaining mind, I think Keijo strikes a great balance between having elements grounded in reality to make the show make enough sense while also including enough crazy shit to make it over-the-top and fun.  It helps that a number of special attacks are great references like Shoryucans, Giga Tit Breaker, Butt on Titan and Gate of Bootylon, which incidentally was better animated in the Keijo anime than the Gate of Babylon was in UBW.

Keijo is perfect aware of how silly it is and can allows itself to be silly in earnest and not take itself too seriously.  This is good because sometimes shows can’t even get that right.  But the fact Keijo does this while also incorporating realistic elements to excellent effect almost makes me wonder how people can even consider this just a dumb fanservice show.  I mean I know why, they judged the book by it’s cover or a plot synopsis and then looked down their noses at it without digging into the glorious genius that is Keijo.  And that’s not entirely their fault but it does frustrate me some as a big fucking fan to see how underappreciated this series is for shallow reasons.

Anyway back to the action.  The tits and ass action of Keijo is excellent.  There are tons of creative tactics, attacks, super-moves, and arenas to spice up any match.  The arenas range from simple discs to discs covered in mud or water to giant jungle gyms to fucking Edo castles and Spanish galleys.  There are a ton of different kinds of techniques with plenty of fighters choosing techniques which affect the mind.  The physical stuff covers everything you can think of.  I’m not kidding, Kawai has a style that uses precision strikes to key areas to drop her opponents borrowing pages from boxing and wrestling, I dare you to question Keijo’s creativity.  Tactics also play a large role not just in battle but also in developing techniques.  Kogatana just went through an arc where her boobs were suffering damage from overuse and Kaminashi straight up invents a technique for her based on sword-stealing, which I’ve seen in enough anime to wonder if it’s an actual thing in kendo/kenjutsu or if anime is yanking my chain on this one.

I could easily keep going into more and more detail but honestly unless someone wants to talk to me about Keijo, and if you do please a comment cause I will be on that shit, I think I’m done here.  Given that this is about the length of an average 5 page college essay I think I’ve communicated what Keijo has to offer, what aspects of it’s construction are good and why I think Keijo is legit the best sports story I’ve ever seen.  If you made it this far I’d love it if you say something in a comment, even a ‘I think you’re totally wrong because…’ because I would to debate or discuss specific scenes or trends in detail but I’m running out of steam for this particular post.  Thanks for reading, I hope yo liked it and I’ll see you in the next one.

Raging Rant: Fuck Nobunaga and the Shinsengumi (and Japan)

History anime are by and large a joke.  I say this not because I hate history, in fact I love history the way a normal American loves football and apple pie.  But just fuck Nobunaga and the Shinsengumi.  With only a few exceptions I’m aware of, all history anime take place during the Sengoku Jidai (Warring States Period) in the 1500’s and Loyalist Rebellion in the late 1800’s.  Their have been some fun, good and even famous anime from these time periods, like Rurouni Kenshin or Gintama.  But I, and many people who I’ve also heard complain about this topic, are sick to death of Nobunaga and the Shinsengumi.  They’re fucking everywhere, and even when it’s not about them specifically when I see a show like Onihei roll around I can’t help but be a little disappointed by the fact that it looks just like a show about the Shinsengumi, because the main guy has a similar job.  And Nobunaga is in everything, some of it’s good like the recent Drifters or Nobunagun.  But the stories of these figures are so well trodden and their notable traits, beahviors and even verbal ticks so popularized that they’re pretty fucking boring.  Even in a fantasy show like Drifters you can totally predict that Mitsuhide would show up as an End because Nobunaga was a Drifter, everything about these characters is predictable and that’s rather boring really.

This is why I consider most of the best history shows to be historical fantasies like Seirei no Moribito, which builds a phenomenal setting and society to recreate the feeling of a history show, or Akatsuki no Yona which is great fantasy historical action-romance-drama thing, or Arslan Senki which I’ve praised in detail multiple times, or Katanagatari, which is all about possibilities and subverting history, or Junketsu no Maria (Maria the Virgin Witch) which mixed witches and mythology into the Hundred Years War.  These are all great shows and I highly recommend them but it would be great to get a more normal, realistic history show which avoids Nobunaga and the Shinsengumi somehow.  And we just don’t.  The only example I can come up with is Kingdom, which is fantastic.  The thing that really gets me about this is that it’s not like Oda Nobunaga and Shinsengumi are necessarily the coolest figures, or their eras the coolest points, in Japan’s history.  I think the Gempei War, which completely redefined how Japan’s military, social and political organizations would function from the 1100’s to the 1800’s is far more interesting.  Which is why I was really glad they brought in Yoichi in Drifters and Himiko, a semi-mythical prehistoric queen of Japan, in the awful Nobunaga the Fool, they shed a hint of light on interesting and largely unexplored, in anime at least, periods of history.  Hell a historical fantasy anime featuring Himiko fighting monsters and/or ancient gods practically writes itself.  But what would be even better would be if Japan just branched out a little.

Kingdom and Arslan Senki, and arguably a few scenes from the Fate series are steps in this direction but if we could get a mostly realistic anime of of ancient history outside of Japan I would kill the nearby peasants and loot the local castle to pay for that shit.  There’s so many possibilities, any time period for Rome, the Greco-Persian Wars, the Hunnic invasions and the rise of Attila, maybe go for some original story set in Mesoamerica because most of their history is a mystery, or maybe some Viking story about invading Britain or discovering North America, Egypt, the famed Gupta empire and Chandragumpta of India, the great Arab conquests, the Crusades, the Mongol invasions of Europe or China, an original story featuring the Sea Peoples who suddenly ravaged most of the ancient world without warning, you could even do a Gilgamesh spin off set in ancient Sumeria, etc.  The possibilities are endless and that’s just ancient history, what about the Bolshevik Revolution, the Crimean War, the Opium Wars maybe go for the Protestant and Catholic wars following Luther’s 99 Theses, Vietnam, the Cold War, etc.  There are so many possibilities I can’t even list them all and that’s just the the shit I know, there’s tons of history I don’t know jack about that could make great anime too.  But instead we just get Nobunaga and the Shinsengumi on repeat at least dozen times each and they get mentioned in almost everything with even the slightest connection to history and historical figures.  Stop it Japan.

This leads me to my next point and if you read my Patriotism Problem post then this will sound familiar but Japan really needs to work it’s tendency to make Japan always look good.  I’m not even talking about really controversial shit like admitting to the Rape of Nanking,  I’m talking about basic shit not making the JSDF invincible when fighting dragons *cough Gate cough*.  I can’t tell if it comes from the insecurity of an inferiority complex or the ego of a superiority complex but Japan always goes way out of it’s way to make sure it’s the best.  Oh UBW you have super powered historical figures eh?  Fine be sure to give Sasaki Kojuro a technique so good it transcends heroic abilities and enters the realm of divine swordsmanship to make us look better (I’m not making that up UBW’s Assassin technique, the fabled Tsubame Gaeshi, is explained as being better than the power of mere heroes and stepping into the realm of the gods at least in the wiki, can’t remember if that made it into the show itself).  Nobunagun you have people with super powers based on their ties to historical figures? Make sure to give the girl tied to Nobunaga the all-around best abilities to make us look better.  Drifters you have a bunch of historical figures fighting in Middle Earth?  Ok make sure to have an unusually large portion of the heroes taken from Japan and make them all super badass to make us look better.  I could give examples like this for days.

Japan it’s fucking embarrassing, and more than little irritating sometimes.  Look I’m from America and I have no problem with patriotism and being proud of your heritage.  But it intrudes on the story when you say deliberately make Hannibal Barca, one of the most revered generals of all time, a senile old man to make sure he doesn’t outshine his Japanese contemporaries in Drifters for example.  Japan’s obsession with inflating it’s own image and/or worth in historical shows is a complete waste of time.  It’s a minor nuisance at best and can totally break a story at worst.  I just don’t really get why it even exists.  To me it projects an arrogant fragility more than anything else and it severely limits what most anime with even the loosest ties to history can do and where they can take place.  There plenty of western medieval fantasies or recent WWI/WWII era fantasies like Shuumatsu no Izetta but the, in my opinion of course, far more interesting ancient world is left frustratingly untapped because of Japan’s need to always look like the best.

That’s it really, just wanted to flip Japan the bird and scream ineffectually at it like a bunch of liberals at an anti-Trump protest, which is the kind of thing I can only say here because California is overrun by liberals and trying to argue with them is an exercise in futility.  I don’t expect many people to care much about this, I don’t typically envision most readers as history buffs, I just needed to get it out of my system.  On the off chance you are interested give some of those shows I recommended a shot or if you just want to talk history for a bit that’d be fun too.  Thanks for reading and see ya next time.

Unpopular Opinion: Let’s Talk About Fate

So Fate:Grand Order – First Order came out recently and it was alright I guess.  It had great digital effects, cool Heroic Spirits and well that’s about it really, and it got me thinking about why it is that, contrary to most people, I’m getting less and less excited for anything Fate-related and by extension Ufotable in general as it’s becoming a Fate factory.  There will be scattered spoilers ahead, you’ve been warned.

Few things in the anime world sadden me the way Fate does.  It should be right up my alley and I should be drooling over each new entry.  I mean it’s got magic (awesome), famous historical figures reincarnated as super-powered badasses (especially awesome for a history buff like me), action (always a plus), and convoluted lore I can dig into for hours (because lore is my drug).  That said since Fate Zero I’ve gotten less and less enthusiastic about anything Fate and I think First Order highlights some of my issues with the Fate franchise rather nicely.  Though to it’s credit at least First Order seems to be something of a progression from the prior series, which is more than I can say about the coming Heaven’s Feel movie Fate fans have been hyping for months.  One of the main problems I mentioned in my review of Unlimited Blade Works is that the Fate anime are adapted as if they’re still visual novels, they have several different routes and Ufotable is doing work on multiple routes.  If you’re a fan of the games this might sound cool but stop and think for a second about how weird it is in a film medium.  Did you ever see a Lord of the Rings where Aragorn shacks up with Eowen instead of Arewyn?  Or maybe a Harry Potter where Harry and Hermione are a couple?  Discounting any fanfic you’ve read or seen, no you haven’t because that’s not how storytelling works.  In anime it’s mostly standard practice to blend all the route of the visual novel together and have the guy settle on whichever girl and thus keep the series as single definitive story, like in Clannad for example.  As far as I’m aware the Fate anime are the only series to just do straight adaptations of the visual novel routes separately, without regard for the other shows.  It feels weird and out of place, like if they rebooted a Marvel movie a year after it came out to swap the romantic pairings and change a few battles.

Even setting aside the inherent off-ness of Ufotable’s current approach to the various Fate routes and series, the real nail in the coffin is the characters.  Fate Zero was written by Gen Urobuchi, not the creator of the mainstay Fate-verse aka the Nasuverse, and his style is I think vastly superior to Nasu’s in terms of characters.  Fate Zero’s characters were mostly grounded and realistic in comparison to Nasu’s, who are generally more archetypal and tropy.  Even if we focus on the only teenage character in Fate Zero to make things more fair, he’s still leagues ahead of his Nasu counterparts.  Waver Velvet was a kid, a weak and unimpressive kid in the magical world, who desperately wanted to show the arrogant old guard of the wizard world, who dismiss him out of hand because his family’s magical lineage isn’t long and distinguished enough, that he was worthy, that his ideas and existence held weight.  He had no journey or path, he just wanted his worth to be recognized.  And he’s one of the few survivors of the Fate Zero Holy Grail War that leaves both alive and with a hopeful road ahead of him after Rider acknowledges his worth and shows him a new path to take.  By comparison Rin is a bossy tsundere, Shiro is borderline retarded, wrapped up as he is in his ideas of heroism and justice, and Shinji is a cartoonishly awful and pettily arrogant bully.  The only characters who were cartoonish in Fate Zero were Caster and his master, and they were fucking hilarious because their insanities complemented each other so well, and the story made it explicitly clear that they were outliers.

And let me stress again because it can never be stressed enough, fuck Shiro.  Shiro’s inane monologues about how his ideas are fake but they still hold worth or how Archer’s (he’s Shiro in the future in case you weren’t aware) conclusions are correct too, but he’s going to choose his own path because it’s right and- Jesus. Fucking. Christ.  Shiro is like half of everything wrong with Fate, and no, Archer being badass for a few fights doesn’t save him because Archer is by far my least favorite Heroic Spirit since he’s actually a Counter Guardian.  If that makes no sense you then congratulations you’ve seen the next big problem I’m going to get to in a minute.  One of things I think should be cut from Fate entirely is any emphasis on romance whatsoever.  None of the romantic interests are particularly interesting characters and the guy they all want to fuck is the most annoying thing Nasu ever created, the only romance worth a damn was Kiritsugu and Irisviel because it had more relevance to course of the Fourth and Fifth Holy Grail Wars and was actually interesting conceptually given that Irisviel was a Homunculus and by the time Fate Zero rolled around, in the process of dying before becoming the Holy Grail vessel, which her husband later destroyed.  The high school romances are boring as hell and the Fate Stay Night ShiroxSaber route legitimately pisses me off, in comparison.  Speaking of Saber, she was a weaker character in UBW than in Fate Zero, even though she should be getting more complex and nuanced, and therefore a stronger character.  But the main reason I think all the romance shit (sans Kiritsugu and Irisviel) should be cut is because we need spend that time on things that actually matter, like explaining the lore and mechanics of the Holy Grail War and some character development.

The single most common argument you get from anyone defending any Fate anime is that the games were better, that the games explained everything that didn’t make into the anime and made the characters better.  They may well be right, maybe the games are perfect masterpieces, but that doesn’t save the anime.  This isn’t a problem in Fate Zero because if anything that conflict was too drawn out and the only thing left unexplained was how exactly the Holy Grail had become corrupted (an important plot point for future works).  By contrast UBW doesn’t even explain that the reason Shiro’s magic gets so powerful so abruptly in the series is because it’s derived from his Origin, like how his adoptive father Kiritsugu had special bullets that could destroy a mage’s magic circuits thanks to his Origin, Cut and Bind.  I still don’t get how Caster (UBW’s Caster) was able to summon and command Assassin though a few Fate fans have tried to explain it to me.  The Counter Guardian thing from above, basically a human that makes a pact with the world and becomes a time travelling hero-figure, introduces new complexities into the lore that the anime has not yet fully addressed.  Likewise the character development in UBW is lackluster at best, because A, it barely happens and B, the archetypal characters are boring.  Why not cut the romance and used the added time to bring some more nuance to the characters, to make them grow more over the course of the conflict?  Anyway that’s enough bitching about Fate in general, time to look at First Order.

First Order introduces a ton of new material and a metric ton of nonsense magic and science words to get it’s rather straightforward scenario rolling.  First Order is basically the beginning of mankind’s desperate attempt to stave off extinction, which was decreed by some being, potentially the metaphysical consciousness of the world (which yes is a thing and it’s what allowed Shiro to become a Counter Guardian).  This simple premise is obscured by mountains of mumbo jumbo about Chaldea, a system which I’m honestly a little confused about because it’s function is supposed to be ensuring mankind survives in top form for a hundred years, but it’s unclear whether or how Chaldea actually does anything beyond being a display/warning system.  There are all kinds of new magic-tech babble concepts like Rayshifting and Spiritron Dives to accompany the use of Chaldea and the people sent to fix the anomalies which appears to be what kick-started the mass extinction of mankind.  I admit that the end goal, fighting a bunch of screwy Holy Grail Wars to save mankind is interesting but it took wading through a lot of nonsense to get to the good stuff.

In addition, two of the new concepts that are actually interesting are Demi-Servants and the Shielder class.  Mash the main girl of First Order becomes the first, and going by the wiki, only Shielder class Servant and a Demi-Servant.  A Demi-Servant is a human who merges with a Heroic Spirit, presumably a weaker one that couldn’t manifest otherwise though that’s just speculation on my part.  The Shielder class raises a few questions though.  Have Shielders always existed and just not been allowed to participate in Holy Grail Wars?  Were they not deemed worthy to compete for the Grail? Or are the Shielders a newly minted class because the anomalies have screwed with the rules of the Holy Grail Wars?  Is the Shielder perhaps a manifestation of mankind’s collective will to survive (not that much of a stretch by Fate standards) and not a true Heroic Spirit at all?  Is that the reason Mash is the only Shielder or is it just coincidence?  If it’s a Heroic Spirit who is it?  The shield doesn’t match any real designs as far I know, though it’s closest to the Celtic and Norse Cross shields, but the symbols on the shield as well as the Wall it can summon suggest Eastern origins though I can’t say for sure where, so where the hell is her Heroic Spirit from?  Thus far all of the above are unanswered but I hope Mash will get addressed in more detail later.

Unfortunately First Order seems to be closer to UBW in terms of tone and writing.  It has its own Rin, Director Animusphere (which is an awful name), to play the generic tsundere, the main guy is a cookie cutter nice guy but at least he’s not as annoying as Shiro.  An interesting thing to note is that is that the main guy has Rin’s face, I’m not kidding save for the fact that First Order’s protagonist has a more angular jaw-to-chin compared to Rin’s rounded jaw-to-chin its the same fucking face, it’s weird and lazy on Ufotable’s part.  The other characters are quirky, Leff in particular looks like he’s cosplaying a leprechaun before he becomes an edgy cackling villain at the end, and the mostly lighthearted quirkiness doesn’t at all fit the overall tone the premise and Fate franchise in general has set for itself.  For whatever reason UBW’s Lancer is reincarnated as Caster, which makes no sense because why does he know magic?  I can’t say I’ve dug deep into his, Cu Chulainn’s, legend but what research I’ve done doesn’t suggest he learned magic at all.  Regardless of how he became Caster, him using a Wickerman was in keeping with his Irish origins but his other magic was based on Norse runes which obviously aren’t from Ireland so what the fuck’s going on there?  Poor attention to detail.  Other than that it was alright.

First Order isn’t great, hell it’s not even particlualarly good, but it’s mildly entertaining and pretty to look at.  If nothing else it seems it’s taking the Fate franchise in a new and possibly interesting direction, and there’s no Shiro so that’s something to look forward to.  This was mostly an excuse to bitch about Fate and Ufotable though, hope you enjoyed it and I’ll see you in the next one.

Unpopular Opinion – Triple Feature: Keijo vs Kuroko no Basket + Keijo: Anime vs Manga

keijo

VS

kuroko-no-basket

Keijo and Kuroko no Basket are my two favorite sports anime to date.  That’s not quite as impressive as it sounds because I rarely watch sports shows, but at the same time it says a lot about me and what I’m looking for in a sports anime.  Put bluntly the vast majority of sports shows don’t interest me at all.  I have enough high school shows on my plate without adding a bunch more to cover sports.  I also just don’t watch much in the way of sports period, I basically stick to football because it’s so ubiquitous in America that it’s almost harder to not watch football than it is to watch football.  Why then did I enjoy these two shows?  There will be spoilers ahead.

What makes Keijo and Kuroko no Basket interesting to me is how far they deviate from reality.  I’d much rather watch super-power basketball than regular basketball, let alone basketball featuring a bunch of teens learning their talents instead of watching pros.  A lot of sports anime focus on kids who are coming into their talents or otherwise develop talents over the course of the show, complete with valuable senpai who help the team or main characters grow along the way.  That bores me.  Don’t me wrong in a lot of other cases I think watching kids with potential can be more interesting than watching talented adults, take Naruto for instance, the most interesting point in the story was the Chunin Exam because that was when everybody was still growing and they were on fairly equal footing, as opposed to the Fourth Ninja War where everyone’s powers were mostly set in stone and fell into the categories of OP as fuck or useless.  But sports is an exception, I have enough trouble watching pro sports, high school sports bore me to tears.  In Kuroko no Basket most of the main players are basically playing at a pro or better level already despite their age.  They’re young enough to develop some new skills, but it takes a long time because most of the time none of the main characters actually need to get any better to win, they’re already crushing most of the competition.  The main team needs to grow a lot as a team to get to the final round of the main tournament, but individually there’s very little growth going on.  And that’s ok because these kids are talented already and they generally have their own “power,” which can range from simple physical abilities, like super high jumps to basically magic, like copying any move you see or never missing a shot so long as your shooting form is right.

This is actually cool, this is basketball that’s been enhanced by the addition of crazy abilities to make the strategies of each team more interesting.  For example the main team is largely centered around Kuroko’s ninja-like ability to hide his presence and surprise the opposing team, and they in turn have to deal with teams who are centered around crazy good players who make you trip over yourself and bypass you without challenge.  The introduction of crazy plays or shots, made possible only by the various “powers” in play, are especially good for the tension and drama.  Watching someone bust out a nigh game-breaking move to shift the tide of battle or watching the other team overcome the game-breaking move to win the game is a huge thrill and it definitely kept me on the edge of my seat as I marathoned all three seasons of Kuroko no Basket.  Basically what I’m trying to say is that Kuroko no Basket is really really good and you should watch it if you haven’t.  The only thing I wasn’t too big a fan of was “The Zone.”  That said I much prefer Keijo to even Kuroko no Basket.

Now I know what you’re all thinking, of course I like Keijo better, it’s full of girls in swimsuits, some of which rip, fighting with their tits and asses, what man couldn’t like Keijo?  And you know what you’re absolutely right, all hail swimsuit buttfights.  However that’s not all there is to my love of Keijo, Keijo is quite possibly the best sports anything ever conceived.  Setting aside the actual combat and the fanservice, I love the idea of how Keijo operates.  This isn’t made clear in the anime, but Keijo is such a ludicrously lucrative sport that professional and Olympic athletes regularly quit their sports to compete in Keijo, there’s just that much money involved.  This is pure genius because it gives a concrete reason for everyone competing in the sport to be crazy good, almost everyone involved has at least competed nationally in their prior sport so of course they’re fucking good.  This is a step up from Kuroko no Basket where the baseline of where everyone’s at is basically set by the author for narrative reasons, most high school basketball teams are nowhere near as good as the teams in Kuroko no Basket.  By comparison, if Keijo as it’s described was a real thing it would mostly play out the same way in our world because it’s a natural extension of the world, super talented people from all kinds of sports backgrounds go to Keijo specifically to compete because of the pay.  Another bonus is that Keijo is for adults only, this plays no role in the anime because everyone acts like high school kids anyway, but everyone in Keijo is done with high school and are competing because that’s their career of choice.  To me this is big even if the anime doesn’t really do anything with it, because college characters are generally more interesting  than their high school counterparts and it even makes sure the nudity is now legal because no one’s underage.

The other huge advantage Keijo has over Kuroko no Basket is flexibility.  In Kuroko no Basket, as in many sports shows, everybody is given their one power and that’s all they have to work with.  The powers can be applied multiple ways, like how all of Kuroko’s moves are passed on his lack of presence and crazy passing, or have varying strengths, like how there’s two guys who can visualize the court from a bird’s eye view but one has better range, but the players are still more limited.  This isn’t a bad thing per se, exploiting and circumventing a player’s a limits is big part of strategy in Kuroko no Basket and limits can be great for the dramatic tension.  That said I think Keijo’s more natural variation is more interesting.  In Keijo players generally fall into of three classes, Infighter, Outfighter and Counter, and these classes have a Rock-Paper-Scissors sort of relationship.  However there’s a huge amount variety within each class, which affects the Rock-Paper-Scissors balance.  For example Miyata is a small, fast girl and therefore an Outfighter, however she’s got a lot more power than most Outfighters because her background is in judo so she has more muscle.  Meanwhile Rin, another Outfighter, has higher speed, stamina and lung capacity because her background appears to be in long distance running.  In addition  to the variety there are also techniques that anyone with the right body type can learn to counter various classes, the Hip Bullet aka Butt Flash is an Infighter move that relies on a butt’s weight and mass to generate a fast but solid jab attack, and it allows Infighters to manage the quicker movements of Outfighters when used correctly.  Then there’s the techniques they get from their previous sport, like Kawai’s huge step-in, which she learned from her softball days, she uses to close the gap and launch deadly Infighter techniques.  All of this is to say that Keijo has a lot more variety in terms of skill sets and by extension potential strategies and I personally find that to be a big bonus.  And the best part, many major characters still have ridiculous powers like the cast of Kuroko no Basket in addition to their other, widely varied skills, so the fights lose none of their tension or insane flavor.

With all of that it’s time to face inevitable question, what’s better the Keijo anime or the Keijo manga?  Most people are already saying the manga’s better and while I think it’s hard to argue against them I’m not totally sold yet.  The way I see it, it depends on whether you think the ending or the beginning is more important.  The Keijo manga has a lot of important details early on which explore the game a  bit more and add a lot of character development, which is why most people argue that the manga is better.  On the other hand my biggest complaint with the manga is that the ending felt anti-climactic and abrupt, and the anime dedicates almost half of the final episode to an epilogue that sees everyone come together after the East-West War and our main duo signing up for their first professional match, which I thought was superb addition to the story, because something the manga neglects is that the characters are basically in Keijo bootcamp (which we could rename bootycamp or boobcamp in this case) for a year before going pro.  The way the manga ends is like Kuroko no Basket, the main tea has won the big tournament, and that’s it.  By comparison the anime gives us a tiny peek at the future, and some of the girls shown in that peek looked like they could awesome rivals later down the road and I for one was excited when the anime should us something on the horizon.  And as someone who very much values a good ending, I think the anime finale was especially good.  That said there is a an awful lot that we miss out on from the manga so it’s hard to say for sure which I like more.

Part of the problem is that despite all the goodness that’s only in the manga, the manga has some problems that aren’t really being discussed so far as I know.  The main issues is that the manga doesn’t seem to know where it wants to go.  That may be a problem from the artistic side or the business side butting in and causing problems, but either way the manga made a bunch of odd decisions and has a bunch of loose threads lying around.  The best examples are Naka and Ooshima but I want to get into them in more detail so a quick example are the Keijo engineers.  The anime mentions them once but they’re never shown, meaning Kotone has to look at clouds that vaguely resemble men embracing each other to get her yaoi fix (personally I thought was funnier than her looking at the actual engineers even if it was more a stretch).  In the manga though there’s a pair of male engineers we see a few times and it looks like one was setup to be a potential romantic interest (read male tsundere) for Kaminashi, keeping in mind that Kaminashi’s childhood friend wanted to fuck her big time, meaning we might have had a potential love triangle going (thank god that never happened), but it never goes anywhere.  This problem is minor when applied to the engineers and the childhood friend but it gets worse when you consider Ooshima and Naka.  The exam arc, especially the second round, spends a lot of time on Naka and Ooshima but more or less resigns them from relevance by the point the anime started at.  I feel that this was a huge mistake.

Keijo’s cast is pretty huge and given how relatively short it is, it hasn’t got time to flesh all that many people out.  So why cut some of the people you actually spent some time developing?  Instead of cutting Ooshima from relevance wouldn’t it make more sense for her to take Vajrass aka Ass of Vajra girl from the Elite Ten’s place?  They’re both big, muscular girls who have more or less the same skill set, and it’s not like Vajrass girl’s all that important or remarkable.  Vajrass girl is mostly a joke anyway the same as Ooshima was treated, why not put Ooshima on the Elite Ten roster and have her fight in the East-West War in place of Vajrass girl?  You could even give her the Vajrass ability because she basically had a weaker version of that already.  That minor change would be a big benefit to the characters, rather than flooding the story with a ton of girls why not keep the cast smaller and give us more time with them.  Ooshima was mostly goofy but at least she had a prior connection to the main duo and could share more strongly in their victories later in the series, and her character design was better than Vajrass girl’s anyway.  Seriously what is the downside to including her and cutting Vajrass girl?  The same goes for Naka but twice as hard.

Naka had the opportunity to be the single most interesting character in the manga and the show.  She was a full-on adult, a mom with a young kid, and a former bike gang leader, she was the only one of her age bracket (late 20s early 30s, it’s not exactly clear when) trying to compete at the same time as the main duo.  The closest girl was Kusaki who was 20 but she doesn’t act any different from a  dominant yuri high school girl. Think about that for a second.  How interesting would it be to follow the story of new but older player who has her family burdens to deal with, a son to impress in her matches and a violent enough past to seriously kick ass or dig in when the going got tough?  I mean for fuck’s sake one of the Elite Ten girls doesn’t even get to do anything in the East-West War and we never see her abilities, why not replace her with Naka?  Or the boob-iaijutsu girl?  Hell you could even keep boob-iaijutsu girl  and put her on a Suruga team and make her a tough opponent while keeping Naka on Seitouchi’s Elite Ten.  Hell make them fight, boob-iaijutsu girl vs Naka, i.e. the woman with the biggest boobs in the series, that fight practically writes itself and you have to know how many dudes would be totally on board watching that.  And like Ooshima, Naka has a longer history with the main duo and could share in their collective triumphs more deeply.  And again she was the most interesting character conceptually by a mile, but she was cut for reasons unknown.  Long story short, while the manga has a lot more character development and a ton of good moments in the exam arcs, it also made what I consider some pretty huge mistakes and included random tangents that never coalesced into anything substantial.

Whatever the manga’s faults though it does have some major advantages in terms of character.  Miyata’s story has a bit more depth, though I think the anime was able to get the gist of her story across.  The one who really got screwed was Kaminashi.  In the anime Kaminashi is a loud idiot with rare flashes of inspiration, like a shounen hero.  In the manga Kaminashi can be a loud idiot but on the whole she’s a lot more perceptive and intelligent than she lets on, often catching onto things that her roommates miss.  In the anime she’s the one missing the things and Kawai who explains in Kaminashi’s stead.  This was mistake to me because part of what makes Kaminashi so interesting is how creative and intelligent, even arrogant in some cases, she is with regards to Keijo.  Hell one of my favorite scenes in the manga is during the exam when uses she overcomes the hardest test, the butt figure eights, by using the lights so she can watch her shadow so she can make accurate figure eights faster than anyone else.  Also the anime doesn’t get across how poor she is, because her family is completely broke, it just lets us know she’s in this for the money as well as how she enjoys the sport.

Getting back to manga problems the ending needs more attention.  The biggest flaw to me about the ending of the manga is not just how abrupt it is, it’s how Houkouin was a better last boss than Maya/Kaya.  In the manga Kaya/Maya made less of an impression, maybe because the split-personality thing was Akashi’s thing in Kuroko no Basket, than Houkouin.  Houkouin was a more stylish and interesting enemy by far and her battle felt more climactic than Kaminashi vs Maya/Kaya.  The anime doesn’t suffer from this problem, Maya/Kaya is still less stylish, but now at least because the hair color changes when the personalities swap Kaya makes more impact than she used.  The sound though was what really did it.  Kaya’s style is very rough and aggressive in comparison to Maya’s defensive style, and having sound to help communicate how heavy and violent her attacks were was major boon to the final battle.  And again having an epilogue to ease the story into a nice finish that hinted at potential future work was so much better than cutting off right after Seitouchi celebrated after they won.  Minor details include some of the fight scenes and attack translations, the anime made some savvy edits to the manga to fit their shorter story like making Kaminashi wear the UTM all the time during her training period (the manga had her out of it frequently) but also screwed up some stuff, the final attack of the Kotone vs Kaminashi battle looked terrible in the anime and didn’t communicate what was actually happening visually at all.  Some of the attack translations where better in the manga, like Vajrass as opposed to Ass of Vajra, while the anime did some that were better as well like Gate of Bootylon (fun fact the “gate” animation in Keijo was better than the Gate of Babylon used in the new Unlimited Blade Works which is ironic as fuck) instead of Hip of Babylon or Butt on Titan instead of Ass Wall.

Ultimately my advice is this, watch Keijo and read the manga too, pick whichever one you like to start with, (for me it was manga then anime) and decide for yourself which is better.  Because personally I think there’s a strong case to be made for both the anime and the manga being the better version and which is your favorite will ultimately boil down to your individual tastes.  Also watch Kuroko no Basket, but do the Keijo stuff first because it’s better.  Yes I seriously mean that.  I think Keijo incorporates more elements of realism and is just more conceptually interesting on the whole than Kuroko no Basket, while still retaining the insane superpowers and crazy techniques Kuroko no Basket employs to great effect.  Also it’s full of hot girls who are frequently half-naked and occasionally full naked, and despite it’s clear fanservice nature, Keijo is surprisingly good at keeping hings sexy but mostly classy, none of the fanservice ever feels insulting or ever takes you out of the experience by feeling forced.   All in all a great time.  Thanks for reading, I hope you enjoyed it, and I’ll see you in the next one.